Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
2016 will go down in history as the year in which all of our heroes died. Most everything that happened felt like a cold darkness, and the world feels like a worse place. Here are a few thoughts from our writers about a few of our favorites who passed away this last year…
Continue reading “Final Goodbyes of 2016: Notes on Who We Will Miss”
It was a happy Friday the 13th to start this year’s epic SF Sketchfest Journey. Full of delicious burrito and needing some relief from a long day at work I was excited to get the funny started. On top of that all proceeds for this show are being donated to Planned Parenthood so it felt good to be in the company of people trying to help this messed up world. Bring on the Crabapples! Continue reading “SF Sketchfest Review: Crabapples with Bobcat Goldthwait and Caitlin Gill at Brava Theater, 1/13/2017”
The third time may be the charm for director Peter Berg and actor Mark Wahlberg, who collaborated on two previous films (Deepwater Horizon and Lone Survivor) with middling results. Patriots Day, their new film, is definitely the best of the trio, although it’s not without its problems. Another film based on a true story, Patriots Day recounts the Boston Marathon bombing of 2013 and the investigation and manhunt that immediately followed. Working from a script based on the 2015 book Boston Strong: A City’s Triumph Over Tragedy, Berg and a quartet of screenwriters manage to bring the recent and familiar story alive without glorifying or exploiting the tragedy or the bombers, who are secondary characters here, serving only the plot.
Continue reading “Film Review: Patriots Day“
The best thing that can be said about Live by Night, Ben Affleck’s third writing/directing attempt (after the infinitely better Gone Baby Gone and The Town) is that Affleck definitely looks great in an overcoat and a fedora. Based on the novel by Dennis Lehane, Affleck’s newest picture is a run-of-the-mill 1920s gangster piece that offers nothing new to the genre, and nothing worth watching on screen, save, of course, for that fedora, which sure suits Affleck’s square-jawed face well.
Continue reading “Film Review: Live by Night“
Sketchfest is really rough. There is literally too much to do over the course of the three weeks the festival runs. We have 18 days of anywhere between 3-10 shows, all special events with performers that rarely come to San Francisco to perform. I’m here to help you decide what to do. Below are some of the events that I find the most interesting over the course of the entire event. You can use my handy guide, or you can just go rogue and take a look at the full schedule here! Continue reading “A Nerd’s Guide to Sketchfest 2017”
It was a dark night at the Rickshaw Stop on 12/28. Droves of music fans, clad in black, funneled in throughout the evening to enjoy the darker side of synth music, and while some folks are near impossible to please, it was pretty obvious that this was one of those nights that would be remembered. It’s not often that an electronic music show is perfectly curated, but clearly The Black Queen was not screwing around when they booked their tour mates.
Jim Jarmusch is one of those divisive filmmakers about whom everyone seems to have an opinion; people seem to either love his meditative, slow, literary style, or they find themselves frustrated by it, with very little middle ground. If you’re in the latter camp, you probably won’t like Paterson, his newest picture, which, like so many of Jarmusch’s best films (Dead Man, Ghost Dog, Coffee and Cigarettes) is similarly laconic, thoughtful, and slow-paced. But if you consider those qualities plusses in your cinematic experience, then you need to see this lovely, gentle, and introspective gem.
Continue reading “Film Review: Paterson“
I’m not opposed to a film with a 160+ minute running time. What I do mind is when that movie doesn’t utilize its extended running time properly. It’s hard to fault Martin Scorsese for ensuring that his new film, Silence, runs a simmering 160 minutes. After all, he had wanted to film this story for nearly thirty years. If you were to finally fulfill a 28 year journey to make a film, it’s likely you wouldn’t want to sacrifice one bit of your efforts onto the cutting room floor, either. There is an arguable purpose to Silence‘s slow pace and narrative repetition, which I’ll get to, but it’s ultimately not enough to warrant the length of the final cut. That being said, the film is more of a cinematic triumph than a failed attempt. Yes, it is a historical religious epic, fraught with troubling but effectively choreographed depictions of religious persecution, but Silence is also much more invested (to the point of fallible self-indulgence) in exploring our contentious personal connections to human nature, faith, and spirituality.
Like anyone else who’s devoted to her favorite festival, I have been waiting for this morning for quite some time. Why? Because that’s when BottleRock Napa Valley was set to announce this year’s lineup — and announce it they did. I knew that Dave Grohl had said back in 2013 that if the festival made it another year, the Foo Fighters would play it, so it’s exciting to see that they’re making good on that promise. In addition, I’m looking forward to catching Tom Petty & the Heartbreakers again (whom I saw a few years ago at Outside Lands), as well as Maroon 5, who I haven’t seen live since the Songs About Jane era. And those are just the headliners.
Continue reading “Festival Preview: BottleRock Napa Valley, 2017”
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Chad’s list, presented in descending rank order. And check out Carrie’s list!
It takes a few viewings to fully appreciate the tremendous wit and satirical humor in Hail, Caesar! When the Coen Brothers released their latest film earlier this year, it was met with a lukewarm reception from audiences and critics, partially due to the Oscar-worthy brilliance of their previous three films — A Serious Man, True Grit, and Inside Llewyn Davis. Compared to those three, Hail, Caesar! is a silly comedy, yet it’s actually both an entertaining throwback and a salute to the unseen Hollywood players of the 1950s studio system, specifically the Hollywood fixer, played here by a confident Josh Brolin. Mix in a few Golden Age film sets, including those of an elaborate synchronized swimming musical number, and a Roman sandal epic, and cap it off with a phenomenal straight-out-of-the-’50s song and dance number with a handful of handsome seamen (led by Channing Tatum), and you’ve got a colorful, slightly absurdist take on Hollywood yesteryear that only the Coen Brothers can manage and deliver. Hail, Caesar! also puts Alden Ehrenreich on the map; here he plays a lovable typecast singin’ cowboy, and you’ll see him again soon as a young Han Solo. (You can also read my full-length review here.)
Continue reading “Film Feature: Chad’s Top 10 Films of 2016”