Interviews – Page 6 – Spinning Platters

Spinning Platters Interview: Saiorse Ronan and Joe Wright on “Hanna”

Joe Wright and Saiorse Ronan at the WonderCon panel for "Hanna" in San Francisco last weekend. Photo by Kendall Whitehouse.

“Does anyone have a terrible allergy to cigarette smoke?” Joe Wright, the director of Hanna, is hoping the answer is no. It’s a Friday afternoon, and he’s looking a bit rough. Perhaps it’s a combination of jetlag and the looming specter of WonderCon 2011, which will be kicking off in a few hours. While Wright is no stranger to publicity tours, this is the first time he’s working the geek festival circuit. His previous three feature-length directorial efforts — Pride and Prejudice (the 2005 version starring Keira Knightley in an Oscar-nominated lead performance), Atonement (the breakthrough film of Hanna star Saiorse Ronan, whose performance garnered her a Best Supporting Actress nomination at the age of 13), and The Soloist, a contemporary drama starring Robert Downey Jr. and Jamie Foxx — did not take him down this particular promotional path.

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Spinning Platters Interview: Rainn Wilson and James Gunn on “Super”

Rainn Wilson and James Gunn at WonderCon in San Francisco last weekend. Photo by Kendall Whitehouse.

Rainn Wilson and writer/director James Gunn were in San Francisco this past weekend to promote their bold and demented new film, Super (read our Spinning Platters review here), at WonderCon. It was my first time entering the WC fray, and I found myself wishing I’d brought a bag of bread crumbs while navigating the labyrinthine expanse of Moscone South. But eventually I found the designated press room, where I waited patiently with a table of my fellow online press while Wilson and Gunn worked their way down a seemingly endless line of video interviews. One queasy highlight of this was watching Gunn being forced to awkwardly refer to “Jenna Fischer, my ex-wife” each time he was asked how Wilson came to be involved with the project.

But eventually the video interviews concluded, at which point they were escorted directly to our waiting table. “Here are the nerds!” Wilson cried out in relief upon approaching us. As they got seated (and Wilson bellowed “Hello machines!” into our assorted collection of recording devices), we kicked off a lively conversation on topics like how to make a homicidal maniac sympathetic, pioneering the concept of superhero female-to-male rape, and Wilson’s efforts to keep his character as far from Dwight as possible.

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Spinning Platters Interview: Tom McCarthy on “Win Win”

Tom McCarthy directing Paul Giamatti on the set of WIN WIN. © 2011 - Fox Searchlight

As an actor, Tom McCarthy is that guy you know you’ve seen somewhere. You can’t quite put your finger on it, but he was definitely a cop/lawyer/scientist/reporter in something. And in his 20 years as a screen actor, McCarthy has indeed worked with an impressive roster of directors, including George Clooney (Good Night and Good Luck), Peter Jackson (The Lovely Bones), and Clint Eastwood (Flags of Our Fathers). He also had key arcs on acclaimed TV series Boston Public and, perhaps most notably, the final season of The Wire. But it is McCarthy’s work as a writer and director which has earned him the greatest praise.

After breaking out with the 2003 Sundance favorite The Station Agent, in which Michelle Williams took one of her first major steps toward becoming the indie queen she is today, McCarthy directed the celebrated drama The Visitor, which scored an Oscar nomination for lead actor Richard Jenkins. And now, after receiving his own Oscar nomination for co-writing Up, McCarthy is back with the highly anticipated Win Win, the crowd-pleasing tale of a down-on-his-luck high school wrestling coach (Paul Giamatti) who unwittingly discovers a talented young wrestler (newcomer Alex Shaffer) while engaged in some shady business dealings. McCarthy recently sat down with Spinning Platters to discuss the plight of wrestling in New Jersey, how he nearly turned down The Wire, and the creative liberation of costarring in 2012.

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Spinning Platters Interview: Gregg Araki on “Kaboom”

Gregg Araki directing Thomas Dekker and Juno Temple on the set of KABOOM

For most of the ’90s, the name “Gregg Araki” was synonymous with edgy underground movies about armageddon and alienation, with bursts of disturbing violence and, most importantly for those of us who were going through puberty at the time, lots of graphic pansexual coupling. Emerging from the New Queer Cinema scene with films like The Living End and Totally Fucked Up, Araki earned his place in the cult-movie pantheon with his sex-and-apocalypse masterworks The Doom Generation and Nowhere.

Then, after 1999’s comparatively tame romantic comedy Splendor, Araki stunned fans and critics alike with the devastating drama Mysterious Skin, which starred Joseph Gordon-Levitt in a revelatory, career-best performance as a furious hustler living in the aftermath of the molestation he suffered as a young boy. Araki followed this with a much lighter offering, the delightful Anna Faris stoner comedy Smiley Face.

But for those of us who’ve always had a soft (or hard) spot for his ’90s heyday, there’s good news: the old Araki is back in business with Kaboom, which out-sexes and over-apocalypses even his most delirious big-screen moments. Araki recently sat down with Spinning Platters to discuss creative freedom, talking to Republicans about gay sex, and the Doom Generation commentary track we’ve all been waiting for.

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Spinning Platters Interview: Alex Pettyfer on “I Am Number Four”

Alex Pettyfer is looking at a flyer with his name and picture on it. “ALEX PETTYFER!” he bellows in a mock-announcer voice. “And also, BAY AREA NATIVE DIANNA AGRON!” he reads, referring to the Glee actress and Burlingame native, also his I Am Number Four costar and rumored girlfriend. The flyer is advertising a promotional appearance Pettyfer and Agron will be making at a store in San Bruno the next day. “This is very impressive,” he says. “Just… wow.”

Like the rest of America, the 20-year-old Pettyfer isn’t quite used to seeing himself in the spotlight yet. As of this moment, the British native is still able to walk the streets largely unrecognized. Other than roles in such little-seen films as Alex Rider: Operation Stormbreaker and the Emma Roberts vehicle Wild Child (and his work as a Burberry model), there’s really no reason you should know him. But that all changes this Friday, with the release of the massively promoted, Michael Bay-produced I Am Number Four.

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Spinning Platters Interview: Edward Norton on “Stone”

Edward Norton in STONE from Overture Films

Edward Norton does not seem like much of a movie star in person. When he first walked into a small Ritz Carlton conference room to discuss his new movie, Stone, with a handful of sweaty, panting, near-hysterical online journalists (okay, that was mostly me), he didn’t exactly blow the roof off with “star power” magnetism. He was soft-voiced, studious, and modestly dressed.

As he sat down and began answering our questions, he gave lengthy and eloquent answers while leaning far forward onto the table, glinting through those famously heavy-lidded eyes as he fussed with his rings. You’d be more likely to mistake him for an author than an actor. But perhaps that’s appropriate, given the thoughtful and well-considered roles he’s taken since his Oscar-nominated debut performance in Primal Fear skyrocketed him to international fame fourteen years ago.

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Spinning Platters Interview: Rob Epstein and Jeffrey Friedman on “Howl”

HOWL-4112TonyJeffRob*-731336 — Script supervisor Tony Pettine discusses a scene with directors Jeffrey Friedman and Rob Epstein in the courtroom set of HOWL. Photo courtesy of Telling Pictures.

The Times of Harvey Milk. Common Threads: Stories From The Quilt. The Celluloid Closet. Paragraph 175. Over the course of 25 years, two Best Documentary Oscars, and a smattering of Emmys and Peabodys, San Francisco-based filmmakers Rob Epstein and Jeffrey Friedman have forever changed the face of documentary film-making and revolutionized the portrayal of gay and lesbian subjects in American culture. Now, they’ve made Howl (opening in Bay Area on September 24), their first scripted film, in which James Franco brilliantly embodies Allen Ginsberg. They recently sat down with Spinning Platters to discuss their latest effort.

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10 Quick Questions with Paul and Storm

After their epic performance at this year’s Penny Arcade Expo, the world was breathlessly awaiting Paul and Storm’s next move. Fortunately, they had already announced this move a couple of days earlier. What brings them to San Francisco this week is an absolute geek fest called w00tstock, that also features Wil Wheaton, Adam Savage, and “other surprise guests,” most of whom have been announced and are listed at the bottom of this post. I’ll be there, and I strongly recommend picking up a ticket for Tuesday night while you still can. I spoke with Greg “Storm” DiCostanzo and asked him if he would do an email interview with Spinning Platters when the show got closer, and he graciously agreed to do so.

Spinning Platters: Your most well known song, featured in Rock Band, is “Opening Band.” What happens to that song when you headline? Continue reading “10 Quick Questions with Paul and Storm”