Film Review: “Cleaner”

Cleaner is an unassuming Die Hard copy with B-movie energy

Daisey Ridley has a stellar view of London and the unfolding hostage crisis.

Cleaner is the type of B-movie matinee you watch while getting ready to meet friends for dinner, or a mysterious title on your streaming platform’s home page that you indifferently hit ‘play’ as you finish the NY Times crossword before heading to bed, only to find yourself having not solved a single clue ninety-five minutes later. You’ll rarely seek the film out, but you’ll welcome its breezy distraction. Cleaner is co-directed by executive producer Sébastien Raybaud (Femme) and Martin Campbell, but the latter’s surefootedness as an action director enables Cleaner to rise above its ham-fisted script. Campbell’s filmography includes iconic brand re-launches like The Mask of Zorro, Goldeneye, and Casino Royale, silly B-movie spectacles like Vertical Limit and The Foreigner, and a few cringe-y flops like Beyond Borders and The Green Lantern. Cleaner fits within the second grouping: a silly actioner with its entertainment value and narrative absurdity evenly matched. Continue reading “Film Review: “Cleaner””

Film Review: Words and Pictures

No matter how you paint this picture, there’s only one word for it: Bad

Clive Owen pretends like he's in Dead Poet's Society.
Clive Owen pretends like he’s in Dead Poets Society.

Australian director Fred Schepisi has an impressive resume; he’s directed the critically acclaimed pictures Roxanne, Six Degrees of Separation, and A Cry in the Darkness, among others. So naturally it’s disheartening that his newest film, Words and Pictures, is such a disappointment, especially considering it stars two high-caliber actors – – Clive Owen and Juliette Binoche. Unfortunately, writer Gerald Di Pego (Message in a Bottle; Angel Eyes) doesn’t give them much to work with, and Schepisi’s direction seems to echo the mediocrity of Di Pego’s script.

Continue reading “Film Review: Words and Pictures”