Tag: Henry Cavill

Film Review: “The Ministry of Ungentlemanly Warfare”

Sometimes an ensemble of handsome spies killing Nazis is all you need

Heist films are commonly fun to watch, since they often include an ensemble cast, clever misdirections, and clearly defined stakes. In essence, Guy Ritchie’s latest film, The Ministry of Ungentlemanly Warfare, is a World War II heist film. It’s based on Damien Lewis’s 2014 book Churchill’s Secret Warriors: The Explosive True Story of the Special Forces Desperadoes of WWII. The film isn’t as bloody as you may expect (it’s still very violent). It’s not as funny or fast-paced as you may expect from Guy Ritchie, nor is it as dramatic. Yet, it carries a modicum of each element which, when put together, forms a solidly entertaining spy action flick. Continue reading “Film Review: “The Ministry of Ungentlemanly Warfare””

Film Review: “Argylle”

Argylle is a silly waste of (too much) time and (too much) talent

Before we get too far into this review, have you seen the newest Apple laptops and desktops? If not, don’t worry, because Argylle will show you. Yes, the new Apple Original Film, the spy thriller Argylle, is very much a commercial for Apple products. But that’s the weakest of my criticisms. The best thing about Argylle being released is that we don’t have to sit through its excruciating trailer anymore, which seemed to precede every movie in existence for the past four months. The worst thing about Argylle is that the full-length film is just as excruciating.

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Film Review: Mission: Impossible—Fallout

Impossibly, the missions continue

Left to right: Henry Cavill as August Walker, Tom Cruise as Ethan Hunt and Rebecca Ferguson as Ilsa Faust in MISSION: IMPOSSIBLE – FALLOUT, from Paramount Pictures and Skydance.

The sixth installment of the Mission: Impossible franchise finds Ethan Hunt and team missioning for our greater good all over the world. After six films, the franchise has worn some pretty deep grooves on the floor of the house of action adventure. To offer some new perspective, this reviewer decided to bring in a fresh voice, that of his wife. 

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Film Review: Batman v Superman: Dawn of Justice

Why so serious?

Face to face. Angry man v angry man. Grumble v grumble.
Face to face. Brooder v brooder. Mano y mano (with guns and gadgets)

“Hey everyone, Batman is fighting Superman!” <<everyone rushes to the schoolyard>> “Aw, is it over?” “Yeah, it didn’t last long and it wasn’t too exciting, but they promised to fight someone else together next time.” There you have it — that’s a pretty good summary of the disappointing DC tent event, Batman v Superman: Dawn of Justice. What ends up functioning as a 2 hr 40 min movie trailer for an pending Justice League movie is enjoyable at times but mostly a mess of style over substance. Anyone familiar, and probably critical, of director Zack Snyder’s work won’t be surprised by this. There was so much (tentative) hype for BvS that it would’ve been nearly impossible for it to live up to the expectations, but hey, The Force Awakens pulled it off so BvS has no excuse. BvS is disappointing on so many levels, save a surprisingly stellar Ben Affleck as Batman, because its favors more over less, background over foreground, and a serious tone over a fun one.

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Film Review: Man of Steel

Amy Adams and Henry Cavill in Man of Steel
Amy Adams and Henry Cavill in Man of Steel

Superman turns 75 this year, and appears no worse for the wear in Man of Steel, director Zack Snyder’s serviceable, if somewhat dispassionate, reboot. Writers Christopher Nolan and David S. Goyer, who both penned recent Batman films, bring a similar dark, edgy, sensibility to the Kryptonian hero’s story, with mixed results. Continue reading “Film Review: Man of Steel”

Wondercon: The 2011 Film Panels

 

Geoff Johns (love his Flash stuff with Kolins) asks Ryan Reynolds why he's so awesome. (Photo from Nicole Abalde on Flickr. Thanks for sharing!)

The 2011 Wondercon film panel lineup was the worst in recent memory. It was more notable for what was missing (Captain America, Thor, Super 8, Pirates of the Caribbean) than what was there (Immortals, Priest, The Three Musketeers). Jon Favreau noticed that movies weren’t prioritizing Wondercon for their promotion, and I can’t say I understand why. Was it the relative commercial failure of such ComicCon-loved properties such as Kick Ass and Scott Pilgrim? Or was it really all just about scheduling? But we did have film panels on Saturday (and one on Friday), so I was there. And this is what I saw. Continue reading “Wondercon: The 2011 Film Panels”