Yes, that’s a somewhat dejected looking Tony Stark. Why the long face when his new movie has a shot at earning one billion dollars at the worldwide box office? Well, there IS something Tony can be sad about — with The Avengers 2, Thor: The Dark World,Captain America: The Winter Soldier, and likely a few more Marvel films on the horizon, this may be the last Iron Maninstallment for quite some time, if not ever. When Iron Man 3 takes advantage of that fact and pulls out all the stops, not including an unnecessarily complex plot and superfluous CGI, it’s a whole ton of explosive fun.
Our coverage of the 56th Annual San Francisco International Film Festival (SFIFF) continues with a spotlight on three more festival films. Check out the SFIFF website for more info and tickets: http://festival.sffs.org/
Thérèse (France 2012 105 min; French with English subtitles)
Audrey Tautou as Thérèse
Cast against type, Audrey Tautou suppresses her inner gamine to mope her way through Thérèse as the title character in French director Claude Miller’s final film. “Marriage will save me from the disorder in my head,” melancholy Thérèse says as she marries for status, not love, in 1920s rural France. Rebellious and unhappy, Thérèse makes decisions with serious consequences for her family. Francophiles will relish the lush cinematography, gorgeous period costumes, and Tautou’s muted performance.
Next showing:
Will open in limited release nationwide on August 23, 2013.
The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing. From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.
Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending. We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!
Ernest & Celestine (France/Luxembourg/Belgium 2012, 80 min)
Ernest & Celestine
The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film. Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images. I was smiling all the way through. This is a title you shouldn’t miss!
Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas
Anthony Mackie, Mark Wahlberg and Duane Johnson in Pain & Gain
When you hear the phrase “Directed by Michael Bay,” you probably think of some if not all of the following things: giant robots, massive explosions, military hardware, unnecessarily scantily clad and impossibly thin women and an insane amount of quick edits. You probably don’t think “passion project.” But that’s what we get here. In order to say yes to directing Transformers 4 for Paramount, Bay insisted that he be given the opportunity to make this “small budget” film ($25 million) based on a series of articles from the Miami New Times that document the exploits of the so-called Sun Gym Gang. The real story is brutal, full of twists and turns, and more than a little weird. So how would this translate into a Michael Bay picture? Continue reading “Film Review: Pain & Gain”
Oblivion is this year’s first “summer blockbuster”, a term coined for Jaws back in 1975 that gets attached to any commercially successful tentpole action-adventure film released by a major studio between the months of April and August. Oblivion fits nicely into the blockbuster mold; it features action, romance, a great soundtrack and a PG-13 rating. It also showcases an eye for a unique visual style that writer/director Joseph Kosinski (Tron: Legacy) continues to demonstrate in his work. Although it doesn’t break any new ground, Oblivion has just enough complexity within its mash-up of original content and popular sci-fi references to be a thoroughly entertaining sci-fi adventure. Yet it’s the film’s abundance of visual artistry that is most memorable.
Imagine you enter a snow globe just after the spinning blizzard has settled. You discover you’ve been transported to a silent, starkly black and white Spain, sometime in the 1920’s. Welcome to this imaginative retelling of the classic Brothers Grimm folktale, Snow White—or known here as Blancanieves. Continue reading “Film Review: Blancanieves (Thoughts on the Continuing Potency of Silent Films)”
In 1947, the baseball world was introduced to the first black Major League player, the Brooklyn Dodgers’ Jackie Robinson. This momentous occasion in the history of our national pastime (and the world, quite arguably), was met with mixed feelings from all points of the sociopolitical spectrum. 42 aims to capture the tension and excitement that surrounded the breaking of the baseball color barrier, but a hokey script forces the emotion in this disappointing and awkward historical re-enactment.
Hope Davis, Jason Bateman, and Haley Ramm in Disconnect
In the vein of Crash, Grand Canyon, and Babel,Disconnect, director Henry-Alex Rubin’s riveting drama that opens today, introduces us to seemingly disparate characters whose stories intersect as the film progresses. Each of the story arcs is a provocative variation on the theme of yes, disconnectedness – both physical and emotional – in today’s increasingly wired, technology-saturated, online world.
For our third installment of Spinning Platters “Midnght” Music Movies (this one starts at 10:30) at The New Parkway, we are thrilled to be able to present to you the first 22 chapters of R Kelly’s magnum opus Trapped In The Closet. Tickets are moving awfully fast (not just marketing speak), and you should buy them right away!
