Show Review: Carina Round at The Apple Store and Café du Nord, 5/8/2012

Watch the people get tricked out of time
Watch the people get tricked out of time

If you were fortunate enough to catch the last two waves of touring put upon by Puscifer, the brainchild of one Maynard James Keenan of Tool fame,  you might have caught a glimpse of a sultry and furious siren known as Carina Round, who opened for the art-collective-cum-musical-explosion on every single one of their dates. In addition to kicking off the show and stunning audiences who were unprepared for an opening act that held her own ground and shook the foundations of the theaters she co-occupied, the Wolverhampton, UK-born Carina also lent her rich and sensuous voice to the backup vocal duties of the main act — sometimes taking center stage to lead the musicians around her, while frontman Keenan practiced his customary hiding in the shadows. What you might have missed, however, was the release of Tigermending, her self-produced third record. Nearly half a decade in the making, with guest appearances from musicians as varied as Brian Eno, Billy Corgan, and Dave Stewart, the album is a dense and thunderous exploration of worlds unknown and lingering, decadent thoughts and messages. To express all of the fury and power of this release in a live setting is a daunting task, but tonight at Café du Nord, Carina proved that she was more than up for it.

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Show Review: The Alone Together Tour: Colin Stetson with Gregory Rogove and Sarah Neufeld at Hotel Utah Saloon, 5/1/2012

Colin Stetson, master of the bass saxophone
Colin Stetson, master of the bass saxophone

How easily can you name all of the members, especially those who play with more unconventional instruments, within the bands you listen to? Sure, for your favorite bands, the acts that you are most passionate about and would follow to the ends of the earth, you’ve probably got their email address and a list of what kinds of underwear they have on each day of the week, but not for a good chunk of the average music lover’s library. There are dozens of bands where we rarely look past the smiling (or impassive, because that’s more photogenic these days) faces of the lead vocalist and/or guitarist, whose charm and energy all but eclipses his fellow players. It’s simple to pay little heed to the fact that a band is often made up of at least four, and quite often more, musicians, each with their own musical background and distinct talent. The musical upbringing and playing style that these musicians utilize in their solo time may often be a complete 180 from that of the more well-known band, and its different energy and performance will often bring an unexpected result. While the Montreal music collective known as Arcade Fire is already well known for its multihued musical aesthetics, their touring saxophonist Colin Stetson, who also did some time in the folk troupe Bon Iver, performs his own music as well, which is possessed of a feral intensity and staggering display of endurance rarely matched by a solo performer — particularly with an instrument as unruly as the bass saxophone. Continue reading “Show Review: The Alone Together Tour: Colin Stetson with Gregory Rogove and Sarah Neufeld at Hotel Utah Saloon, 5/1/2012”

Show Review: Ingrid Michaelson with Harper Blynn at The Fillmore, 4/25/2012

Ingrid Michaelson and her uke

Prior to this week, I couldn’t have picked Ingrid Michaelson out of a police line-up. I had more than a good handful of her songs on my iPod, and had seen her on at least one TV appearance and multiple album covers, but she appears to be somewhat chameleonic if you judge by those: from the girl with the ponytail and the face paint on the cover of Be OK to the girl-next-door blonde on Everybody to the bundled-up brunette in hipster glasses in last year’s Macy’s Thanksgiving Day parade, I really didn’t know who she was, other than a girl with a voice I really liked. Thankfully, last Wednesday night at the Fillmore, I had the opportunity to find out for myself just what Ingrid Michaelson is all about.

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Show Review: Refused with The Hives and The Bronx at The Warfield, 4/18/2012

Punk crusade throughout the land
Punk crusade throughout the land

At the end of the day, what truly compels someone to come to a concert is their love of the music that their favorite band plays — and the sheer energy with which they present it to their fans. Take away the light shows, the falling props, the dancing backdrops, and the larger-than-life haircuts, and what brings people to a concert, what REALLY sells out a club and packs its patrons in tighter than sardines in a tin can, is the overwhelming desire to watch an artist deliver their heart and soul onstage, in the form of bellowing voices, howling guitars, and an onstage presence that drains the viewer just by beholding it. Irrespective of genre, of geographical location, and even of time period, it is truly the mindbendingly ecstatic bands that pulls in all comers — even well-known and loved artists of other musical worlds. Thus, it was little surprise that members of bands such as Rise Against, Metallica, Faith No More, AFI, As I Lay Dying, Death Angel, and Sevendust were on hand to experience one of the most incredible performances of 2012, when newly-reunited Swedish hardcore juggernauts Refused took the stage at the Warfield Theatre in San Francisco and delivered a set that was paralyzing and stunning in its intensity.

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The Spinning Platters Guide to the San Francisco International Film Festival 2012

This year’s edition of the San Francisco International Film Festival will transpire in theaters around the city from April 19 to May 3. Last year’s SFIFF marked the Bay Area premieres of such critically acclaimed hits as Beginners, Another Earth, and The Future. This year’s reliably diverse lineup looks just as promising, featuring new work from actors like Shirley MacLaine, Jack Black, Diane Kruger, Maggie Gyllenhaal, Greta Gerwig, John Krasinski, Freida Pinto, Emily Blunt, Val Kilmer, Lili Taylor, James Franco, Susan Sarandon, and Common, filmmakers like Richard Linklater, Michael Winterbottom, Lynn Shelton, Andrea Arnold, Lena Dunham, and little-known local winemaker Francis Ford Coppola, and documentaries on subjects ranging from Diana Vreeland and Marina Abramovic to ACT UP and the epidemic of sexual violence against women in the military. The festival will also feature several events, notably tributes to Kenneth Branagh and Judy Davis (both of whom will attend), a Midnight Mass tribute to the late Ken Russell featuring a Peaches Christ-hosted screening of Tommy, and perhaps most awesomely, a program of Buster Keaton short films with live musical accompaniment by Merrill Garbus and her tUnE-yArDs crew.

After the jump, we break down the 20 films we’re most excited to see this year into three categories: World Cinema, New Directors, and Documentaries. All film descriptions are courtesy of the San Francisco Film Society.

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Show Review: fun. at Bottom of the Hill, 3/29/2012

Sometimes when a band has a giant hit song, they cancel their long-ago-booked club gig to move into a bigger venue at a higher price. This has happened recently with Gotye, and it’s kind of a bummer for early adopters who were excited about seeing a beloved band in a small club. And other times, the band keeps those dates and plays a fantastic show to a small, ecstatic group of their biggest fans. This week, San Francisco won because the band with the current number one single in America, the ubiquitous “We Are Young,” played at both The Independent and Bottom of the Hill, and in doing so, proved that they are definitely not going to be one hit wonders. They’ll play the big rooms next time around. Continue reading “Show Review: fun. at Bottom of the Hill, 3/29/2012”

Show Review: Tyrone Wells with Mike Annuzzi and Joe Brooks at The Independent, 3/29/2012

Tyrone Wells: unique and delicious

At first glance, he might just be a very large, very bald man with a tiny guitar and a voice that mesmerizes. Upon closer inspection, though, Tyrone Wells is just tall, talented, and playing a ukulele. Well, at least until he starts yodeling, anyway…if it’s all a bit to take in for the first time, I understand. It’s a unique (and thoroughly enjoyable) experience, and I can still remember the first time I witnessed it myself, several years ago. Since then, I’ve fallen for albums like Remain and EP Metal & Wood, as well as the brand new release, Where We Meet, which brought him to The Independent this Thursday, alongside local opening act Mike Annuzzi and English singer/songwriter Joe Brooks.

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Sketchfest Review: 7-Man Sweater (2/5/2012)

7-Man Sweater
by Ameen Belbahri

Bob Odenkirk: a cult legend credited with championing and evolving a subversive, acclaimed comedy sentiment. Birthday Boys: a hyped collection of vastly witty, silly sods. Together they formed a rousing precession of jubilant, sophisticated sketches, closing Sketchfest with a bang — bang, scream, yell, “He’s got a gun!”, “My baby!”. You know, comedy. Continue reading “Sketchfest Review: 7-Man Sweater (2/5/2012)”

Show Review: The Joy Formidable with A Place To Bury Strangers and Big Black Delta at The Independent, 3/12/2012

Ritzy Bryan of The Joy Formidable
Ritzy Bryan of The Joy Formidable

A rather frustrating phenomenon that exists for enthusiastic concertgoers who follow up-and-coming artists is the long, long wait that precedes a band’s “official” rise to stardom. This term is placed in quotes, because the true mark of becoming a major player in the live music scene is being the headlining act of the tour you’ve embarked upon. The last two times that the Welsh trio known as The Joy Formidable have made their way to the Bay Area, they’ve taken residence on the smaller Sutro stage of the Outside Lands Festival, and opened for The Naked And Famous at a special pre-party concert that preceded Live 105’s Not So Silent Night. Despite bringing along some heavy hitters whose reputation and following would allow them to take the reigns and lead the way, the trio of Ritzy Bryan, Rhydian Dafydd and Matt Thomas have finally claimed their spot as the main event, and they’ve taken their newfound thrones with all the explosive fury and unrelenting power that was present at their last few appearances — with absolutely no sign of slowing down as they stunned the packed-in audience at the Independent on Monday night.

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Show Review: Jordan Knight at Yoshi’s San Francisco, 3/12/2012

Jordan Knight, in all his charismatic glory...

Many of you aren’t going to believe me when I say this, but that won’t stop it from being true: the New Kids on the Block just keep getting better with age. Here’s how I know this: I’ve been a fan since I was a first grader. Back then, for me, it was definitely more about cute boys and catchy music than whether or not someone had any actual talent. Happily, though, by the time that ceased to be true, the vocal and musical talents of the group’s main singers had begun to impress me more than I ever dreamed they would. And even if you don’t believe me enough to give them a listen, the photos speak for themselves: these guys are making forty-something look unbelievable. But perhaps I digress a bit…

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