Film Review: “The French Dispatch”

Anderson’s French Dispatch is precious and pretty, with an emotional punch

The French Dispatch
(From L-R): Tilda Swinton, Lois Smith, Adrien Brody, Henry Winkler and Bob Balaban in the film THE FRENCH DISPATCH. Photo Courtesy of Searchlight Pictures. © 2020 Twentieth Century Fox Film Corporation All Rights Reserved

Fox Searchlight has finally released Wes Anderson’s very long-awaited new film The French Dispatch, and this sentence pretty much sums it up: “Leutenant Nescaffier is emphatically celebrated among cooks, cops and capitaines, not to mention swindlers, stoolies and snitches, as the great exemplar of police cooking.”

If that sentence – with its very sneaky verb, its obviously overbalanced serial commas, its all too visible use of French terms, and finally, its curious “police cooking”- makes you smile, laugh, giggle, catch your breath, or even tingle, then this is your film. If not, then there’s nothing I, or this review, can do for you.

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MVFF38 Spotlights #2: Truth/Yosemite/Suffragette

MVFF Logo

The 38th Mill Valley Film Festival closed Sunday, October 18th, but if you weren’t able to make it out to Marin these past ten days, never fear: many of the titles – both big and small – will be widely released, and available to you soon at your local theater. To wrap up our coverage, Spinning Platters takes a look at three of these films, one of which actually opens this Friday.

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SFIFF Spotlights #8: The One I Love/Coast of Death/Night Moves

Spinning Platters brings you even more spotlights from the 57th San Francisco International Film Festival (SFIFF), which ends today, May 8th. Program notes and tickets available here.  There are only a few screenings left, so hurry to catch the last showings, and you can also see many of the films as they open widely throughout the year.

The One I Love
(USA, 2014, 91 min)

Elisabeth Moss and Mark Duplass stand agape in THE ONE I LOVE
Elisabeth Moss and Mark Duplass stand agape in THE ONE I LOVE

Romantic comedy meets The Twilight Zone, Charlie McDowell’s obscure relationship dramedy is a wonderful piece of bizarre metaphorical fiction.  The story focuses on an unhappy married couple, Elisabeth Moss and Mark Duplass, who go to a beautifully secluded rural home to rekindle their love. Immediately, anomalies involving the adjacent guest house occur, and the film starts toying with our minds, offering continuous scenarios that beg the question, ‘how would I handle this?’  A quirky tone keeps the film upbeat, but the twists lead the characters down varied emotional routes, resulting in a whole new meaning to “couples therapy.”

The One I Love SFIFF Page: http://www.sffs.org/festival-home/attend/film-guide/the-one-i-love

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