Film Review: “Saturday Night”

Reitman’s take on SNL‘s first episode is as much fun as the show itself

Lorne Michaels (Gabriel LaBelle) surveys sketch ideas for the first episode of his new live show, Saturday Night.

That the new film Saturday Night opens this Friday, October 11th, is no accident. Exactly 49 years ago to the date, Saturday Night, the original title of the iconic late night sketch show Saturday Night Live premiered on NBC. Director Jason Reitman’s movie, which dramatizes the chaos immediately preceding the airing of that first trailblazing episode, is the perfect homage to the long-running live program that is about to enter an incredible 50th season.

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Film Review: The Goldfinch

Acting, cinematography are highlights of imperfect adaptation of Tartt’s famed novel 

Cinematographer Roger Deakins captures the desert at dusk as Las Vegas transplants Theo (Oakes Fegley, l.) and Boris (Finn Wolfhard) become friends.

As a film critic, I try to ignore early buzz on films I’m going to review so I can form my own unbiased opinion when I see the picture. But this month, it was hard to ignore the vitriol that poured on to social media after The Goldfinch premiered at the Toronto Film Festival; hate for the movie was prolific and fierce. So, naturally, going into Monday’s reviewer screening, I was apprehensive: could the picture really be as bad as all that!? I’m here to tell you that, thankfully, it is not. Is it the year’s best film? Far from it, but it’s not nearly as awful as Twitter would have you believe. If you’re a cinema fan — and/or a fan of Donna Tartt’s 2013 Pulitzer Prize winning novel on which the film is based — you will find enough here to keep you interested.

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