starring: Jeremy Renner, Rachel Weisz, Edward Norton
written by: Tony Gilroy and Dan Gilroy
directed by: Tony Gilroy
MPAA: Rated PG-13 for violence and action sequences Continue reading “Film Review: “The Bourne Legacy””
Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
starring: Jeremy Renner, Rachel Weisz, Edward Norton
written by: Tony Gilroy and Dan Gilroy
directed by: Tony Gilroy
MPAA: Rated PG-13 for violence and action sequences Continue reading “Film Review: “The Bourne Legacy””
starring: Meryl Streep, Tommy Lee Jones, Steve Carell
written by: Vanessa Taylor
directed by: David Frankel
MPAA: Rated PG-13 for mature thematic content involving sexuality
“Fire away. Anything. Don’t be polite.” William Friedkin is feeling pretty candid these days. Maybe it’s because after nearly six decades in the business, the Academy Award-winning director of such classics as The French Connection and The Exorcist has nothing left to prove. Maybe it’s because he’s been working on his memoirs, due next year from HarperCollins, and is still in confessional mode. Or maybe he’s just well past the age where you stop giving a fuck what anyone thinks about you (he turns 77 this month). The night before our conversation, Spinning Platters attended a screening of his gleefully sadistic new movie, the NC-17-rated Killer Joe, followed by a moderated Q&A with Friedkin that quickly turned into a rowdy one-man show. Refusing to be seated, Friedkin stood in front of the jam-packed theater for nearly an hour and pontificated at length about his career, the controversy over Killer Joe, and anything the audience wanted to talk about. He even volunteered questions he figured we were too sheepish to ask (“Who wants to hear how I discovered Linda Blair?”). When he was informed that the theater needed him to wrap up, he was unfazed. “Why, what are they gonna play? Isn’t it too late to start a movie?”
Continue reading “Spinning Platters Interview: William Friedkin on “Killer Joe””
In the dramatic thriller Red Lights, Cillian Murphy and Sigourney Weaver star as the world’s foremost investigators of paranormal phenomena. Professional skeptics, they have debunked dozens of fraudulent mind readers, ghost hunters, and faith healers by detecting “red lights”, subtle clues to the trickery behind each of these “supernatural” occurrences. But when a world-renowned psychic (Robert De Niro) suddenly resurfaces after a lengthy exile — and the death of his biggest critic — they begin to investigate him, despite increasingly bizarre and dangerous incidents the closer they get. Co-starring Elizabeth Olsen and Joely Richardson, Red Lights is the second English-language film by Spanish writer/director Rodrigo Cortés, who previously created the acclaimed Ryan Reynolds thriller Buried. Below, Spinning Platters talks with Murphy and Cortés about manipulating the human brain, Murphy’s reflections on 28 Days Later and Inception, and how profoundly unamused he is by my phone’s autocorrect.
Continue reading “Spinning Platters Interview: Cillian Murphy and Rodrigo Cortés on “Red Lights””
Ever since his 1995 breakout Welcome to the Dollhouse, writer/director Todd Solondz, 52, has continued to plumb the depths of soul-sick suburban alienation with equal parts open-hearted compassion and satirical ruthlessness. While he is prone to subjecting his characters to the most profoundly unsettling social and psychological horrors imaginable (this arguably reached its nadir with his notorious 1998 epic Happiness and its wrenching pedophile protagonist), it is always clear that he loves and embraces them in all their sad, desperate flailing for love and validation. And while Solondz’s protagonists have always been underdogs, his latest film both deconstructs and transcends that familiar archetype. It is titled, appropriately, Dark Horse.
Continue reading “Spinning Platters Interview: Todd Solondz on “Dark Horse””
starring: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Michael Caine, Joseph Gordon-Levitt, Gary Oldman, Morgan Freeman, Matthew Modine, Juno Temple
written by: Jonathan and Christopher Nolan
directed by: Christopher Nolan
MPAA: Rated PG-13 for intense sequences of violence and action, some sensuality and language
After chatting with Quvenzhané Wallis and Dwight Henry, the stars of the massively acclaimed Sundance breakout Beasts of the Southern Wild, we sat down with its writer/director: Benh Zeitlin, a 29-year-old Queens native and Wesleyan graduate who has lived in New Orleans since 2008. Beasts is Zeitlin’s first feature film; it wrapped post-production just two days before its Sundance premiere catapulted Zeitlin and his cast into the spotlight, leading immediately to months of myriad promotional duties that are unlikely to cease until the end of awards season next year. When I asked Zeitlin what day he’d arrived in San Francisco, he said he did not remember. “I stick my credit card into the machine and a new city pops up and that’s where I go,” he said wearily. Although he says he’s gotten used to his press duties, which were initially “like getting hit in the face,” his flagging energy received a Bay Area boost when he visited the ILM headquarters. “Walking down those halls was incredible,” he said reverently. “I hadn’t realized all the stuff they’d done. Like Who Framed Roger Rabbit? That was my entire childhood! Just watching that three thousand times. It’s a temple. These movies are why you do what you do.”
Continue reading “Spinning Platters Interview: Benh Zeitlin on “Beasts of the Southern Wild””
There was once a time when we looked to the Sundance Film Festival to present us with groundbreaking independent films that challenged and changed what we understood about contemporary cinema. But as the festival became increasingly infiltrated by major studios and A-list stars over the course of the ’90s, it lost its sense of revelatory edge; at its best, Sundance now gives well-known actors the opportunity to gain prestige and acclaim by doing smaller character-based films, and can usually be depended upon to introduce us to buzzy new ingenues and precocious young auteurs. But this year, a massively ambitious yet micro-budgeted film made by a principled collective in southern Louisiana hit the festival with enough impact to shake off decades of cynical atrophy. That film is Beasts of the Southern Wild, the feature-length directorial debut of 29-year-old Benh Zeitlin, and it is the full and total realization of the Sundance dream: not only does it introduce us to the staggering talents of new actors and filmmakers, but it majestically opens the gate to an entirely new and fantastical world. It is truly unlike anything you have ever seen.
starring: Channing Tatum, Alex Pettyfer, Cody Horn, Matthew McConaughey, Matt Bomer, Adam Rodriguez, Olivia Munn, Joe Manganiello, Kevin Nash, Gabriel Iglesias, Betsy Brandt, Riley Keough
written by: Reid Carolin
directed by: Steven Soderbergh
MPAA: Rated R for pervasive sexual content, brief graphic nudity, language and some drug use
If I were to tell you that one of this summer’s most character-driven and emotionally mature dramas comes to you from the writing team responsible for three of Michael Bay’s last four films, you’d accuse me of being hopped up on bath salts and run away covering your face and screaming. And yet, such is the case with People Like Us, the directorial debut of writer/producer Alex Kurtzman. In addition to his work with Bay, Kurtzman (along with creative partner Roberto Orci) is best-known for writing action-packed episodes of TV shows like Alias, Hawaii Five-0, and Fringe, and blockbusters like Mission: Impossible III, Cowboys & Aliens, and the J.J. Abrams reboot of Star Trek (as well as its upcoming sequel). And when the time came for him to finally tell a personal story inspired by one of the most shocking chapters from his own life, he chose his dashing Star Trek leading man, Chris Pine, to play his onscreen surrogate.
Continue reading “Spinning Platters Interview: Chris Pine and Alex Kurtzman on “People Like Us””