San Francisco – Page 22 – Spinning Platters

Outside Lands Diary, Sunday, August 12th, 2012: Jack in the Woods

My baby was stolen. Like the Lindbergh baby in the night* my beautiful 15 year old silver Honda CRV was removed from her place on the streets by some unnamed hooligan. We had many memories, me and that car. I learned to drive with her, I took up her up and down the coast of California, and I’m pretty sure I lost my virginity in that car (sorry Mom and Dad! Teenagers ya know?) (Also lets just gloss over the “pretty sure” portion of that sentence). So when I discovered on Sunday she was gone, it was with great sadness that I started my last day of Outside Lands. And then! If that wasn’t enough I was forced to take the N all the way from the Mission to Golden Gate Park! Yuck! (No seriously, yuck, I was so close to people that I almost lost my Muni virginity. Ya know what I’m saying!? Ok.) Silver beauty, it goes without saying, I miss you desperately.

I wandered around the park grumpy, glaring at every faux Ray-Ban, neon wearing fiend. “You don’t know my pain, neon wearing fiend!” I was secretly yelling. I was nobody’s friend.

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Show Review: San Francisco’s 2012 Outside Lands Festival, Day 3

The one banana that didn't come in a burrito this weekend — The one banana that didn’t come in a burrito this weekend

San Francisco’s annual Outside Lands Music and Arts Festival is always tasked with the enormous duty of being the “other” huge festival of California, and the designation is both a blessing and a curse. On the low end, it has to try and come up with acts that Coachella somehow didn’t have the foresight to book ages earlier, or at leasts acts that will stand up as decent competition, and with tickets to the Indio festival now going onsale a year in advance, they’ve got to get their contenders up and available as soon as possible — usually right before Coachella kicks off. On the high end, the climate is, on the whole, much more pleasant, the acts tend to stick to more large crowd-pleasers and new discoveries, and the fine folks putting on Outside Lands spend many months listening to the irritations and complaints about Coachella to use as a salvo against their festival’s possible shortcomings. The result is that by Sunday afternoon, most of the 65,000+ fans that came out to Golden Gate Park got their fairer shares of mindblowing performances and raucous partying behind them, and were ready for the big finish that would wind down the end of the chilly August weekend.

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Show Review: San Francisco’s 2012 Outside Lands Festival, Day 2

One of many hoisted high within the crowds

Additional contributions to this article by Dakin Hardwick. All photos by Jonathan Pirro except where noted.

Saturday dawns with nary a clue that the fog and mist are clearing, and the massive greenery of Golden Gate Park continues to beckon to those who would walk onto its already-heavily-trodden surface, tickets in hand and heads held high. The second day of the Outside Lands Music and Arts Festival is upon us, and like many of the other Saturdays of the annual San Francisco festival, it’s filled with some of the biggest, wildest acts, especially those that came to close the night. While the first signs of exhaustion are beginning to set in, those alert enough to pry themselves from slumber and scurry into the park at the hour of 11:00am were greeted by yet more feverishly addictive bursts of musical creativity. After the desiderata of strong coffee and a host of breakfast options that lay lazily along the fields, the several-thousand-strong mass began its trek from side to side, taking in another chapter of the chilly yet invigorating musical thunderstorm within.

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Show Review: San Francisco’s 2012 Outside Lands Festival, Day 1

The iconic Outside Lands windmill greets all attendees at some point in the festival

Additional contributions to this article by Dakin Hardwick. All photos by Jonathan Pirro except where noted.

Summer is always slow and somewhat sporadic to come to the Bay Area, and with it comes a mostly dry spell of live music, with many large groups heading overseas for massive festivals and international tours, while California and the rest of the country relax and find other ways to enjoy themselves in whatever sun decides to creep over the land. The city of San Francisco is even more prone to aberrant weather and happenings, especially since right in the middle of August is the colossal technicolor monstrosity that is the annual Outside Lands Music and Arts Festival. In 2012, the festival enters its fifth year of existence, and a crowd of 65,000 fans plowed into the historic Golden Gate Park each day of the surprisingly chilly and foggy weekend, which was relatively unexpected based on the forecasts from earlier in the week. However, with tickets sold out and a number of huge bands set to take the 4 stages across the three-day weekend, even dreary weather couldn’t dull the enthusiasm of the sprawling, voracious crowd that clambered into the park, and raised voices, fists, and flags in unison for over 10 hours of music each day.

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Show Review: Jay Brannan at Great American Music Hall 8/4/12

JB1 — Jay Brannan’s stories are so good, he even makes himself laugh

Leaving the Great American Music Hall Saturday night, sure we talked about the great show and how opener Chris Pureka was a perfect fit, but mostly we talked about how Jay Brannan should be a superstar. His personality beams charm at you from the stage and his voice is clear tenor perfection that emotes every single word, so much so that it can almost break your heart. So why isn’t he super famous? Continue reading “Show Review: Jay Brannan at Great American Music Hall 8/4/12”

Show Review: Howard Jones at The Mezzanine, 7/12/2012

Nostalgia about the ’80s is a weird thing. For some reason, the “kids” of today will talk endlessly about going to see Modern English at Cafe Du Nord, hoping they’ll play both “I Melt With You” and “I Melt With You ’88.” They’ll go see endless cover bands of their new wave heroes. But the modern story of this decade always seems to forget one of the singular songwriting talents, someone with several hits up his sleeves, someone whose “one person and a synthesizer” sound was once revolutionary and is now common. That someone is Howard Jones.
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Show Review: The Gaslight Anthem with Dave Hause at The Independent, 7/5/2012

On this first night of a completely sold out tour, New Jersey’s Gaslight Anthem showed that they are ready for the big time that’s around the corner for them. They didn’t do this by focusing on material from their forthcoming album, Handwritten, but by blowing through nearly two hours of their infectious combination of punk, pop, “New Jersey,” new wave and Americana. And the crowd sang along, every word. Continue reading “Show Review: The Gaslight Anthem with Dave Hause at The Independent, 7/5/2012”

Warped Tour Diary: AT&T Park, Lot A, 6/23/2012

The Warped Tour found a new home in San Francisco this year, parking itself in Lot A of AT&T Park. Like its old home at Pier 30/32, there was a view of the water, and the Bay Bridge. Unlike Pier 30, there was not plenty of room to move around. This running of the Warped Tour was a hot, crowded mess; a maze of sponsor tents, clothing companies, and band merch. Interspersed throughout were several stages with bands giving their all, often to thousands of revelers, and other times to a mere handful. My goal, as always, was to sample as many bands as possible in 7 hours. Let’s see how I did. Continue reading “Warped Tour Diary: AT&T Park, Lot A, 6/23/2012”

Show Review: Sparta with KI:Theory at The Independent, 5/21/2012

Rising from the ashes of a former band can be a help or a hinderance to a new act that has cut their teeth in the music scene and is ready to unleash a fresh new set of tunes to the world. When you are as volatile and chaotic of an act as At The Drive-In, it can safely be said that people will be waiting to see where your musicians will head and what songs they will craft next. While the afro-clad frontmen of the El Paso post-hardcore quintet went on to form The Mars Volta, and burst back into the world with a mindbendingly-wild blend of fusion punk and Latin-flavored experimental prog rock, co-founder Jim Ward and drummer Tony Hajjar followed in their original band’s aggressive-but-pensive footsteps with the newly formed quartet known as Sparta. While both bands endured their respective sets of ups and downs in terms of popularity and following, and despite the titanic response of the reformation of At The Drive-In all but eclipsing the enthusiasm for their sister acts, Ward and his cohorts have lost none of the furious passion that drives the aptly-named four-piece, and on Monday night, they returned to San Francisco to prove just how excited they were to share their rekindled energy with their most devoted fans.

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Show Review: Rachel Platten with Madi Diaz at Hotel Utah, 5/18/2012

What’s a girl to do with a Friday night off in San Francisco? When Rachel Platten is in town with her first headlining gig (supporting her album Be Here), the choice is easy. When she brings the lovely Madi Diaz with her and sets up her keyboard on the Hotel Utah’s tiny stage, I’ll even grab a girlfriend and be there with bells on, as was the case last Friday night. Continue reading “Show Review: Rachel Platten with Madi Diaz at Hotel Utah, 5/18/2012”