Carey Mulligan and Leonardo DiCaprio in The Great Gatsby
Baz Luhrmann’s new adaptation of F. Scott Fitzgerald’s 1925 novel The Great Gatsbyhas been generating buzz for months. Critics, Hollywood insiders, bloggers, and anyone with a pulse have all been asking: Can an Australian director, filming in Australia, with many British and Australian actors, pull off a film of a classic American novel? Will filming in 3D help or hinder the film? Will the film be worth seeing? The short answers are no, no, and no. Continue reading “Film Review: The Great Gatsby”
It’s nine o’clock at night and inside the velvet-lined nightclub Rouge, amidst the smells of savory tacos and steamy quesadillas (compliments of Nick’s Crispy Tacos), the tireless SFIFF staff welcomes in the crowd of filmmakers, critics, and film enthusiasts. They all exchange smiles and pleasantries, speak of their favorite festival films and entreat each other to stories of their experience in the city by the bay. Mika Mattila, the Finnish director of Chimeras, informs me of his plan to rent a car and explore the beautiful deserts and mountains just hours outside the city. The shmoozing continues; sipping wine, dipping chips into thick chunks of guacamole, and trading tales…briefly pausing for ten minutes as a few honors are bestowed.
My final two spotlights from the 56th San Francisco International Film Festival (SFIFF), which ends today. Information and tickets for the day’s final films at: http://festival.sffs.org/
Crystal Fairy (Chile 2012, 100 min; English and Spanish with English subtitles)
Michael Cera in Crystal Fairy
Michael Cera is comically brilliant as Jamie, a know-it-all American seeking a mescaline high in Chile. Chilean director Sebastian Silva contrasts Jamie’s self-absorption and rigidity with fellow American Crystal Fairy (Gaby Hoffman). She’s free-spirited and new-agey, yet endears herself to Jamie and the Chilean brothers travelling with them; watching her conflict with Jamie is terrific fun. Silva’s very funny, sweet picture proves that even the most annoying of us are capable of growth and compassion.
Streets of Fire plays at The New Parkway in Oakland on Saturday, May 11th at 10:30
Unlike other movies that have entered the canon of “cult films,’ Streets of Fire is actually considered a good movie by some people who judge that sort of thing. But it’s over-the-top nature of the characters, the terrific music, and the combination of Michael Pare and Diane Lane that make this movie absolutely worth seeing. But why should I try to convince you when I can just quote the opening voiceover from the trailer:
More spotlights from the 56th San Francisco International Film Festival (SFIFF), which ends this Thursday, May 9th. Tickets for screenings still available at: http://festival.sffs.org/
Fill the Void (Israel 2012, 90 min; Hebrew with English subtitles)
Yiftach Klein and Hadas Yaron in Fill the Void
In this Israeli Film Academy Best Picture winner, director Rama Burshstein takes us inside the Tel Aviv Hassidic community. Shira (Hadas Yaron) is a conflicted young woman under pressure to marry her recently deceased sister’s husband. Hadas Yaron, resembling Greta Gerwig both physically and stylistically, deftly conveys Shira’s uncertainty and vulnerability. At the Q&A I attended, Burshstein called the film a “journey of feeling,” an apt description of this beautiful meditation on commitment and love.
The SFIFF continues to showcase fascinating films from around the world. It ends soon (May 9th) so visit http://festival.sffs.org/ to get tickets to this week’s final screenings.
Computer Chess
(USA 2013, 91 min)
Computer Chess
An existential satire of 1980’s computer technology and the burning topic (as it stood at the time) of human vs. computer, set against the backdrop of a small computer chess tournament. Devotion to an 80’s feel through cinematography, fashion, and hilarious social stigmas are definitely worth the viewing, though the film dives a bit unnecessarily into the psychedelic. It’s fun to see (and remember…if you’re old enough) how the computer geek culture has changed.
Yes, that’s a somewhat dejected looking Tony Stark. Why the long face when his new movie has a shot at earning one billion dollars at the worldwide box office? Well, there IS something Tony can be sad about — with The Avengers 2, Thor: The Dark World,Captain America: The Winter Soldier, and likely a few more Marvel films on the horizon, this may be the last Iron Maninstallment for quite some time, if not ever. When Iron Man 3 takes advantage of that fact and pulls out all the stops, not including an unnecessarily complex plot and superfluous CGI, it’s a whole ton of explosive fun.
Our coverage of the 56th Annual San Francisco International Film Festival (SFIFF) continues with a spotlight on three more festival films. Check out the SFIFF website for more info and tickets: http://festival.sffs.org/
Thérèse (France 2012 105 min; French with English subtitles)
Audrey Tautou as Thérèse
Cast against type, Audrey Tautou suppresses her inner gamine to mope her way through Thérèse as the title character in French director Claude Miller’s final film. “Marriage will save me from the disorder in my head,” melancholy Thérèse says as she marries for status, not love, in 1920s rural France. Rebellious and unhappy, Thérèse makes decisions with serious consequences for her family. Francophiles will relish the lush cinematography, gorgeous period costumes, and Tautou’s muted performance.
Next showing:
Will open in limited release nationwide on August 23, 2013.
The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing. From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.
Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending. We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!
Ernest & Celestine (France/Luxembourg/Belgium 2012, 80 min)
Ernest & Celestine
The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film. Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images. I was smiling all the way through. This is a title you shouldn’t miss!
Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas
Anthony Mackie, Mark Wahlberg and Duane Johnson in Pain & Gain
When you hear the phrase “Directed by Michael Bay,” you probably think of some if not all of the following things: giant robots, massive explosions, military hardware, unnecessarily scantily clad and impossibly thin women and an insane amount of quick edits. You probably don’t think “passion project.” But that’s what we get here. In order to say yes to directing Transformers 4 for Paramount, Bay insisted that he be given the opportunity to make this “small budget” film ($25 million) based on a series of articles from the Miami New Times that document the exploits of the so-called Sun Gym Gang. The real story is brutal, full of twists and turns, and more than a little weird. So how would this translate into a Michael Bay picture? Continue reading “Film Review: Pain & Gain”
