Knightley, Skarsgård helm predictable but entertaining post-War melodrama
In 1946, British Rachael (Keira Knightley) is none too happy to meet the German Stefan (Alexander Skarsgård, l.), despite the fact she and her husband (Jason Clarke) will be sharing Stefan’s Hamburg home.
With Jordan Peele’s Get Out follow-up Us opening today and receiving a ton of buzz, you may not realize there actually are a few other quieter, less high-profile films opening today as well. One of these is The Aftermath, an old-fashioned historical drama that, while somewhat forgettable and ultimately predictable, is a serviceable alternative for those searching for something less intense than Peele’s headline-grabbing horror flick. Continue reading “Film Review: The Aftermath“
Zombie-slaying Bennet sisters worth cheering for. Zombies, not so much.
Victorian era badassery.
More influenced by 2005’s Pride & Prejudice starring Keira Knightley than the classic piece of literature by Jane Austen or the works of George A. Romero, Pride & Prejudice and Zombies,based on the novel by Seth Grahame-Smith,is a mediocre popcorn flick. It’s not as campy or cheeky as I’d had hoped, nor as serious and emotional as it could be if it avoided being the former. Despite the PG-13 rating, there’s enough genre blending jokes and tame action to make the first hour an enjoyable piece of escapism. Unfortuantely, an apparent inability to conclude the story whilst providing a non-anticlimactic finish makes the last 30 min a bore — an uninspired CGI-filled bore. Yet PPZ can be taken in its entirety as a relative success. The failings don’t take away from what most folks will expect from a sci-fi period piece romance (not sure the appropriate genre?) based on a popular piece of spoof fiction.
Everest tragedy comes alive in stunningly shot, absorbing new film
A breathtaking but precarious route up Everest awaits its climbers.
Readers of a certain age may remember the spring of 1997, when the must-read, buzz generating new release was Jon Krakauer’s Into Thin Air, his account of the tragic Mt. Everest climbing expedition from the year prior. With Everest, Icelandic director Baltasar Kormákur has crafted a cinematographically stunning and emotionally powerful dramatization of the events of that climb. Basing the film not just on Krakauer’s book, but also on other published survivor accounts, screenwriters William Nicholson (Gladiator; Unbroken) and Simon Beaufoy (127 Hours) bring us another a heart-pounding, riveting story of both the best and worst of the human spirit.
Film critics Carrie and Chad on who will – and who should – win the 87th Academy Awards
The 87th Academy Awards air this Sunday, February 22nd on ABC at 5:00pm PST (red carpet coverage begins at 4:00, if you want to dish on fashion highs and lows). There are some tight races this year – Best Picture and Best Actor are especially hard to call. Here are Carrie and Chad’s predictions – and hopes – for the major categories: Continue reading “Film Feature: Carrie and Chad Pick the Oscars”
Spinning Platters brings you two final spotlights from the 57th San Francisco International Film Festival (SFIFF), which closed on Thursday with Chris Messina’s film Alex of Venice at the Castro, with many of the cast there for a fun Q&A. You can check out the Festival award winners here, and be sure to keep your eye out for many of these films as they are released throughout the year.
Alex of Venice (USA 2014, 87 min)
Mary Elizabeth Winstead and Chris Messina in Alex of Venice.
The Mindy Project’s Chris Messina makes his directorial debut with this emotionally rich drama about the dissolution of a marriage. In the Q&A following the film, Messina cited Kramer vs. Kramer, Hannah and Her Sisters, and All the Real Girls as influencing his picture, and, indeed, all the best tonal elements of those films can be felt here. Strong performances from Mary Elizabeth Winstead as workaholic environmental attorney Alex, Katie Nehra as her more free-spirited sister, and Don Johnson as their actor father on the verge of a health crisis solidly anchor the film. Messina, as Alex’s unhappy husband George, and young Skylar Gaertner as Alex and George’s son Dakota round out the cast nicely, with Gaertner’s portrayal just as nuanced and sensitive as Justin Henry’s in Kramer vs. Kramer. A side story about Alex’s father appearing in The Cherry Orchard is a bit of a heavy-handed metaphor, but that’s just one small quibble with an otherwise excellent first feature. Continue reading “Final SFIFF Spotlights: Alex of Venice/Begin Again”
A hell of a ride: Branagh, Pine infuse Clancy franchise with new energy
Chris Pine is on the run as Jack Ryan in Jack Ryan: Shadow Recruit.
With Oscar nominations announced yesterday and the slate of Serious Award-Worthy films soon to be on their way out of theaters, it’s time to make way for some rousing old-fashioned movie-going fun. Kenneth Branagh has helped us on that front with the somewhat awkwardly titled Jack Ryan: Shadow Recruit, his inspired and highly entertaining reboot of the late author Tom Clancy’s Jack Ryan series. Branagh and screenwriters Adam Cozad and David Koepp have created an entirely new story for Clancy’s CIA agent character, the first not actually based on any of Clancy’s books. Koepp’s previous credits include 2012’s Premium Rush, the excellent Manhattan bicycle chase movie, and Jack Ryan:Shadow Recruit benefits tremendously from that same adrenaline-fueled, frenetic, thrill-a-minute aesthetic. Continue reading “Film Review: Jack Ryan: Shadow Recruit”
Joe Wright and Keira Knightley on the set of ANNA KARENINA
“I cannot believe that I am less important than Tyra Banks!” Joe Wright exclaims with mock-indignation. He has every reason to be nonplussed. Through a bizarre chain of last-minute developments, I have found myself with a direct conflict to our scheduled interview time: the opportunity to ask Tyra Banks a question over the phone for a rare pre-taped episode of Bravo’s Watch What Happens Live. The call had originally been scheduled over an hour prior to my interview with Wright, but TyTy took her sweet-ass time arriving to the taping; so now here I am, sitting at the Ritz-Carlton with my iPhone flattened against my ear, waiting anxiously for my Tyra cue while Wright, the British director of such Oscar-nominated dramas as Pride and Prejudice and Atonement, paces in front of me with an unlit cigarette. I am fully aware that I am showing questionable judgment and hope that Wright’s next interviewer will show up so that we might reshuffle our schedule, but the next interviewer is nowhere to be found, and I am now personally responsible for keeping Joe Wright waiting.
Steve Carell, Lorene Scafaria and Keira Knightley on the set of SEEKING A FRIEND FOR THE END OF THE WORLD
In the dystopian romantic comedy Seeking a Friend for the End of the World, Steve Carell and Keira Knightley star as Dodge and Penny, two strangers in the same apartment building who unexpectedly find themselves becoming close companions for the final few weeks of Earth’s existence. As the film begins, we learn that the final effort to stop a massive asteroid hurtling toward Earth has failed, meaning that the apocalypse is imminent. While everyone around him chooses to celebrate with drug-fueled orgies and looting, Dodge would rather mope in private. But then he meets the exuberant Penny, who lives just below him and has been getting his mail for years. When a dangerous riot imperils their building, Dodge and Penny embark on a road trip across a bizarro end-of-days landscape, searching for one last connection with whatever had been meaningful to them in their lives. This delightfully imaginative film comes to us from writer/director Lorene Scafaria.
