Show Review: David Byrne & St. Vincent at the Orpheum Theatre, 10/15/2012

David Byrne, St. Vincent, and accompaniment
David Byrne, St. Vincent, and accompaniment

The term “supergroup” is often used to refer to a set of musicians who are best known in association with their respective bands — musicians who haven’t necessarily operated as solitary acts in their own right, and are culled together to see what their individual untapped energies will create when synthesized. By contrast, when speaking of a pair of artists that write and perform together, each possessing their own prolific solo careers, the relationship is usually defined — accurately, but less overtly bombastically — as a “collaboration” between them. It should be preemptively stated, therefore, that the “collaboration” between David Byrne, former founder and frontman of world-famous new-wave-art-rockers Talking Heads, and Annie Clark, better known as the gorgeously cacophonous St. Vincent, possesses all of the grandeur and might that the term “supergroup” conjures the image of. Backed by a seven-piece horn section, sampling engineer, and percussionist, Byrne and Clark have birthed one of the most unusual but compelling albums of 2012, a 45-minute opus titled Love This Giant, and the Orpheum Theatre, best known as a host of many musicals and plays from all eras and countries, offered its stage to the pair for the San Francisco stop on their tour.

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Show Review: Helio Sequence with Slowdance at The Independent, 10/4/2012

Both the best and worst spot at a Helio Sequence show.

When I arrived at The Independent on Thursday, I immediately took the spot in the front row immediately in front of the draped drum kit on stage right. I knew from past experience with Helio Sequence that this is both the best and worst spot to be when they play. It’s the best because you get to watch the crazy, happy faces of Benjamin Weikel as he slams away brilliantly on his drum kit. And it’s the worst because you’re really close to that drum kit. And it’s loud.  Continue reading “Show Review: Helio Sequence with Slowdance at The Independent, 10/4/2012”

Show Review: Blood Red Shoes with STARSKATE and Happy Fangs at Rickshaw Stop, 10/1/2012

Perhaps due to the myriad of musical selections these days, there’s chance you haven’t heard of them, but young English rock duo, Blood Red Shoes, are on a mission to change that.  Leaving their familiar Europe, they arrive almost two years to the day they first played the States, bringing their simplistic but powerful set to entice those who don’t know and incite those that do.  In an area chock full of both local and visiting fresh talent, how would these Brighton, UK natives fare?

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The Insiders’ Guide to the Treasure Island Music Festival (Updated for 2012)

The view from the ferris wheel, courtesy Flikr user tumburre.

(This post is actually from 2009. Our esteemed Editor In Chief, Gordon Elgart, wrote it. But he’s lame and not coming out this year. So I, Dakin Hardwick, have made a few tweaks for this year’s festival guide. Not many, however, because when you put on the best music festival in California, you don’t need to make too many changes every year.)

This weekend’s Treasure Island Music Festival has quickly become my favorite musical event of the year. There are no conflicting set times, so you can see everyone on the bill. The size of the festival is fairly small, so it’s easy to get around. The setting in the middle of San Francisco Bay is absolutely stunning. And something about all of these combine to keep the people going in a relaxed, pleasant mood that makes being there all the more enjoyable. Set times are up, but, seriously, you should just expect to be there from morning til night, because it would be foolish not to.

Now, you might think going to this festival is as easy as hopping in your car and going to the festival to enjoy some music, but you’d be wrong. Read on, and I’ll teach you how to avoid rookie mistakes.

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Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012

The Softies (All photos by Marie Carney)

Chickfactor turned 20 this year, and several shows in California and London have been set up to commemorate 10 years each as a printed magazine and a webzine. This is the Chickfactor that Belle and Sebastian wrote the song about, so it is only fair that member Stevie Jackson headlined a show at the Rickshaw Stop in San Francisco. Continue reading “Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012”

Show Review: The B’z at The Warfield, 9/17/2012

A reminder of a time when hands went in the air without phones in them. (All photos by Mark Portillo for SF Station.)

The biggest rock band in Japan played in San Francisco last night, and you may have missed it. While the band is a household name in the Japanese community, the jingoistic American music fans are likely to be at a loss about them. And that’s too bad, because you missed a killer show by a tight live band, with a surprise in store that made it even more special.
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Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12

Desaparecidos

Waiting in line for the doors to open at Bottom of the Hill last night I knew it would be a nostalgic evening.  Ten years ago I came to the same place, early and excited, to find a printed paper sign saying that Desaparacidos would not be performing, that instead Conor Oberst would be performing a solo acoustic show.  That show was great, though it was hindered by the fact that Conor Oberst had played the same show as Bright Eyes earlier that year at Great American Music Hall and that anyone going to see Desaparecidos at Bottom of the Hill should have been expecting a night of feverish music and aggression not intense sadness and introspection. As I walked inside I just hoped my dreams of ten years ago would not be destroyed. Continue reading “Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12”

Outside Lands Diary, Sunday, August 12th, 2012: Jack in the Woods

My baby was stolen. Like the Lindbergh baby in the night* my beautiful 15 year old silver Honda CRV was removed from her place on the streets by some unnamed hooligan. We had many memories, me and that car. I learned to drive with her, I took up her up and down the coast of California, and I’m pretty sure I lost my virginity in that car (sorry Mom and Dad! Teenagers ya know?) (Also lets just gloss over the “pretty sure” portion of that sentence). So when I discovered on Sunday she was gone, it was with great sadness that I started my last day of Outside Lands. And then! If that wasn’t enough I was forced to take the N all the way from the Mission to Golden Gate Park! Yuck! (No seriously, yuck, I was so close to people that I almost lost my Muni virginity. Ya know what I’m saying!? Ok.) Silver beauty, it goes without saying, I miss you desperately.

I wandered around the park grumpy, glaring at every faux Ray-Ban, neon wearing fiend. “You don’t know my pain, neon wearing fiend!” I was secretly yelling. I was nobody’s friend.

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Show Review: San Francisco’s 2012 Outside Lands Festival, Day 3

The one banana that didn't come in a burrito this weekend
The one banana that didn’t come in a burrito this weekend

San Francisco’s annual Outside Lands Music and Arts Festival is always tasked with the enormous duty of being the “other” huge festival of California, and the designation is both a blessing and a curse. On the low end, it has to try and come up with acts that Coachella somehow didn’t have the foresight to book ages earlier, or at leasts acts that will stand up as decent competition, and with tickets to the Indio festival now going onsale a year in advance, they’ve got to get their contenders up and available as soon as possible — usually right before Coachella kicks off. On the high end, the climate is, on the whole, much more pleasant, the acts tend to stick to more large crowd-pleasers and new discoveries, and the fine folks putting on Outside Lands spend many months listening to the irritations and complaints about Coachella to use as a salvo against their festival’s possible shortcomings. The result is that by Sunday afternoon, most of the 65,000+ fans that came out to Golden Gate Park got their fairer shares of mindblowing performances and raucous partying behind them, and were ready for the big finish that would wind down the end of the chilly August weekend.

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Show Review: San Francisco’s 2012 Outside Lands Festival, Day 2

One of many hoisted high within the crowds
One of many hoisted high within the crowds

Additional contributions to this article by Dakin Hardwick. All photos by Jonathan Pirro except where noted.

Saturday dawns with nary a clue that the fog and mist are clearing, and the massive greenery of Golden Gate Park continues to beckon to those who would walk onto its already-heavily-trodden surface, tickets in hand and heads held high. The second day of the Outside Lands Music and Arts Festival is upon us, and like many of the other Saturdays of the annual San Francisco festival, it’s filled with some of the biggest, wildest acts, especially those that came to close the night. While the first signs of exhaustion are beginning to set in, those alert enough to pry themselves from slumber and scurry into the park at the hour of 11:00am were greeted by yet more feverishly addictive bursts of musical creativity. After the desiderata of strong coffee and a host of breakfast options that lay lazily along the fields, the several-thousand-strong mass began its trek from side to side, taking in another chapter of the chilly yet invigorating musical thunderstorm within.

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