Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Spinning Platters has seen all of these bands before, more than once in fact, yet about half of the staff was at this show. Why? It is impossible to resist the chance to see three such high energy fun acts all in one night, and it was Managing Editor Dakin Hardwick’s birthday party! For both these reasons it was a very fun night full of joy and dancing. Continue reading “Show Review: Free Energy with Foxy Shazam and Hollerado at Slim’s, 10/29/10”
LIGHTS is definitely not hard on the eyes! Think Alexandra Lawn from Ra Ra Riot but edgier. She’s not exactly hard on the ears either. Synth heavy female vocals, lightly backed by a drummer, and when I say lightly I mean he could play with one arm half the time. She breaks from her elrctro-pop way mid-way through her set to play a solo acoustic song off her purely acoustic EP, and to do what I guess would be a “cover” of the YouTube video “hide your kids hide your wife,” And then she finishes out the remainder of the set like the beginning. Continue reading “Show Review: LIGHTS at Slim’s, 10/25/2010”
When we arrived at The Independent I was surprised by the lack of people. Maybe I live in a bizarre universe in which Saddle Creek in the early 2000’s was the epitome of music, but I thought Azure Ray coming back would be big. Apparently I was wrong. It could have been the rainy Sunday night, or maybe it’s that slow, haunting pop songs are out of style. Nevertheless, it turned out to be a lovely, and surprisingly varied, evening of music. Continue reading “Show Review: Azure Ray with Tim Fite and Whispertown (solo) at The Independent, 10/24/10”
I sent out an email to everyone from Spinning Platters that went to the Treasure Island Music Festival on Sunday. I asked them to send me back something about their favorite act from the day. From some people, I got nothing, but from nearly everyone who responded, I got the same news. Belle & Sebastian was their favorite act. So you’re about to read mainly a Belle & Sebastian love-fest, and look at a whole lot of pictures of Monotonix. And other than the rainy, windy, cold conditions and some energetic sets from Surfer Blood, Superchunk and Rogue Wave, that’s my biggest takeaway, too. Continue reading “Staff Picks from Treasure Island Music Festival — Sunday 10/17/2010”
Sure, one could write hundreds of words about each band on the bill at the Treasure Island Music Festival, but then the entire comment section would be filled with a lot of “tl;dr” comments, which aren’t much fun. And I could write a “best-of” post, which basically translates to “I took a nap during Jamaica’s set.” Instead, in the tradition of our fan-favorite Instant Album Reviews columns, I instantly review Saturday Treasure Island Music Festival, with the help of some great photos from David Price. Continue reading “Day 1 of Treasure Island Music Festival 2010 — Instant Band Reviews”
(This post is about a year old, but I’ve made some updates for 2010)
This weekend’s Treasure Island Music Festival has quickly become my favorite musical event of the year. There are no conflicting set times, so you can see everyone on the bill. The size of the festival is fairly small, so it’s easy to get around. The setting in the middle of San Francisco Bay is absolutely stunning. And something about all of these combine to keep the people going in a relaxed, pleasant mood that makes being there all the more enjoyable.
Now, you might think going to this festival is as easy as hopping in your car and going to the festival to enjoy some music, but you’d be wrong. Read on, and I’ll teach you how to avoid rookie mistakes. Continue reading “The Insiders’ Guide to the Treasure Island Music Festival (Updated for 2010)”
How much would you pay to hear one song? What if that song was going to be played by the most accomplished one-hit wonder in the history of music? When that song is “Genius of Love,” and that band is the Tom Tom Club, the long lasting musical project of Tina Weymouth and Chris Frantz of Talking Heads, then apparently that price is $26. This was, however, a 13-song set. So what about the other 12 songs? Were they worth the price of admission?
The short answer? Continue reading “Show Review: Tom Tom Club at Great American Music Hall, 10/8/2010”
Put a giant band in a small club in a faraway land, and you never know what you’re going to get, or who’s going to show up. I was surprised when I walked into the Rickshaw Stop to see the sort of people I wouldn’t expect at a hard rock show. In SF parlance, we call them “Marina types,” where I had thought the place to be filled with anglophiles and socially awkward rocker types. By the end of the night, all would become clear. There aren’t a lot of Biffy Clyro fans in San Francisco, and this show won’t go too far for upping that count. Continue reading “Show Review: Biffy Clyro with Picture Atlantic and New Diplomat at Rickshaw Stop, 9/28/2010”
If you’re not into electronic music, then Rusko might be hard for you to swallow. However, if you are, it might be exactly that new pill you’ve been asking about that no one seems to have. Rusko is undisputedly one of the premier dupstep producers and DJs in the world, and also one of the busiest. By the end of 2010 he will have attacked San Francisco four times! Cramming all those gigs in might seem tiresome, that is until you see Rusko. With more power and energy than that drumming pink bunny, Rusko takes hype and turns the heat up. In fact. the heat was quite literally turned up Last night at the Mezzanine mostly due to the 80 degree weather outside at 10pm, but also due to a room full of half-naked 20-somethings most likely juiced on more then just a tall boy of Pabst. Continue reading “Show Review: Rusko at The Mezzanine, 9/28/2010”
Hiatus is a dirty word when bands you love start throwing it around. Sometimes, the band returns, re-energized and ready for action. Other times the band returns, gets together for a little while, realizes the hiatus was the right move, and just breaks up. And then there are times when the band doesn’t come back at all. So when Bloc Party announced their hiatus, I was concerned. What would come of Kele Okereke, one of my favorite front men of all time? This weekend, I found out. Continue reading “Show Review: Kele with Does It Offend You, Yeah? and Innerpartysystem at The Mezzanine, 9/18/2010”