Tag: Mill Valley Film Festival

The 37^th Mill Valley Film Festival opens this Thursday, October 2nd, and runs until October 12th. The Festival is screening some of this fall’s most hotly anticipated pictures: Jason Reitman’s Men, Women & Children and Tommy Lee Jones’s The Homesman (opening night films); Theory of Everything (featuring Eddie Redmayne as the young Stephen Hawking); and Wild, which has already garnered much festival buzz for Reese Witherspoon’s turn as Cheryl Strayed, the author of the popular memoir of the same name. But here at Spinning Platters, we thought we’d spotlight some of the lower profile films that risk being overshadowed by the bigger movies. Full schedule, tickets, and more information are available at: http://mvff.com, and be sure to check back here for more updates during the Fest.

In Order of Disappearance
(Norway/Sweden/Denmark 2014, 116 min; English, Norwegian, Swedish, and Danish with English subtitles)

This Scandinavian crime thriller owes a debt not only to 2011’s terrific Norwegian noir film Headhunters, but also to the American movies Pulp Fiction and Fargo in terms of its surreal, darkly comic atmosphere and chilly landscape. Norwegian director Hans Peter Moland has cast Stellan Skarsgard to great effect as a sort of Swedish Liam Neeson in full-blown action mode. A Swedish immigrant living and working in a small Norwegian town, Skarsgard’s Nils gives new meaning to his recently earned Citizen of the Year award when he single-handedly takes on both a Serbian crime syndicate and the local gangsters to avenge the death of his son, an unwitting pawn in a dangerous turf war. Indelibly drawn characters and a screenplay filled with unexpected plot turns are highlights of this edgy, well-crafted picture.

Screenings:
– Friday, October 10, 5:45pm, Rafael Film Center, San Rafael
– Sunday, October 12, 2:45pm, Cinéarts Sequoia Theater, Mill Valley

Continue reading “MVFF Spotlights #1: In Order of Disappearance/How I Came to Hate Math/States of Grace/Dying to Know”