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I’ve been waiting to see this band for a long, long time. They’re one of my absolute favorites, so when I got my little fan club email about tickets going on sale, I was ALL over it. Like woke up at the crack of dawn over it. Their newest album Zonoscope was just starting to have little early “leaks” that were streamed over the internet. I’ve been beside myself for months… I was going to see Cut Copy on this US tour no matter what. Continue reading “Show Review: Cut Copy with Holy Ghost! at the Regency Ballroom, 4/16 and 4/17/2011”
The Joy Formidable is a hard band to describe to people. I’ve seen them called “ecstatic dance rock,” “evolutionary shoegaze,” and last night, one extremely drunk fan called them “the best band in the world!” over and over again until the rest of the crowd finally told him to shut up. As an admitted obsessive fan, I’m not sure I have anything particularly wise or witty to add to the conversation, other than an excited “fuck yeah!” in response to the aforementioned drunk fan. That makes me both the right and wrong person to be reviewing the band, so here I go. Continue reading “Show Review: The Joy Formidable with The Lonely Forest at Bottom of the Hill, 4/14/2011”
Keaton Simons has a degree in ethnomusicology (the study of world music). Curtis Peoples calls his style of music “coffee shop/arena rock.” At first glance, these two may seem an odd pair for a mid-week one-night stint at the Hotel Utah. The truth is, though, that the two have been friends (and sharing stages) for years. Both are LA-based singer/songwriters with mostly acoustic sets and guitars, sprinkled with a little piano here and there, and both have been so hard at work on new albums that neither has been to the Bay Area in at least a year. And both have fans that were happy to skip the Giants game in favor of a night’s worth of their music. Continue reading “Show Review: Keaton Simons with Curtis Peoples and Whitney Nichole at Hotel Utah, 4/13/2011”
Guess which 2 of the 24 people on stage are the Kolacny Brothers
Scala & Kolacny Brothers need marketing help. They admitted during their set on Tuesday night that the had sold “500,000 units in Europe, and about 50 in the U.S.,” and asked us, “tonight, let’s make it 60!” Part of this is probably due to piracy, but part of this must be name recognition. I told many people beforehand that I was going to see them tonight, and they said, “who?” I said, “Y’know, the group that does the cover of ‘Creep’ from the Social Network trailer.”
“Oh! Them! I bet that’ll be good.” But none of them came. The crowd was made up of people more likely to be seen at a classical music event than at the Independent. But then again, the Independent has proven itself to be a versatile venue. So how would a Belgian choir go over on a cold San Francisco night?
Henry Rollins, from last week at the Triple Door in Seattle.
Henry Rollins is a Black Flag speed-demon driven by fear of falling into the cold reaping hand of hypocrisy. In his efforts to keep it real, Rollins embarked on a massive 50th birthday tour that covered close to 40 appearances around the country, wrapping up with his final show, here at The Independent. As always, Rollins’ brand of storytelling and humor is fresh and fascinating, which often leaves the bartender short-changed by the end of the evening. Continue reading “Show Review: Henry Rollins Turns 50 at The Independent, 4/9/2011”
30 Seconds to Mars, a few days prior. Thanks to Flickr user danford for sharing!
To their fans, 30 Seconds to Mars are as much a religion as they are a band. If you’d have said this to me a week ago, I wouldn’t have known enough about other fans to agree or disagree. Though the band released their eponymous first album in 2002, it wasn’t until late 2009 that I wised up enough to pay them some attention. In retrospect, I can only wish I’d have gotten on board years ago.
In 1994, like most other fifteen-year-old girls, I was swooning over the baby blues of My So-Called Life‘s “Jordan Catalano,” as most of us first knew Jared Leto. After the show was canceled, I followed his film career sporadically. I heard he was in a band, and yet because I knew him first and foremost to be an actor, I never even thought to give them a listen. In 2005, a friend and I randomly bumped into Mr. Leto wandering from tent to tent at Warped tour in Long Beach, but even then I was more interested in not drooling over his long blond hair than in checking out his band. It wasn’t until the adamant recommendation of a virtual stranger in late 2009 that I turned my ears toward the album that would quickly lead me to call 30 Seconds to Mars my favorite band (This is War). After finally getting to see them live for the first time Friday night at SJSU’s Events Center, I’m starting to understand why I saw licensed t-shirts printed with the words “yes this is a cult.” Continue reading “Show Review: 30 Seconds to Mars with CB7 at SJSU Events Center, 4/8/2011”
Page Hamilton, frontman of Helmet, the headliners of the Metalliance Tour
October 22nd, 2006. That was the final day for a San Francisco club known as The Pound, a smallish, low building stranded out in the middle of the dreary reaches of Pier 96 near Heron’s Head Park. For true metalheads of the Bay Area, it was a dark day in history, for no venue besides the Pound was better known for providing a consistent schedule of hardcore punk, furious grindcore, and every genre of metal under the sun (which, considering metal, is quite a lot). While larger clubs like Slim’s and the Regency Ballroom have stepped up to the plate to try and appease the hundreds of roaring voices that bellow out for the return of a good metal venue, they have been hard pressed to draw the same underground caliber that the Pound was able to pull in night after night. If the Mezzanine continues to host shows like Sunday night’s Metalliance Tour, however, then we may once again have a contender that fares well in the ring.
Hunx plays hard to get with a fan at SXSW last month. Photo by Nev Brown.
Hunx and His Punx played a sold-out record release show for their debut LP, Too Young To Be In Love (Hardly Art), at Bottom of the Hill on Saturday night. Also on hand were Shannon and the Clams (featuring Punx VIP Shannon Shaw), who were celebrating the release of their sophomore album, Sleep Talk. And as if that wasn’t enough, we also got the dependably awesome Grass Widow (recently seen playing with Wild Flag) as the opener. Needless to say, a fun time was had by all.
Uh Huh Her playing at Toronto Pride in 2008. Photo by Jenny Rotten.
Uh Huh Her, a.k.a. Camila Grey (formerly of Mellowdrone) and immortal lesbian crush-girl Leisha Hailey (of The Murmurs and The L Word), are on a small club tour testing new material from their upcoming sophomore LP. Last night they introduced some new jams, as well as fan favorites from their 2008 debut album, Common Reaction, to a small but devoted crowd at Great American Music Hall. Did the audience respond favorably to the new tracks? Could anyone hear the new tracks over the incessant shrieks of Ms. Hailey’s name? Did she finally admit to killing Jenny? Look after the jump to find out.
The last time I saw Jay Nash live was August of 2009. Truth be told, I was there to see Tony Lucca, and I’d never heard of Jay Nash (or Matt Duke) before! Fast forward to going on two years later, and I’m hooked on this guy’s voice. Since then, the trio has formed the occasional band TFDI, released an EP, and as yet evaded the Bay Area (as a band, anyway). So as you might imagine, I wasn’t going to let a little rain stop me from getting to the Cafe du Nord to see Jay on Sunday night, even if he was without his cohorts! Lucky for me, opening act Milk Carton Kids helped to fill any imaginary void. Continue reading “Show Review: Jay Nash with Joey Ryan & Kenneth Pattengale at Cafe du Nord, 3/27/2011”
