Film Review: “The Apprentice”

A Tale of Two Insecure Men, aka The Apprentice

The Apprentice begins with President Nixon’s famous “I’m not a crook” speech, where he claimed in the wake of an ongoing Watergate investigation that he had never personally profited from public service, and maintained that he’s “earned everything he’s got.” That’s an appropriate and scary way to begin this film. After all, we know how Nixon’s (and Trump’s) story plays out. The audience’s foreknowledge is The Apprentice’s biggest hurdle, wanting to shed light on a well-documented figure when that figure remains in the headlines today. I wonder what the point of The Apprentice is, aside from providing a showcase for its stars? It doesn’t feel like a cautionary tale, nor does it take any creative liberties with exposing blame. Instead, The Apprentice is a straight-laced historical re-enactment (with some embellishments) of how a few men with deep insecurities played by their own corrupt rules to gain power.  Continue reading “Film Review: “The Apprentice””

Film Review: “Armageddon Time”

Hopkins anchors melancholic but hopeful coming of age picture

Paul (Banks Repeta, l.) has a special bond with his Grandpa Aaron (Anthony Hopkins).

With Armageddon Time, writer/director James Gray (Ad Astra; The Immigrant) has made his Belfast. Gray’s loosely autobiographical film substitutes the dawn of the Reagan era in early 1980’s Queens for the Troubles of 1960’s North Ireland. Like Kenneth Branagh’s protagonist Buddy (Jude Hill), though, Gray’s stand-in Paul (Banks Repeta) similarly faces the confusion and challenges of growing up in a volatile and uncertain time. The result is a film that, while occasionally heavy handed, nevertheless boasts some strong performances and leaves us with a message of hope.

Continue reading “Film Review: “Armageddon Time””