Sister and brother Wendy and Judd (Tina Fey and Jason Bateman) take a time-out together.
Director Shawn Levy, whose previous efforts include the funny but lightweight Night at the Museum and the mediocre Google commercial (er, film) The Internship might not seem like an obvious choice to bring Jonathan Tropper’s more literary serio-comic novel This is Where I Leave You to the big screen. But Levy has the good fortune to be working with a screenplay written by Tropper himself, as well as an extraordinary cast of both up and coming and tried and true talent. This collaboration has yielded one of the year’s most highly enjoyable pictures. Continue reading “Film Review: This is Where I Leave You”
Fasten your seat belts and put your tray tables in their full upright position…and keep your expectations grounded.
Liam Neeson has….TAKEN…off.
There are two ways to go into watching Non-Stop, the new action thriller starring the infallible Liam Neeson — 1) Expecting an intelligently crafted action film … OR … 2) Expecting an implausible and generally ridiculous action quickie that’ll keep you from being bored. Can you guess which way will result in a better time had?
For the first time, a David Sedaris work has been adapted for the big screen. Kyle Patrick Alvarez, the young filmmaker that helmed the acclaimed indie, Easier With Practice (2010), received the great (and very first) honor of a green light from Sedaris and co. to move forward on an adaptation of the short story, C.O.G. I met up with Mr. Alvarez at Luca in West Hollywood to discuss C.O.G.’s journey to the big screen. After some tea and pleasantries, and some friendly banter about other summer flicks like The To Do List and Kings of Summer, we dove in…
How has the festival circuit been treating you?
It’s been good. It’s been different. My first movie didn’t get into any major festivals at all. We really had to fight for it to get into festivals and fight for people to see it. And this time around, getting into Sundance just set a precedent and made it a little easier. The festivals that are going to be interested in your movie will seek you out. Not to say I haven’t inquired about some festivals I’ve wanted to be a part of, but, it does take a little bit of the leg work out of it. So it’s been good. It’s been weird too, a lot of young filmmakers think ‘well you know, it’s a movie so it should play at festivals’ but they don’t ever ask themselves, which festivals and why. Having sold our film out of Sundance, it became about making sure we’re playing the right cities, where we’ll open the movie later down the line, so that people can see it there and be aware of it. It’s just a different strategy, but it’s been great!
