Gordon-Levitt shines in smart airplane hijacking nail-biter
First Officer Tobias Ellis (Joseph Gordon-Levitt) attempts to stay calm after his plane is hijacked.
If you’ve been frustrated that you haven’t been able to fly anywhere for months now and have spent hours daydreaming about your next air travel jaunt, the new picture 7500 will snap you out of your reverie, and make you glad you’re stuck safely on the ground. The smart, taut thriller starring Joseph Gordon-Levitt has a few problematic story elements, but mostly succeeds as a unique take on the typical Hollywood trouble-in-the-sky action pic.
The spirit of Christmas is alive in these three “gentlemen.”
I feel like its been a while since the last raunchy comedy, which I think was Trainwreck back in July. That’s not to suggest that I wish there were more R-rated comedies flooding the market, but I do think I was primed for a movie like The Night Before. I wanted a stupid, profanity-filled, drug-trippin, buddy comedy (in this case, a threesome bromance) and I wasn’t disappointed. Sprinkle in a bit of holiday cheer for good measure and add a pinch of well-timed celebrity cameos for extra zest! The Night Before is 70% unadulterated stoner comedy, 20% heart, and 10% holiday spirit, and I enjoyed 99% of it! (the other 1% was a very disappointing final 60 seconds).
Josh Brolin and Eva Green gets black and white and red all over.
It’s a little bizarre that Sin City: A Dame to Kill For took this long to get made. Creative differences, production and casting issues, and the usual onslaught of headlines and rumors supposedly got in the way of this film getting off the ground. But nearly ten years later, we have A Dame to Kill For, and there are many disappointing elements that the filmmakers, with ten years to play with, should have gotten right. The Sin City film franchise nevertheless continues to showcase some of the most impressive visuals in movies — but has the novelty worn off? The black and white psychedelic neo-noir tone is fun, yet a lacking depth of emotion and a shortage of character variety (compared to 2005’s Sin City) spoils the return to Frank Miller’s dark seedy world.
A modern day romance with expectations to dash expectations.
Do Joseph Gordon-Levitt and Scarlett Johansson see eye to eye in ‘Don Jon’?
Joseph Gordon-Levitt has been acting for over twenty-five years. It should come as no surprise that he’s finally decided to write and direct, and with his debut, Don Jon, it’s a shame he didn’t start sooner. Hopefully this is just the first of many. In our roundtable interview, Gordon-Levitt stated that his hopes were to capture a relationship that involved two people that “have these unrealistic expectations and keep missing each other.” With his experience, Gordon-Levitt was no stranger to the expectations and unrealistic images that pop culture (specifically movies, television, and commercials) thrust upon young minds. Using a very tight and clever script, and with pitch perfect performances from all involved, his goal is accomplished. Don Jon is a brave and unique modern day romance.
Joseph Gordon-Levitt directing for the first time.
Joseph Gordon-Levitt has exactly the air about him that you’d expect — polite, well-dressed, and charming as heck. His latest film, Don Jon, which marks his debut as a writer and director, also stars Gordon-Levitt as a womanizing, body building, porn addict who begins a romantic relationship with a romantic, traditional, sexy young woman played by Scarlett Johansson. It’s a romantic comedy about unhealthy expectations, but Gordon-Levitt expects that it’ll resonate well with audiences. Along with a few other journalists, I sat down with the actor/writer/director (or “Joe” as he introduced himself) and asked about his experience making Don Jon…
What inspired you to choose this particular story for your directorial and writing debut?
Well, I’ve been working as an actor since I was young. Probably because of that, I’ve always paid a lot of attention to the way that TV and movies and all kinds of media affect how we see the world. I think, sometimes, the things we see in the media give us certain unrealistic expectations for life, and especially for love and sex and relationships. I wanted to tell a story about that. I thought a good way to do it would be to have a comedy about a boyfriend and a girlfriend where the guy watches too much pornography and the girl watches too many romantic Hollywood movies. They both have these unrealistic expectations and keep missing each other.
I’ve warned you. Put this post down! Don’t you dare read it before seeing the movie!
Please don’t read this post until you’ve already seen Rian Johnson’s excellent film, Looper. I’m about to spoil the heck out of it. There are some lingering questions about this movie (most of them crazy theories) that I want to discuss with someone, so I’m asking you, the Internet, to discuss it with me. If you click to read more, I’m going to assume you’ve seen it. Click below to reveal spoilers. Continue reading “Click to Reveal Spoilers: Questions About What Happened in Rian Johnson’s “Looper””
Looper, the ingenious new sci-fi drama from writer/director Rian Johnson (Brick), has one hell of a setup. The year is 2044, and time travel hasn’t been invented yet — but it will be. And when it is, it immediately becomes illegal. But in the bombed-out dystopian American future of Johnson’s imagining, time travel’s illegality just means powerful crime syndicates are the only ones with access to it. Due to implanted tracking devices, disposing of bodies in the future is impossible. So the mobsters dispatch their targets back to 2044, bound and hooded, where they are immediately shot and killed by assassins known as “loopers,” who then incinerate the remains. But a new crime boss known as The Rainmaker has risen to power, and he is determined to “close the loops” by finding the future versions of the assassins from 2044, sending them back in time and having them killed — by the younger versions of themselves. Got that? The loopers are understandably perturbed by this, and a moment’s hesitation can lead to the older version of themselves escaping and creating quite a time-space conundrum. Such is the case with Joe, played in 2044 by Joseph Gordon-Levitt and in the future by Bruce Willis.
starring: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Michael Caine, Joseph Gordon-Levitt, Gary Oldman, Morgan Freeman, Matthew Modine, Juno Temple
written by: Jonathan and Christopher Nolan
directed by: Christopher Nolan
MPAA: Rated PG-13 for intense sequences of violence and action, some sensuality and language
Have you ever watched a cancer movie and thought, “You know what this needs? More dick jokes!” If so, 50/50 is the cancer movie for you. Joseph Gordon-Levitt stars as Adam, who seems to have his life together: he works for a public radio station in Seattle, he has a devoted (if obnoxious) best friend, Kyle (Seth Rogen), and a beautiful girlfriend, Rachael (Bryce Dallas Howard). But when Adam is suddenly diagnosed with cancer, his life begins to fall apart. His relationship with Rachael becomes increasingly strained, he is assigned a counselor named Katherine (Anna Kendrick) who is barely out of diapers, his overbearing mother (Anjelica Huston) won’t leave him alone, and Kyle keeps using Adam’s cancer to get himself laid. And if that sounds like too irreverent of a storyline for a film about cancer, then take it up with screenwriter Will Reiser. Because it’s inspired by his life.
