Spinning Platters – Page 291 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Show Review: Nicole Atkins, Cotton Jones, That Ghost at Cafe du Nord, 2/16/11

natkins1 — The beautiful Nicole Atkins and her much more beautiful hat.

Earlier that day, not knowing who Nicole Atkins was, I listened to two songs on YouTube. On record, she has a strong, beautiful, and towering voice. I would probably like it to Stacy Dupree, the lead singer of Eisley, every bit as pretty and powerful, but just a tad lower and a little more soulful. It was enough for me to decide to check out the show that night. I walked in expecting a well-defined showcase for that wonderful voice and a fairly relaxed atmosphere. I’m not sure I received any of it, but that isn’t necessarily a bad thing.

There’s always a war within a smaller venue show for an artist with a great voice. Do you soften up everything else and let the voice shine, or do you just say forget it, and rock out? I’ve seen both sides of the equation many times and have been disappointed by both. Most often, I tend to side with the showcase of the voice. When a voice is gorgeous, it almost feels like a waste for it to be muddled by guitar, bass, and drums that are turned up too loud. But tonight was a night for rocking, and that is, exactly what happened.

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Film Review: “Unknown”

starring: Liam Neeson, January Jones, Diane Kruger, Aidan Quinn, Bruno Ganz, Frank Langella

directed by: Jaume Collet-Serra

MPAA: Rated PG-13 for some intense sequences of violence and action, and brief sexual content.

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Spinning Platters Interview: Gregg Araki on “Kaboom”

Gregg Araki directing Thomas Dekker and Juno Temple on the set of KABOOM

For most of the ’90s, the name “Gregg Araki” was synonymous with edgy underground movies about armageddon and alienation, with bursts of disturbing violence and, most importantly for those of us who were going through puberty at the time, lots of graphic pansexual coupling. Emerging from the New Queer Cinema scene with films like The Living End and Totally Fucked Up, Araki earned his place in the cult-movie pantheon with his sex-and-apocalypse masterworks The Doom Generation and Nowhere.

Then, after 1999’s comparatively tame romantic comedy Splendor, Araki stunned fans and critics alike with the devastating drama Mysterious Skin, which starred Joseph Gordon-Levitt in a revelatory, career-best performance as a furious hustler living in the aftermath of the molestation he suffered as a young boy. Araki followed this with a much lighter offering, the delightful Anna Faris stoner comedy Smiley Face.

But for those of us who’ve always had a soft (or hard) spot for his ’90s heyday, there’s good news: the old Araki is back in business with Kaboom, which out-sexes and over-apocalypses even his most delirious big-screen moments. Araki recently sat down with Spinning Platters to discuss creative freedom, talking to Republicans about gay sex, and the Doom Generation commentary track we’ve all been waiting for.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/17/11 – 2/23/11

GreasePic1 — A different gang of four guys is playing at The Fillmore this weekend.

Next week is Noise Pop! If you’re not excited about Noise Pop for some reason, get excited about it! Look left, right now, see the pretty advertisement for the festival, click on it, and buy some tickets to something. But if you’re some sort of meany who hates Noise Pop and everything they stand for, there’s still plenty of shows for the likes of you. We don’t support the skipping of Noise Pop, but we do appreciate the variety of shows available this coming week. You can dance, wear purple, or be a black emperor. It’s a doozy!

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Spinning Platters Interview: Alex Pettyfer on “I Am Number Four”

Alex Pettyfer is looking at a flyer with his name and picture on it. “ALEX PETTYFER!” he bellows in a mock-announcer voice. “And also, BAY AREA NATIVE DIANNA AGRON!” he reads, referring to the Glee actress and Burlingame native, also his I Am Number Four costar and rumored girlfriend. The flyer is advertising a promotional appearance Pettyfer and Agron will be making at a store in San Bruno the next day. “This is very impressive,” he says. “Just… wow.”

Like the rest of America, the 20-year-old Pettyfer isn’t quite used to seeing himself in the spotlight yet. As of this moment, the British native is still able to walk the streets largely unrecognized. Other than roles in such little-seen films as Alex Rider: Operation Stormbreaker and the Emma Roberts vehicle Wild Child (and his work as a Burberry model), there’s really no reason you should know him. But that all changes this Friday, with the release of the massively promoted, Michael Bay-produced I Am Number Four.

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Show Review: Meat Beat Manifesto with Not Breathing at The Mezzanine, 2/11/2011

Jack Danger and Mark Pistel of Meat Beat Manifesto — Jack Danger and Ben Stokes of Meat Beat Manifesto

Today’s electronic music scene seems to be filled with performers that emphasize minimalism to the point of frustration. These days, an electronic performance can consist of a single person with little more than a laptop, a mixer (maybe), and some sort of interface to allow quick manipulation of the instruments on the fly — despite the fact that said person could simply just hit “go” and then bob their head to their beat-laden wall of sound. Therefore, excitement comes in the form of performances involving tables worth of analog gear thrown pell-mell across a stage, with wild projections and snarling, harsh noises created from both. This was the case on Friday evening, when the Mezzanine welcomed Swindon’s electronic veterans Meat Beat Manifesto for a night of furious bass, hyperactive beats, and brilliantly-crafted visual effects.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/10/11 – 2/16/11

What does the Bay Area concert scene have in store for Valentine’s Day weekend? Look after the jump to find out.

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Show Review: Tony Lucca with Joey Ryan at Cafe Du Nord, 2/8/2011

His name is Lucca. No idea if he lives on the second floor.

Of all of the LA-based singer-songwriters I enjoy seeing live, Tony Lucca is perhaps my favorite. While his peers seem content to bask in the sun, studio, or local LA venues, Tony faithfully treks up to the Bay to play for his “neighbors” on a regular basis. Furthermore, his show is sure to be a crowd pleaser, as he’s literally got something for everyone. Face-melting vocals? Check. Sincere, relatable, clever lyrics? Check. Rockin’ guitar skills? Check. Wit and charm to spare? Check. Former-Mousketeer good looks? Check.
Wait. What? Yes, you read that right, so let’s get it out of the way now: as a teenager, Tony was part of the Disney Channel’s MMC cast, alongside the other smiling faces of Keri Russell, Ryan Gosling, and Justin Timberlake. As an adult, however, he’s been steadily working as a solo artist since 1997. Since 2006’s Canyon Songs, he has toured steadily, sharing the stage with other talents like Tyrone Wells, Keaton Simons, Curtis Peoples, and most recently, Matt Duke and Jay Nash (with whom he released the excellent TFDI EP).

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Sketchfest Review: An Evening with Cloris Leachman at the Castro Theatre, 2/5/11

Cloris Leachman greets her adoring fans while hostess Peaches Christ braces herself.

“80. Fuckin’ 80.”

These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.

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Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A

The closing night of the 10th San Francisco Sketchfest kicked off with a screening of the David Byrne directed True Stories, now celebrating its 25th year of existence. Because the founders of Sketchfest met at a screening of the Talking Heads concert film Stop Making Sense, also at the Castro Theater in 1998, this event was special to the Sketchfest crew. Along for the ride was author Paul Myers, who took on the moderator duties, and the director himself. Much like the movie itself, the Q&A afterward was a minor failure, with interesting bits. Continue reading “Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A”