Film Review: R.I.P.D.

R.I.P.D. is a good reminder of how similar movies used to be better.

Jeff Bridges and Ryan Reynolds are ready for all terrible CGI creatures coming their way.
Jeff Bridges and Ryan Reynolds are ready for all the terrible CG creatures coming their way.

– What do you call an undead police force?
– The R.I.P.D.  The Rest In Peace Department.
– Ha!
– They would be like the Men in Black.
– Yeah.  Except instead of aliens, they’d be fighting hell’s escapees.
(…to be continued)

Although R.I.P.D. is based on a comic book series of the same name, first published in 1999 (after Men in Black), I can easily imagine the concept for this movie arising in the above fashion.  I haven’t read the source material, and therefore can’t speak to it, but it’s a bit too easy to find the parallels between R.I.P.D. and MIB; every character, plot turn, and joke from the former has a close equivalent in the latter.  It’s surprising that we don’t see the MIB writers getting credited for the R.I.P.D. story or screenplay. Perhaps I’m being too harsh.  But for the sake of argument, perhaps extra time should’ve been spent polishing what ends up being a cheap clone of a concept already executed to a much more satisfying degree.  The characters in R.I.P.D. aren’t well developed, the special effects look gummy at best, and the plot doesn’t take any unexpected turns.

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Frameline Spotlights: C.O.G. / In the Name Of

From June 20-30, Frameline: The San Francisco International LGBT Film Festival is showing an eclectic lineup of films steeped in social, political, and sexual themes, pushing the boundaries and bringing audiences closer to the incredible stories of numerous individuals and communities, both fictional and real.  Tickets for screenings are available at http://ticketing.frameline.org/festival/.  Here is a glance at two of this year’s festival entries:

C.O.G. (USA, 2013)

Jonathan Groff is a sour apple in C.O.G.
Jonathan Groff is a sour apple in C.O.G.

Based on the unassuming essay by David Sedaris and under the steady direction of Kyle Patrick Alvarez, C.O.G. is the piercingly honest tale of a young man’s escape from his privileged Ivy-league world into the apple orchards and Christian community of a small town outside Portland, OR.  The sold out audience at the Castro Theatre laughed, cheered, sat silent, and gasped, and left with a welcome sense of renewal, as if the film’s flawed characters had challenged each of us to examine ourselves in a way we hadn’t considered for some time.

C.O.G. screened on Saturday, June 22nd.  For more info on the film, visit the film’s festival page or C.O.G.’s official website at http://www.cog-movie.com/

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