Film Review: “How to Make a Killing”

Powell impresses in Killing’s toothless satire

Becket (Glen Powell) scanning the scene in ‘How to Make a Killing.’

Producer Glen Powell found a fitting project for actor Glen Powell. Writer/director John Patton Ford’s new dark comedy How to Make a Killing, on which Powell is an executive producer, is a perfect star vehicle for the actor and a welcome return-to-form after last fall’s disappointing The Running Man remake. Aimed at being charmingly inoffensive to a wide audience, though at the expense of its satirical precision and level of twistedness, How to Make a Killing is an easily digestible distraction featuring likeable actors and nothing more. Continue reading “Film Review: “How to Make a Killing””

Film Feature: MVFF48 Festival Preview #2

If it’s October, it must be Mill Valley. Yes, everyone’s favorite fall film fest opens tonight, Thursday, October 2nd. You can check out the full program here, and don’t despair if a screening is listed as “standby”: more tickets may be released before the screening date, and same-day wait list tickets most likely will be available. Check out the Box Office for more information. We already presented a sneak peak of three of of this year’s offerings, and below we highlight five more: four great features and an equally worthy documentary. See you at the Fest!

1.) Metallica Saved My Life
(United Kingdom, 2025. 99 min.)

Anyone looking for a sort “Behind the Music” exposé about Metallica would be better served by watching the 2004 documentary Metallica: Some Kind of Monster. That the band is still together 20+ years since that film is a testament to its staying power, which aligns with the angle this new doc takes. “Metallica is everybody” is the rallying cry of Swedish director Jonas Åkerlund’s new film, which Metallica’s PR team is no doubt swooning over. Despite its Metallica-can-do-no-wrong vibe, this documentary about the band’s devoted fans is infectious and disarming. Filled with stories of people from all walks of life and all across the globe who have found solace, connection, and joy in the band’s music and concerts, the picture paints a warm portrait of a Metallica family that embraces anyone who wants to love the band and its community. Particularly affecting interviews from a trans man in Austin and fans from Iraq, Botswana, and Ukraine are emotionally raw, and help keep the picture from sinking too deeply into hagiography. Metallica band members are also interviewed, and they come across gracious and sincere in their appreciation of their fans. Sure the film is terrific PR, but it’s also genuinely uplifting. 

Screenings (click here for tickets):
– Thurs., Oct. 9th, 6:00pm at CinéArts Sequoia, Mill Valley (at standby)
– Fri., Oct. 10th, 3:00pm at Smith Rafael Film Center

Continue reading “Film Feature: MVFF48 Festival Preview #2”

Film Review: “The Substance”

Bonkers film skewers Hollywood’s obsession with youth and beauty

Elisabeth (Demi Moore) picks up a special package at a mysterious location.

Anyone who thinks Hollywood has no original stories left should immediately go see The Substance. It’s one of the most unique, startling, and unforgettable films you’ll see this year. It also happens to be one of the most insane, visceral, and downright gory pictures in recent memory, so if you’re at all squeamish, this movie isn’t the best choice for your Friday night cinema outing.

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Film Review: “Drive-Away Dolls”

Few clever moments can’t salvage solo Coen brother project 

BFFs Jamie (Margaret Qualley, l.) and Marian (Geraldine Viswanathan) run into some trouble.

Following in his big brother Joel’s footsteps, Ethan Coen steps outside the pair’s successful filmmaking partnership with Drive-Away Dolls, his first solo narrative feature. Unfortunately, Ethan doesn’t do as well as his brother did with his 2021 award-winning The Tragedy of Macbeth. Drive-Away Dolls probably won’t win any awards, but it’s a serviceable, if mostly forgettable, attempt at a retro, low-brow comedy.

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