starring: Leonardo DiCaprio, Kate Winslet, Billy Zane, Bill Paxton, Gloria Stuart, Frances Fisher, Kathy Bates
written and directed by: James Cameron
MPAA: Rated PG-13 for disaster related peril and violence, nudity, sensuality and brief language
Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
starring: Leonardo DiCaprio, Kate Winslet, Billy Zane, Bill Paxton, Gloria Stuart, Frances Fisher, Kathy Bates
written and directed by: James Cameron
MPAA: Rated PG-13 for disaster related peril and violence, nudity, sensuality and brief language
Ira Sachs’ Keep the Lights On is the luminously wrenching chronicle of a ten-year relationship between two men, Erik (Danish actor Thure Lindhardt) and Paul (Zachary Booth, best known as Glenn Close’s antagonistic son Michael on Damages). Erik is a sensitive and open-hearted documentary filmmaker, while the more reserved Paul has a successful job as a lawyer at a major publishing house. After meeting at random through a gay party line (remember those?), the two form an instant connection that long outlasts what could easily have ended as a one-night stand. There is, however, a problem: Paul is a drug addict. And not just any drug. Despite his lucrative white-collar Manhattan life, Paul is a crack addict. Another problem: Erik is in love with Paul, and doesn’t know how to respond to his addiction except by continuing to invest in their relationship. And so the stage is set for one of the most assured independent films of 2012, and arguably the most powerful American gay relationship drama since Brokeback Mountain.
Continue reading “Spinning Platters Interview: Zachary Booth and Ira Sachs on “Keep the Lights On””
In For A Good Time, Call…, Ari Graynor and Lauren Anne Miller star as Katie and Lauren, sworn enemies forced to become roommates out of financial necessity. Fun-time Katie has been occupying her grandmother’s gorgeous rent-controlled Gramercy Park apartment since she semi-recently passed away, but the rent control is about to expire and her handful of odd jobs (including working for a phone sex line) won’t cover the new rent. Meanwhile, conservative Lauren finds herself unexpectedly homeless and in desperate need of housing. Their mutual gay best friend, Jesse (Justin Long), suggests they get over their long-standing feud and move into Katie’s apartment together, and the two begrudgingly agree. But when Lauren discovers that Katie has been doing freelance phone sex work, she has a business-minded brainstorm: wouldn’t it be much more profitable if they just started their own phone sex company?
starring: Tom Hardy, Shia LaBeouf, Guy Pearce, Jessica Chastain, Mia Wasikowska, Gary Oldman, Jason Clarke
written by: Nick Cave
directed by: John Hillcoat
MPAA: Rated R for strong bloody violence, language and some sexuality/nudity
starring: Jordin Sparks, Carmen Ejogo, Tika Sumpter, Whitney Houston, Mike Epps, Derek Luke, Omari Hardwick
written by: Mara Brock Akil
directed by: Salim Akil
MPAA: Rated PG-13 for mature thematic content involving domestic abuse and drug material, and for some violence, language and smoking
As if her skyrocketing acting career, Harvard education, impeccable comic timing, exquisite beauty, and legendary lineage weren’t threatening enough, Rashida Jones comes one step closer to total world domination with the release of Celeste and Jesse Forever. In addition to being her largest film role to date, Celeste and Jesse marks Jones’ screenwriting debut; she co-wrote the film with actor Will McCormack, who also appears in the film, and whom Jones briefly dated in the late ’90s before jointly realizing they were better as friends. Sadly, that kind of relationship decision-making wisdom eludes the title characters in their film, Celeste (Jones) and Jesse (Andy Samberg), an LA couple attempting to navigate a divorce while remaining best friends. Needless to say, these good intentions merely end up paving the freeway to heartache hell in this disarmingly intelligent, emotionally honest alternative to the usual rom-com fluff.
starring: Jeremy Renner, Rachel Weisz, Edward Norton
written by: Tony Gilroy and Dan Gilroy
directed by: Tony Gilroy
MPAA: Rated PG-13 for violence and action sequences Continue reading “Film Review: “The Bourne Legacy””
starring: Meryl Streep, Tommy Lee Jones, Steve Carell
written by: Vanessa Taylor
directed by: David Frankel
MPAA: Rated PG-13 for mature thematic content involving sexuality
“Fire away. Anything. Don’t be polite.” William Friedkin is feeling pretty candid these days. Maybe it’s because after nearly six decades in the business, the Academy Award-winning director of such classics as The French Connection and The Exorcist has nothing left to prove. Maybe it’s because he’s been working on his memoirs, due next year from HarperCollins, and is still in confessional mode. Or maybe he’s just well past the age where you stop giving a fuck what anyone thinks about you (he turns 77 this month). The night before our conversation, Spinning Platters attended a screening of his gleefully sadistic new movie, the NC-17-rated Killer Joe, followed by a moderated Q&A with Friedkin that quickly turned into a rowdy one-man show. Refusing to be seated, Friedkin stood in front of the jam-packed theater for nearly an hour and pontificated at length about his career, the controversy over Killer Joe, and anything the audience wanted to talk about. He even volunteered questions he figured we were too sheepish to ask (“Who wants to hear how I discovered Linda Blair?”). When he was informed that the theater needed him to wrap up, he was unfazed. “Why, what are they gonna play? Isn’t it too late to start a movie?”
Continue reading “Spinning Platters Interview: William Friedkin on “Killer Joe””
In the dramatic thriller Red Lights, Cillian Murphy and Sigourney Weaver star as the world’s foremost investigators of paranormal phenomena. Professional skeptics, they have debunked dozens of fraudulent mind readers, ghost hunters, and faith healers by detecting “red lights”, subtle clues to the trickery behind each of these “supernatural” occurrences. But when a world-renowned psychic (Robert De Niro) suddenly resurfaces after a lengthy exile — and the death of his biggest critic — they begin to investigate him, despite increasingly bizarre and dangerous incidents the closer they get. Co-starring Elizabeth Olsen and Joely Richardson, Red Lights is the second English-language film by Spanish writer/director Rodrigo Cortés, who previously created the acclaimed Ryan Reynolds thriller Buried. Below, Spinning Platters talks with Murphy and Cortés about manipulating the human brain, Murphy’s reflections on 28 Days Later and Inception, and how profoundly unamused he is by my phone’s autocorrect.
Continue reading “Spinning Platters Interview: Cillian Murphy and Rodrigo Cortés on “Red Lights””