Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Released today in the middle of what seems like unending gray Bay Area winter weather, Sometimes I Think About Dying is the perfect film to watch given our collective dreary mood.
Continue reading “Film Review: “Sometimes I Think About Dying””
Here’s what you’ve been waiting for: my 2023 cinematic favorites! You can also check out fellow film critic Chad Liffmann’s list here to compare and contrast and see who you agree with more. Will Oscar voters agree with us? We’ll find out when the nominations are announced on January 23rd!
Continue reading “Film Feature: Carrie’s Top 10 Films of 2023”
I saw Showing Up one week ago today, and sat down to write this review at 5:00am this morning. Yes, I procrastinated, even though I love to write about movies. But I think writer/director Kelly Reichardt would forgive me and understand my dilemma, as it’s exactly what her newest picture so charmingly explores.
Thinking back on the year in movies, “unusual” and “complicated” might be 2020’s most fitting descriptors. Yes, we’ve had plenty of content to watch, thanks to streaming services, and plenty of time at home to view it all, but COVID-19 cancelled the multiplex experience. Watching movies at home, without the excitement of the big screen and a crowd of fellow film-lovers nearby, just wasn’t as satisfying, which is why the number of films I reviewed this year dwindled sharply. That said, I did watch enough to pull together my annual Top 10 Best Films of the Year. And a unique year requires a unique Top 10 list: hence my first ever Haiku Top 10! I hope each of these 17 syllable snippets (and their trailers!) will steer you toward checking out these films, each of which moved, inspired, and stuck with me this year. Here’s to a return to in-person cinema in 2021! (And if you’re curious about what was on my list last year, you can check that out here.)
Continue reading “Film Feature: Carrie’s Top 10 Films of 2020”
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Carrie’s list, presented, unlike last year’s alphabetized list, in descending rank order. And you can check out Chad’s list here to see which one of us you agree with more!
Sometimes the story-within-the-story convention can be confusing or feel gimmicky, but in this visually stunning picture from fashion designer turned filmmaker Tom Ford, the technique works to terrific effect. Amy Adams, as a woman haunted by a decision she made years ago, reads a manuscript sent to her by her ex-husband Edward (Jake Gyllenhaal), and that story comes alive on screen in the form of family man Tony (Gyllenhaal again) and his confrontation with some dangerous, deranged miscreants. Ford’s keen aesthetic vision and sharp performances by Adams, Gyllenhaal, and Michael Shannon as a tenacious lawman combine to make this brutally poetic but utterly captivating film one of the year’s most definitively unusual. (You can also read my full-length review here.)
Continue reading “Film Feature: Carrie’s Top 10 Films of 2016”
Marking its closing with its annual awards ceremony, the 2016 Sundance Film Festival ended this past Saturday evening; you can see all the winners here.
For the second year in a row, I braved the Park City cold, snow, and the ubiquitous Los Angeles UGG-wearing throngs to bring you spotlights of a fraction of the films that played the Fest. With nearly 200 offerings, the Fest featured way more than this reviewer could see. While I sadly missed the big winner and much lauded The Birth of a Nation (you’ll have to stay tuned to Spinning Platters later in the year for a full review upon its wide release), I nevertheless managed to knock out a respectable 18 films in five days. Many of these may receive distribution deals (if they haven’t already), so you can study up now with these capsule reviews, which use our trademark Sundance Viewing Priority Level (VPL) Guide:
Continue reading “Film Feature: 2016 Sundance Film Festival Spotlights #1”
Spinning Platters brings you even more spotlights from the 57th San Francisco International Film Festival (SFIFF), which ends today, May 8th. Program notes and tickets available here. There are only a few screenings left, so hurry to catch the last showings, and you can also see many of the films as they open widely throughout the year.
The One I Love
(USA, 2014, 91 min)
Romantic comedy meets The Twilight Zone, Charlie McDowell’s obscure relationship dramedy is a wonderful piece of bizarre metaphorical fiction. The story focuses on an unhappy married couple, Elisabeth Moss and Mark Duplass, who go to a beautifully secluded rural home to rekindle their love. Immediately, anomalies involving the adjacent guest house occur, and the film starts toying with our minds, offering continuous scenarios that beg the question, ‘how would I handle this?’ A quirky tone keeps the film upbeat, but the twists lead the characters down varied emotional routes, resulting in a whole new meaning to “couples therapy.”
The One I Love SFIFF Page: http://www.sffs.org/festival-home/attend/film-guide/the-one-i-love
Continue reading “SFIFF Spotlights #8: The One I Love/Coast of Death/Night Moves”
starring: Michelle Williams, Bruce Greenwood, Will Patton, Zoe Kazan, Shirley Henderson, Paul Dano, Neal Huff, Tommy Nelson, Rod Rondeaux
written by: Jonathan Raymond
directed by: Kelly Reichardt
MPAA: Rated PG for some mild violent content, brief language and smoking.
