riff raff – Spinning Platters

Is it too early to call it? Sleater-Kinney's latest may be 2015's best. — Is it too early to call it? Sleater-Kinney’s latest may be 2015’s best.

Don’t call it a comeback. It’s just worth acknowledging that years have passed since the forecast for upcoming releases has been this bright. Here’s hoping it doesn’t amount to an audio equivalent of the anticipation and subsequent let down one might experience on New Year’s Eve. Giorgio Moroder (who really made Daft Punk’s latest album a worthwhile listen), The Juliana Hatfield Three, and Sleater-Kinney are just a few of the sorely-missed acts making triumphant, long-awaited returns in 2015.

This list may have grown by twenty additional albums compared to last year, but that doesn’t mean every last major release was included. Sorry to inform you, in advance, that you won’t find the likes of Papa Roach, Marilyn Manson, Fall Out Boy, Fergie Ferg, or Canada’s *pride*/current Calvin Klein cover boy, Justin Bieber listed. Even Mumford & Sons will not be mentioned beyond this sentence. That’s just Spinning Platters allowing me and my subjective musical tastes to run amok. However, there is something here for every musical taste imaginable and as I mentioned at the conclusion, if there was something we must all know about that was overlooked, let it be known in the comments.

Read on, discover some new gems, and get an overview of what to expect this coming year. I’ve even included links to lead-off tracks where they’re available and, of course, my own witless banter when absolutely necessary. Happy New Year of listening.

Continue reading “90+ albums to look forward to in 2015”

Washed Out at Hype Hotel was the perfect way to end a long week. Also, kudos to the Hype Machine for only permitting badge/wristband holders to attend night shows, thus effectively keeping overcrowding at bay.

I haven’t been to SXSW in four years. I can’t say I was too sad about that fact, though. Ever since 2007, the festival has changed dramatically, and not necessarily for the better. To paraphrase, I don’t agree with Lady Gaga’s comment, during her keynote, that corporations are what make this festival remarkable or even possible. SX thrived long before big business descended upon Austin in droves, and will be just fine if some decided to pull out in the future.

That being said, I did enjoy seeing Big Freedia and my new Houston hero, RiFF RaFF, perform in the Doritos-sponsored tent. Yes, it was as crass an atmosphere as you could imagine from a brand targeting youth with their mass-produced, processed food; but the free chips and ample lounge seating were a relief after a long day of walking. Damon Albarn’s set was a bit disappointing at Stubb’s, largely due to the incompetence of the crew setting up between gigs, but he brought the real thunder, in the form of original Gorillaz’ members, Del tha Funky Homosapien, De La Soul, and even Snoop, at the Levi’s-sponsored Fader Fort.

Overall, I had a wonderful time. This is partly due to the fact that I was in good company alongside Michelle Viray and Dakin Hardwick, who wrote quite the remarkable review of all the bands we took in during our four-and-a-half-day sojourn. Though it’s not quite possible to see every act on one’s list, having a wristband does help in certain circumstances (like getting into the Hype Machine’s Hype Hotel for evening shows). I still wish we had discovered this guy, though. Without further ado, here is a collection of some of my favorite photos taken last week.

Continue reading “SXSW 2014: A Recap in Photos”