starring: Queen Latifah, Dolly Parton, Keke Palmer, Jeremy Jordan, Dexter Dardin, Courtney B. Vance, Jesse L. Martin, Kris Kristofferson, Dequina Moore
written and directed by: Todd Graff
MPAA: Rated PG-13 for some language including a sexual reference
Welcome to our list of the best films of 2011! I’m Jason LeRoy, the film editor of this fine website, and I’ll be your guide to the most excellent cinema this year had to offer. I have to say, this is a pretty exciting moment for me. While I’ve been writing about film in one form or another since 1995, 2011 is the first year I’ve managed to see just about everything. It is with no small amount of consideration (or afternoons and evenings spent slumped over in theaters around town) that I’ve compiled this list. So look after the jump for my top 10 films of the year, some honorable mentions, and a handful of staff-pick rebuttals for Best Film of 2011. And especially since this year was uncommonly lacking in unifying critical favorites, please leave your own picks in the comments below.
Scarlett Johansson and Matt Damon in WE BOUGHT A ZOO
starring: Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning, Patrick Fugit, Colin Ford, Maggie Elizabeth Jones, John Michael Higgins, J.B. Smoove
written by: Cameron Crowe and Aline Brosh McKenna
directed by: Cameron Crowe
MPAA: Rated PG for language and some thematic elements.
Gary Oldman stars as "George Smiley" in Focus Features' release of Tomas Alfredson's TINKER TAILOR SOLDIER SPY. Credit: Jack English
There was a time in the not-so-distant past when it seemed like maybe we’d already seen the best of Gary Oldman. After establishing himself as a fearlessly intense and committed film actor with Alex Cox’s seminal British indie, Sid and Nancy (1986), he spent the next decade delivering unforgettable performances in roles ranging from Lee Harvey Oswald to Dracula to Beethoven, pivoting nimbly from blockbusters like Air Force One and The Fifth Element to cult favorites like The Professional and Romeo is Bleeding. But after the disastrous Lost in Space (1998), he seemed to vanish into an infrequent series of TV appearances and little-seen films.
Charlize Theron and Jason Reitman on the set of YOUNG ADULT
On Wednesday we chatted with Patton Oswalt about his scene-stealing turn in Young Adult, the unnerving black comedy opening in San Francisco today. And now we’ll check in with its director, Jason Reitman. In the six years since his beloved feature debut, Thank You For Smoking, Reitman has become one of the most celebrated and in-demand directors in the film industry. In addition to earning back-to-back Best Director Oscar nominations for his second and third features, Juno and Up in the Air, he has established himself as one of the few filmmakers who can create acclaimed character-based films that also resonate with mainstream audiences at the box office. But with Young Adult, his second collaboration with Oscar-winning screenwriter Diablo Cody, he is taking a bold and risky step away from the accessibly charming and likable protagonists of his earlier films.
It has been proven many times over the years that comedians can bring an unexpected and singular potency to their performances when given the opportunity to play a dramatic role. Actors from Tom Hanks to Robin Williams to Jim Carrey have graduated from broad comedy to dramatic leading-man status when finally given the chance to play the right character. And now Patton Oswalt, best-known for voicing the mouse protagonist in Ratatouille and his 122 episodes as Spence on The King of Queens (in addition to his decades of stand-up and countless cameo appearances), is poised to make a similar breakthrough with his poignant performance in the new Jason Reitman-Diablo Cody collaboration, Young Adult.