Show Review: Hiromi’s Sonicwonderland at The Moore Theater, 4/13/25

I have to admit here right out of the gate that I’m pretty new to the world of Japanese jazz composer and keyboardist Hiromi Uehara. At some point last year, the YouTube algorithm decided to recommend to me her solo piano composition “The Tom and Jerry Show,” and I instantly became obsessed. However, like many YouTube recommendations, it allowed me a point of entry into her vast solo piano compositions, but for whatever reason, I couldn’t find a way into her combo-based music. Maybe I just got too wrapped up in the aural aesthetic of her solo piano work, or maybe I just got stuck. On April 4th of 2025, her newest album from her quartet Sonicwonderland, Out There, a 9-song jazz fusion masterpiece that clocks in at almost exactly an hour. On this crisp Sunday Seattle evening, less than two weeks after her newest album’s release, I gathered with an excited all-ages crowd at The Moore Theater to hear her and her virtuoso band breathe a different kind of life into her brand new Out There compositions. Continue reading “Show Review: Hiromi’s Sonicwonderland at The Moore Theater, 4/13/25”