Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
In the new Robert Eggers film The Northman, a young prince in proto-Europe’s far north swears vengeance for his father’s murder, is driven mad by revenge, and faces his rival in a climactic battle. Sound familiar? Continue reading “Film Review: “The Northman””
You’d be forgiven if, when you saw the poster or trailer for Last Night in Soho, you assumed it would be some sort of edgy, stylized, dark humor-filled picture. After all, the film’s director is Edgar Wright, of Baby Driver, Shaun of the Dead, and The World’s End fame. The film’s marketers seem to be seizing on fans’ perception of Wright to sell the film, but make no mistake – this movie is markedly different from the rest. Above all else, this picture is a horror movie, and an exceptionally bloody one at that, making its Halloween weekend release appropriate.
Iranian director Marjane Satrapi, who was Oscar-nominated 13 years ago for turning her graphic novel Persepolis into a beautiful animated film, is back with another adaptation of a graphic novel. This time, however, Satrapi adapts Lauren Redniss’s 2010 National Book Award nominee Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout not as an animated picture, but as a live-action drama, and the results don’t work nearly as well as Satrapi’s first big success. Radioactive tells the story of famed Polish-French scientist Marie Curie (Rosamund Pike) and her personal and professional triumphs and travails. Unfortunately, Satrapi’s new work yields a very mediocre film about a great woman who deserves a more dignified biopic than this facile, sentimental treatment.
Cory Finley’s debut feature, Thoroughbreds, has many signs that point to a promising career in film. His dialogue is often whip-smart, crackling along at a fast pace. He has scenes of incredible tension realized in interestingly new yet classic style. He’s got a knack for casting, and clearly has a way with actors, as his small ensemble performs the heck out of the material. There’s so much to like about this movie, yet it left me with so many questions about its history and its themes. Lucky for me, director Cory Finley and star Anya Taylor-Joy were in town to talk about the film, and I was able to sit down with them to discuss this fun and tense film.
SP: When I saw this film, I had no idea it was based on a play, and then I watched it and talked to my friend, and I said, “I think that was based on a play.” I think there were two things that stood out. One is sort of just the conservation of characters. I was really surprised that we met the moms at all. I thought that we were going to get through the whole film without the moms. Were the moms in the play? Continue reading “Interview: Director Cory Finley and Actress Anya Taylor-Joy on Thoroughbreds“
I really wish M. Night Shyamalan would share a writing credit for once. His screenplays are constantly in need of supervision and a seasoned story writer to cut the fat. The stunted dialogue, contrivances, and lecture hall exposition can sometimes take precedent over plot progression. The same is nearly the case in Split, Shyamalan’s newest film and the most promising return to his mid-late 90s form after many disappointing tries. Split is a tense thriller and features a tour de force from James McAvoy. The film still succumbs to a few stereotypical pitfalls of the thriller genre, but the final product is still an entertaining, and at times chilling, experience featuring shades of Hitchcockian tactics.