Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Zach Cregger triumphs with Weapons, proving the success of his 2022 critically acclaimed horror movie Barbarian was no fluke. Indeed, the writer/director’s sophomore effort is the better picture. Clever, downright scary, and at times laugh-out-loud funny. Cregger’s new film brings freshness to a glutted genre in need of something new. Continue reading “Film Review: “Weapons””
It’s the third (released) attempt at a Fantastic Four movie, and after two truly embarrassing attempts, this time Marvel Studios got it right. The Fantastic Four: First Steps is the best Marvel feature film since Avengers: Endgame. The Fantastic Four could have been an interesting and worthwhile introduction to a new phase of the MCU, in its aesthetic, tone, and multiversal angle, had it been released following Endgame. Unfortunately, here we are, with a decade-long experience of watching Marvel cinematic fodder, constantly lowering expectations, and suffering from superhero fatigue. Luckily, Fantastic Four: First Steps pushes through any worry and/or fatigue with a fun, concise (don’t think about the plot too much!), and beautifully constructed story setting with the best character chemistry since the first Avengers film. Continue reading “Film Review: “The Fantastic Four: First Steps””
From Leigh Whannell, the Australian director of Upgrade and the masterful modern-day reimagining of The Invisible Man, comes his new take on a Universal Monsters horror classic, Wolf Man. Distilling the werewolf mythos into a visceral it-all-happens-in-one-night movie, Wolf Man is efficient in its pacing and scares. However, the film lacks the emotional gravitas of a romantically strained family trying to reconnect during extreme circumstances. So, because Wolf Man clocks in at under two hours, is pleasantly ultra-predictable, and contains quality thrills, it’s a great choice for a frivolous movie night. Continue reading “Film Review: “Wolf Man””
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Carrie’s list, presented in alphabetical order. (And you can find Chad’s here.)
The immigrant experience in America is exquisitely captured in director John Crowley’s finely crafted film about love, loss, and longing in 1950s Brooklyn. Based on the novel by Colm Tóibín, Nick Hornby’s screenplay presents us with the intrepid young Irish woman Eilis, who leaves her family in the Irish countryside for adventure and opportunity in New York. Saoirse Ronan suberbly conveys Eilis’s gradual shift from shy newcomer to confident cosmopolitan. Called back home for a family emergency, Eilis must choose between familiar comforts and new possibilities, and Ronan depicts Eilis’s struggle with heartrending openness and aching honesty. Emory Cohen and Domhnall Gleeson, as competing suitors on opposite sides of the Atlantic, also deliver strong, sharply drawn performances.
Continue reading “Film Feature: Carrie’s Top 10 Films of 2015”
At 75, Lily Tomlin has had such a long, varied acting career that few may not realize she hasn’t actually had a leading role in a film since the 1988 comedy Big Business. Thanks to writer/director Paul Weitz, though, who directed Tomlin as Tina Fey’s mother in 2013’s Admission, Tomlin returns to brilliantly helm a picture in Weitz’s smart and engaging Grandma, which opens widely today after rightfully garnering much praise at the Sundance Film Festival in January.