Jason Webley holds a pear over his head. If you're a fan, this makes sense.
At Slim’s Saturday night was the San Francisco stop of the 5th Annual Monsters of Accordion tour. For me, it was my first annual. For although I’ve never been to one of these shows before, I am absolutely sure to go again. This was a fun night with a lively crowd, and something I intend to repeat soon. Very soon, in fact, for there is a secret additional Monsters of Accordion show this Tuesday night in Oakland. Want to know where? Better read on … Continue reading “Show Review: Monsters of Accordion Featuring Jason Webley at Slim’s, 12/18/2010”
When thinking about the place of the Dandy Warhols at this point in their career, in their genre, it’s hard not to think about the Brian Jonestown Massacre (an unoriginal thought considering the bands were contrasted in the rockumentary “Dig!”). BJM was another talented psych-rock 90’s band with a tendency to go far out and meander into extended riffs. Actually, the Dandys brought this history up all on their own when they called out in the audience to see if “Joel from Brian Jonestown” was around. Continue reading “Show Review: Dandy Warhols at the Regency Ballroom 12/11/10”
As our photographer was moved to dancing up a storm, enjoy this official publicity photo!
I don’t know what’s happened to Popscene over the years. When I was in my early and mid-20s, it was pretty much just a dance club. Then every once in a while, a really awesome band would come play. It was a fabulous treat, but really, it was still a dance club with lots of dancing before and after the band played (if there was one that night). Moved away to LA, moved back, basically fast forward to a world where I’m now 31 and haven’t been going out dancing as much. But I have been coming for shows every once in awhile. But maybe that’s what happened, more and more relevant bands have been playing this venue, so its turned more into a place for great late night shows than it is a place for dancing. Because there was sure no dancing going on this past Thursday night, well besides me with my recovering foot dancing almost by myself, when all the young kiddies were being lame and hanging out by the walls. Continue reading “Show Review: MNDR at 330 Ritch — Popscene, 12/09/10”
Donald Glover and band (my apologies for the iPhone photo)
Home from the first ever I Am Donald Tour I find myself, though my ears are ringing and my feet are aching, sitting here smiling as I write this. Although the evening was based around one person it was one of the most entertaining and well rounded performances I’ve ever seen. Maybe it is because Mr Donald Glover is such and entertaining and well rounded guy. He wrote for 30 Rock before he was 25 (as attested to in “Let Me Dope You”), does stand up, stars on NBC’s Community and raps under the name Childish Gambino. The most impressive part being that he does all these things well and with all his heart. There was never really a chance that this wouldn’t be an amazing show. Continue reading “Show Review: The I Am Donald tour with Donald Glover and Childish Gambino at Slim’s 12/11/10”
2010 has been a year for a different kind of performance: the full-album gig. While not necessarily filled with the same wonder and anticipation that your more common setlist will contain, a full-album set guarantees the kind of rapt excitement that comes with knowing that your favorite songs from that record will all be played, and the surprises at the end of the set become that much more exciting. There have been a few artists who selected the albums that truly defined their careers — Weezer performed their classics, the Blue Album and Pinkerton, and Roger Waters recreated The Wall with modernized visuals and ideas, capturing much of the same excitement and wonder that had accompanied the album upon its release in 1979. In the case of Peter Hook, co-founder and bass guitarist of the seminal post-punk masters Joy Division and New Order, Friday night’s performance at the Mezzanine was truly the best time and place for a full performance of Unknown Pleasures, the album that began Joy Division’s career, and the only record to be released before the death of their singer, Ian Curtis, in 1980.
San Francisco’s own Margaret Cho gave a triumphant hometown concert at the Nob Hill Masonic Center on Saturday night in support of her first music album, Grammy nominee Cho Dependent. But those concerned that Cho would forgo stand-up to focus on music needn’t worry: comedy was still very much the priority of the evening, and Cho has rarely been more uproarious.
Mary Timony, Janet Weiss, and Carrie Brownstein of Wild Flag. All photos by Christopher Rogers.
WOW.
Wild Flag, the much-buzzed new supergroup featuring Carrie Brownstein of Sleater-Kinney, Mary Timony of Helium, Janet Weiss of S-K and Quasi, and Rebecca Cole of The Minders, made their Bay Area debut last night. And what a debut it was.
As massive undertakings go, a tour focused around three-show residencies, full-album sets, and no-opener-just-what-you-paid-to-see performances is pretty high up on the list. The ante is upped even further when the third night of said shows is focused on an album entirely comprised of cover songs — most of which, according to the band tonight, had never been played live before. The thousand-plus fans that showed up to witness A Perfect Circle perform these songs at the final night of their Fillmore residency reacted to such a statement with awe and applause — while all good things must, eventually, come to an end, the precision and care that the band emphasized in tonight’s show helped their stay come to a brilliant conclusion, and the crowd was all the more excited to witness it.
