Spinning Platters Interview: Joe Wright on “Anna Karenina”

Joe Wright and Keira Knightley on the set of ANNA KARENINA

“I cannot believe that I am less important than Tyra Banks!” Joe Wright exclaims with mock-indignation. He has every reason to be nonplussed. Through a bizarre chain of last-minute developments, I have found myself with a direct conflict to our scheduled interview time: the opportunity to ask Tyra Banks a question over the phone for a rare pre-taped episode of Bravo’s Watch What Happens Live. The call had originally been scheduled over an hour prior to my interview with Wright, but TyTy took her sweet-ass time arriving to the taping; so now here I am, sitting at the Ritz-Carlton with my iPhone flattened against my ear, waiting anxiously for my Tyra cue while Wright, the British director of such Oscar-nominated dramas as Pride and Prejudice and Atonement, paces in front of me with an unlit cigarette. I am fully aware that I am showing questionable judgment and hope that Wright’s next interviewer will show up so that we might reshuffle our schedule, but the next interviewer is nowhere to be found, and I am now personally responsible for keeping Joe Wright waiting.

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Spinning Platters Interview: Glenn Close on “Albert Nobbs”

Glenn Close in ALBERT NOBBS

Glenn Close has long been perceived as an intimidating woman, which likely stems from a number of factors. Maybe it’s because of her unhinged work in the iconic role of Alex Forrest, the psychotically unstable mistress who will not be ignored, in the ’80s landmark Fatal Attraction. It could be due to her impossibly imperious turn as the scheming, vicious Marquise de Merteuil in Stephen Frears’ Dangerous Liaisons. The under-21 set likely grew up cowering from her scenery-chewing Cruella De Vil in the live-action 101 Dalmations. Not even the small screen has been safe from Close’s fire-breathing intensity, whether it be her hugely acclaimed work on The Shield, or her two-time Emmy-winning turn on Damages as Patty Hewes, the ferocious litigator who will stop at nothing — nothing — to win a case. So even though Close is currently promoting what is arguably the least threatening character she has ever played, this does not necessarily make her more comfortable to be around. At least not when she turns the tables during our interview and begins grilling me about my thoughts on her Oscar-nominated new film, Albert Nobbs.

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