There’s something unique about Switchfoot. As a result, their fans have a different vibe than those belonging to your average rock band, and so their shows have a different feel to them than most I find myself attending. Sure, some consider Switchfoot a “Christian band,” but it’s not quite that simple. Yes, the members themselves are Christians. Yes, much of their lyrical content has spiritual undertones, and no they don’t try to hide it. But truth be told, I’m not sure I’d give them much of a second listen if they were the kind of band marketed solely to “Christian rock” radio. That just isn’t my thing. (Not that there’s anything wrong with that…) Because these guys prefer to live their lives as good, salt-of-the-earth people with a great sound and steer far clear of anything that might feel like they’re pimping their beliefs on me, I’ve been hooked for over a decade. But it’s more than that… There’s honestly a kind of “live and let live” mantra between the band and its fans: as long as you respect what I believe, I can do the same for you and we can all get along and enjoy each other. And that’s the sort of breath of fresh air that inspires me at a Switchfoot show, and what keeps me coming back. This week, they played San Francisco’s tiny Regency Ballroom Tuesday night, alongside Nashville indie rock band Paper Route, and before the night began, I was full of anticipation and excitement for a night of music by the band whose music has been something of a soundtrack for the last decade of my life. Continue reading “Show Review: Switchfoot with Paper Route at Regency Ballroom, 10/23/2012”
Tag: San Francisco
Show Review: Ultraísta with Astronauts, etc. at The Independent, 10/22/2012
There’s an interesting conundrum that a new band faces when one of its members is a well-known and deeply admired member of the music world, but theirs is not a front-and-center role in said new band. While it is pleasing and exciting to know that the group will gain attention and followers simply by this connection, it’s frustrating or sometimes embarrassing when the enjoyment and appreciation from their fans is entirely directed at the aforementioned member, with the other bandmates struggling to pull the limelight back to themselves. It helps, therefore, to bring a set of people with you who are delightfully talented and demonstrating show-stopping performances in and of themselves. Thus, it was a delightful treat when a small contingent of Radiohead fans, drawn to the Independent to see the new work of their long-time producer Nigel Godrich, were surprisingly dazzled and mesmerized by all three members of English outfit Ultraísta, which Godrich formed with fellow musicians Joey Waronker (drummer for Atoms For Peace, R.E.M. and Beck) and fresh new face Laura Bettinson earlier this year.
Continue reading “Show Review: Ultraísta with Astronauts, etc. at The Independent, 10/22/2012”
Show Review: Jane’s Addiction with thenewno2 at The Warfield, 10/18/2012
It’s extremely unusual, in the modern live music scene, to see long-time-famous rock acts who are NOT following the popular gimmick of playing one of their classic albums from start to finish. It’s a strange phenomenon to think about, because for many of these bands, such a concept would have seemed bizarre back in their original heyday; part of the intrigue of a live show comes from wondering whether the band onstage will play your favorite song, resurrect an unusual B-side from another time, follow the rhythm of playing popular pieces only, or even take requests from the audience. The unpredictability of the set adds excitement, especially when the show itself is also highly theatrical in nature, with custom-made stages and an ensemble of backing performers who dance, leap, and move in an acrobatic fashion, rather than simply add sonic accompaniment to the musicians before them. The Los Angeles alternative rock masters known as Jane’s Addiction carry these factors into their concerts in spades, bringing a brightly-lit and ever-shifting spectacle to their performance, and with a set that spans all 25 years of the band’s work.
Continue reading “Show Review: Jane’s Addiction with thenewno2 at The Warfield, 10/18/2012”
Show Review: David Byrne & St. Vincent at the Orpheum Theatre, 10/15/2012
The term “supergroup” is often used to refer to a set of musicians who are best known in association with their respective bands — musicians who haven’t necessarily operated as solitary acts in their own right, and are culled together to see what their individual untapped energies will create when synthesized. By contrast, when speaking of a pair of artists that write and perform together, each possessing their own prolific solo careers, the relationship is usually defined — accurately, but less overtly bombastically — as a “collaboration” between them. It should be preemptively stated, therefore, that the “collaboration” between David Byrne, former founder and frontman of world-famous new-wave-art-rockers Talking Heads, and Annie Clark, better known as the gorgeously cacophonous St. Vincent, possesses all of the grandeur and might that the term “supergroup” conjures the image of. Backed by a seven-piece horn section, sampling engineer, and percussionist, Byrne and Clark have birthed one of the most unusual but compelling albums of 2012, a 45-minute opus titled Love This Giant, and the Orpheum Theatre, best known as a host of many musicals and plays from all eras and countries, offered its stage to the pair for the San Francisco stop on their tour.
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Show Review: Helio Sequence with Slowdance at The Independent, 10/4/2012
When I arrived at The Independent on Thursday, I immediately took the spot in the front row immediately in front of the draped drum kit on stage right. I knew from past experience with Helio Sequence that this is both the best and worst spot to be when they play. It’s the best because you get to watch the crazy, happy faces of Benjamin Weikel as he slams away brilliantly on his drum kit. And it’s the worst because you’re really close to that drum kit. And it’s loud. Continue reading “Show Review: Helio Sequence with Slowdance at The Independent, 10/4/2012”
Show Review: Blood Red Shoes with STARSKATE and Happy Fangs at Rickshaw Stop, 10/1/2012
Perhaps due to the myriad of musical selections these days, there’s chance you haven’t heard of them, but young English rock duo, Blood Red Shoes, are on a mission to change that. Leaving their familiar Europe, they arrive almost two years to the day they first played the States, bringing their simplistic but powerful set to entice those who don’t know and incite those that do. In an area chock full of both local and visiting fresh talent, how would these Brighton, UK natives fare?
The Insiders’ Guide to the Treasure Island Music Festival (Updated for 2012)
(This post is actually from 2009. Our esteemed Editor In Chief, Gordon Elgart, wrote it. But he’s lame and not coming out this year. So I, Dakin Hardwick, have made a few tweaks for this year’s festival guide. Not many, however, because when you put on the best music festival in California, you don’t need to make too many changes every year.)
This weekend’s Treasure Island Music Festival has quickly become my favorite musical event of the year. There are no conflicting set times, so you can see everyone on the bill. The size of the festival is fairly small, so it’s easy to get around. The setting in the middle of San Francisco Bay is absolutely stunning. And something about all of these combine to keep the people going in a relaxed, pleasant mood that makes being there all the more enjoyable. Set times are up, but, seriously, you should just expect to be there from morning til night, because it would be foolish not to.
Now, you might think going to this festival is as easy as hopping in your car and going to the festival to enjoy some music, but you’d be wrong. Read on, and I’ll teach you how to avoid rookie mistakes.
Continue reading “The Insiders’ Guide to the Treasure Island Music Festival (Updated for 2012)”
Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012
Chickfactor turned 20 this year, and several shows in California and London have been set up to commemorate 10 years each as a printed magazine and a webzine. This is the Chickfactor that Belle and Sebastian wrote the song about, so it is only fair that member Stevie Jackson headlined a show at the Rickshaw Stop in San Francisco. Continue reading “Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012”
Show Review: The B’z at The Warfield, 9/17/2012
The biggest rock band in Japan played in San Francisco last night, and you may have missed it. While the band is a household name in the Japanese community, the jingoistic American music fans are likely to be at a loss about them. And that’s too bad, because you missed a killer show by a tight live band, with a surprise in store that made it even more special.
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Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12
Waiting in line for the doors to open at Bottom of the Hill last night I knew it would be a nostalgic evening. Ten years ago I came to the same place, early and excited, to find a printed paper sign saying that Desaparacidos would not be performing, that instead Conor Oberst would be performing a solo acoustic show. That show was great, though it was hindered by the fact that Conor Oberst had played the same show as Bright Eyes earlier that year at Great American Music Hall and that anyone going to see Desaparecidos at Bottom of the Hill should have been expecting a night of feverish music and aggression not intense sadness and introspection. As I walked inside I just hoped my dreams of ten years ago would not be destroyed. Continue reading “Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12”