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SF Sketchfest Review: Billy Eichner and Friends at Cobb’s, 2/2/2013

billy_eichner

Confrontation comic Billy Eichner, the screamingest queen to ever brandish a microphone in a bewildered stranger’s face, curated a comedy showcase called Billy Eichner and Friends at Cobb’s on Saturday night as part of SF Sketchfest 2013. Eichner has been a rising star on the New York comedy scene for several years, building his uniquely abrasive brand through popular YouTube clips that gradually led to getting his own show, the Funny or Die production Billy on the Street, currently airing its second season on Fuse. The vast majority of the show’s content features Eichner and a cameraman running up to strangers on the streets of New York and screaming at them; sometimes it’s pop culture opinion/trivia, and occasionally it’s something absurdly basic that somehow proves challenging given the intense nature of the situation (he once famously stymied Rachel Dratch by asking her to name 20 white people; a clip he showed on Saturday showed a young woman failing to meet Eichner’s command to “name any woman”). He has become a talk show staple, and is turning into a regular on Bravo’s Watch What Happens Live, on which his gay-leaning cultural obsessions seem to find the most receptive audience. So given all this, what kind of performance did Eichner have in mind for Sketchfest?

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SF Sketchfest Review: You Made it Weird with Pete Holmes at Cobb’s Comedy Club, 2/2/13

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Pete Holmes’ podcast You Made it Weird is funny, deep and as the title suggests, weird. The greatest thing about it though is how the podcast can be so funny and so personal at the same time. Since all my favorite parts of the podcast are the little personal moments, I was a little apprehensive that the deep moments might be dropped for more humor with the live audience there. Continue reading “SF Sketchfest Review: You Made it Weird with Pete Holmes at Cobb’s Comedy Club, 2/2/13”

Show Review: Cody ChesnuTT with Siddhartha at The Independent, 1/29/2013

If you combined equal parts James Brown and Otis Redding, a splash of Hendrix and a dash of old time swagger, you might come close to figuring out just what Cody ChesnuTT is made of. In his own way, he’s found out how to blend hip-hop beats, soulful jazz stylings, silky smooth vocals and a sprinkling of Motown showmanship into a performance that feels almost… nostalgic. Cody’s pure love for the show and the art of the song truly comes from his heart, bursting at the seams with passion and care.

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Sketchfest Review: The Thrilling Adventure Hour at Marines’ Memorial Hall, 1/26/2013

This time last year, I hadn’t yet experienced the delight that is The Thrilling Adventure Hour. Since then, I’ve become a bona fide fan, even subscribing to their podcast. I admit, I was disappointed when the lovely Busy Philipps confirmed via Twitter that she would be missing this year to attend the SAG Awards in LA, but the addition of Rider Strong was a happy consolation. And really, what better way to spend a Saturday night solo in San Francisco than at a charming comedy show? I couldn’t think of anything, either, so I schlepped over to Marines’ Memorial Theatre last night at 7pm sharp and prepared for the fun to ensue!

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Show Review: Pentatonix with SPEAK at The Warfield, 1/27/2013

"PTX" takes the stage — “PTX” takes the stage (L to R: Kirstie, Avi, Kevin, Scott & Mitch)

Never heard of Pentatonix? That’s okay, you’re not alone: neither had our editor-in-chief until I mentioned my excitement at covering their sold-out show at the Warfield this past Sunday. While he feared he may be losing his touch (“getting old I am,” said his text), I reassured him that if a cappella groups aren’t his thing and/or he’s never seen a recent episode of NBC’s The Sing-Off, it makes sense that season 3 winners Pentatonix haven’t yet crossed his radar…until now.

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Show Review: Keane with Youngblood Hawke at the Warfield, 1/11/2013

Thanks to Jason Miller for this awesome pic of Tom Chaplin killin' it! — Thanks to Jason Miller for this awesome pic of Tom Chaplin killin’ it!

Have you ever seen something advertising a band playing in your city, and thought, “I’d really like to see them, even though I only know one or two of their songs”? That was the extent of my relationship with Keane until recently. I’ve certainly heard several of their songs on the radio over the years, and especially love their biggest hit, “Somewhere Only We Know,” but until I found out I had access to check them out with opener Youngblood Hawke this weekend at San Francisco’s Warfield, I hadn’t actually sat down to give their tunes a thorough listen. Continue reading “Show Review: Keane with Youngblood Hawke at the Warfield, 1/11/2013”

Show Review: Walk Off The Earth with Selah Sue and The Mowgli’s at The Regency Ballroom, 11/30/2012

They aren't just somebody that you used to know — They aren’t just somebody that you used to know

English writer Charles Caleb Colton is best known for his often-quoted observation that “imitation is the sincerest form of flattery”, and in the modern age of parody and extreme ease of video/media creation, imitation sometimes climbs past sheer flattery to become art in its own right and make a new name for itself. Belgian singer-songwriter Gotye’s smash hit “Somebody That I Used To Know” has become the lead target for covers, parodies, and alternate versions, since its rise to fame in late 2011. One of its most infamous recreations, the five-musicians-on-one-guitar performance by Canadian quintet Walk Off The Earth, has become a megastar in its own right, with a smattering of tributes created to honor and poke fun at it, as well. Lest you think that they are around exclusively to cover Billboard chart-toppers, however, do not be quite so quick to judge: the Ontario five-piece have already been around for 6 years, and have a massively eclectic sense of performance and songwriting under their belts that has set them full speed ahead on a course to take over the world.

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Spinning Platters Weekly Guide to Bay Area Concerts, 11/29/12-12/5/12

Kenny_G-Miracles_The_Holiday_AlbumFrontal — This BAMF is coming to town this week to help kick off the holiday concert season. And that’s pretty much it for big holiday shows this week. (J/k guys, Sufjan is coming too.)

As November rains its way into December, the Bay Area does its part in the War on Christmas with the onset of our annual secular holiday concert season. Relive that scene in My So-Called Life where Rayanne went flyering drunk in the school parking lot when Toad the Wet Sprocket play not one but two full-length album shows. And also: THE BOSS. All this and more after the jump.

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Show Review: Minus The Bear with Cursive and Girl In A Coma at The Regency Ballroom, 11/13/2012

Jake Snider and Cory Murchy of Minus The Bear

Right at the beginning of the new millennium, sudden bursts of musical creativity formed a genre-bending confluence as post-rock, alternative, and indie rock collided together, and a wave of bands sprung forth, each carving out its own unique path as the new century was brightly birthed. New terms such as “post-hardcore”, a modern definition of “emo”, and even heavier concoctions such as “metalcore” came clawing their way into existence, each with a collection of bands that took these sounds and made them their own. In the few short years that we transitioned into a new century, groups rose and fell, and new beings were born from their ashes. Ten years later, two of these acts found themselves on the road together, and fans that had their music playing on CD-changer stereos and the first waves of MP3 players flocked to catch their heroes continuing their journey, ten years later: the Omaha indie quartet known as Cursive, and the groovy, funkily-experimental Seattle five-piece called Minus The Bear.

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Show Review: Tame Imapala with The Amazing at The Fillmore, 11/15/12

Tame Impala at The Fillmore — Tame Impala photos by Mark Ricksen.

The impala is a swift and sleek creature that has ultimately found itself endangered, much like rock ‘n’ roll these days. It makes up the latter half of Tame Impala’s name, the former creatively and aptly chosen by this group of mellowed out lads from down under. Hailing from the Western Australian town of Perth, whom you may or may not know is also home to INXS, Tame Impala bring forth sort of a revival of psychedelic rock, packaging it in a fresh, edgy and dance provoking product that has thwarted them to rising acclaim and continues to generate buzz amid the music world while toeing the line between pop and psych rock. Vocally and instrumentally speaking, the band seems to naturally draw off late-Beatles work, with lead singer Kevin Parker’s thin falsetto vocals frequently compared to that of the late John Lennon. Their San Francisco appearance sold out fairly early on and was a highly anticipated date on the calendar of Bay Area music fans. Fittingly performing at the legendary Fillmore, who is no stranger to psychedelia, would Tame Impala deliver a night worth of causing Bill Graham to look down with a nodding grin? Continue reading “Show Review: Tame Imapala with The Amazing at The Fillmore, 11/15/12”