Films – Page 67 – Spinning Platters

Film Review: The Wolverine

‘The Wolverine’ is 3/4 the thrilling character driven spinoff we wanted.

Yeah, he's angry, bub! — He’s angry, bub!

Rest assured, The Wolverine washes away most of the sour taste leftover from 2009’s X-Men Origins: Wolverine. The Wolverine is not an origin story, nor is it similar to the usual X-Men fare. Under the consistently solid, if not stellar, direction of James Mangold (Walk the Line, 3:10 to Yuma, Knight & Day), The Wolverine manages to resurrect the energy of a character who was losing appeal due to over exposure and silly effects-laden films. The first three quarters of The Wolverine make up one of the most entertaining comic book adaptations to date. Pardon the expression, but The Wolverine is almost ‘Nolan-esque’. In more ways than one, the story is also filled with parallels to Greek mythology (much of the X-Men universe is), all the while maintaining a strong loyalty to the fan favorite title character. Unfortunately, all comes tumbling down in the final act.

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Film Review: Computer Chess

I have no idea what to make of Computer Chess. This is what’s good and bad about it.

Computer Chess is either a very smart movie that’s way over my head, or one of those movies that is trying to be very smart and missing the mark. It’s to its credit and detriment that I can’t tell. The film is shot by writer/director Andrew Bujalski in black and white, and is meant to look like an old VHS documentary. This effect fades in and out as needed, though, and like many mockumentaries, we start getting treated to standard camera angles and edits as the story calls for it. Continue reading “Film Review: Computer Chess”

Film Review: The To Do List

A raunchy two-joke movie that keeps the humor flowing.

Aubrey Plaza demonstrates her (acting) skills.

If you’re old enough to remember growing up in the 90’s, then The To Do List will supply you with a healthy dose of nostalgia. If you like sexual humor and gross-out comedies, then The To Do List will surely entertain you. If you find the combination of 90’s culture and sexual humor appealing, then this movie is basically a cinematic orgasm. It’s also a coming-out party for Aubrey Plaza, if Parks & Recreation hasn’t yet done the trick. The To Do List turns the stereotypical preachy message that you’d find in most romantic comedies (even the gross ones) over on its head, instead delivering the truth about teenage sexual curiosity and pressures…the unabashed, awkward, and honest truth.

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Film Review: The Hunt

Lasse Fogelstrom and Mads Mikkelsen in The Hunt

As you watch The Hunt, you no doubt will pull your sweater just a little tighter around you to try and ward off the cold of the stark Scandinavian winter depicted in Danish director Thomas Vinterberg’s gripping psychological drama, but you will fail. Nothing can protect you from the emotional chilliness of the close-knit rural community portrayed on screen. Continue reading “Film Review: The Hunt”

SFJFF Spotlights #1: Gideon’s Army / Red Flag

Spotlights from the 33^rd Annual San Francisco Jewish Film Festival (SFJFF), which opens today and continues until August 12th. Information and tickets at: http://sfjff.org

Gideon’s Army
(USA 2013, 96 min)

Public defender Travis Williams makes a point in Gideon’s Army

Director Dawn Porter has made an absolutely stunning documentary highlighting the unheralded heroes of the U.S. legal system, young, underpaid public defenders in the Deep South fighting tirelessly for their clients, who are typically poor, uneducated, and out of luck. A Grand Jury Prize nominee at Sundance this year, the film won the Editing Prize there, “for skillfully crafting an unforgettable narrative through personal stories that luminate the larger issues of race and class in America’s legal system.” Compelling and timely, the film is a definite must see, and you will find yourself alternatively weeping, cheering, and shaking your head with disbelief and awe at these exceptional officers of the court who have made it their life’s work to uphold justice for each and every one of this country’s citizens.

Screenings:
– Friday, July 25, 6:50pm, Castro Theater, SF
– Saturday, August 10, 3:55pm, Grand Lake Theater, Oakland

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Film Review: R.I.P.D.

R.I.P.D. is a good reminder of how similar movies used to be better.

Jeff Bridges and Ryan Reynolds are ready for all terrible CGI creatures coming their way. — Jeff Bridges and Ryan Reynolds are ready for all the terrible CG creatures coming their way.

– What do you call an undead police force?
– The R.I.P.D. The Rest In Peace Department.
– Ha!
– They would be like the Men in Black.
– Yeah. Except instead of aliens, they’d be fighting hell’s escapees.
(…to be continued)

Although R.I.P.D. is based on a comic book series of the same name, first published in 1999 (after Men in Black), I can easily imagine the concept for this movie arising in the above fashion. I haven’t read the source material, and therefore can’t speak to it, but it’s a bit too easy to find the parallels between R.I.P.D. and MIB; every character, plot turn, and joke from the former has a close equivalent in the latter. It’s surprising that we don’t see the MIB writers getting credited for the R.I.P.D. story or screenplay. Perhaps I’m being too harsh. But for the sake of argument, perhaps extra time should’ve been spent polishing what ends up being a cheap clone of a concept already executed to a much more satisfying degree. The characters in R.I.P.D. aren’t well developed, the special effects look gummy at best, and the plot doesn’t take any unexpected turns.

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Film Review: Turbo

A cute, formulaic, one-joke movie…but at least it’s not sluggish!

He's going the distance! He's going for speed! — He’s going the distance! He’s going for speed!

Low expectations commonly yield better-than-expected results. In the case of Turbo, a charming result emerges from an incredibly lackluster premise. ‘A snail that goes fast!‘…Okay, not really piquing my interest. ‘And, he races in the Indy 500!’ Snails and racing? No thank you, I’d rather read a book. Turbo doesn’t break any new ground, nor is it distinctly memorable. Its straightforward story is respectable, its characters are pleasant, and the colorful visuals are good. Nearly every joke is about the ‘snails vs. speed’ theme at play, but luckily the movie never slows to a snail-like crawl. But despite the film’s drawbacks, audiences will still be rewarded by Turbo, if only because it’s just not as bad as it seems.

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Film Review: Pacific Rim

Finally, the summer blockbuster we’ve been waiting for! Pacific Rim is smart, compelling, and unleashes an exhilarating fury of battling giants.

A jaeger strolls through Hong Kong streets in Pacific Rim — A Jaeger strolls through the neon lit streets of Hong Kong in Pacific Rim

From here on out, every time I gaze up into the fog-filled night sky that enshrouds the top portions of downtown San Francisco’s office buildings, I’ll imagine a colossal Kaiju smashing through the buildings like tissue paper, the debris raining down upon the dimly lit streets…and a Jaeger behemoth emerging through the haze, crushing the Kaiju’s skull in with a downward punch and throwing the giant beast’s body down the length of Market street. This is the lasting effect of Guillermo Del Toro’s Pacific Rim. The film makes a solid effort to tell an emotional human tale in the midst of a near-future world at war with giant alien creatures. The effort is not lost, but takes a backseat behind the extraordinarily impressive battle sequences. As a science-fiction action movie, Pacific Rim delivers and then some.

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Film Review: The Way, Way Back

Liam James, Steve Carell, and Toni Collette in The Way, Way Back

The first truly great summer movie has arrived today with the opening of The Way, Way Back, a delightful picture that adults and teenagers alike are sure to love. Co-writers Nat Faxon and Jim Rash, (who also penned The Descendants), in their directorial debut, have made a sweet, charming, funny film that is destined to become a coming-of-age genre classic.

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Film Review: The Lone Ranger

Johnny Depp and Armie Hammer strut their hero stuff in The Lone Ranger

“Hi-Ho, Silver! Away!”…meh. When Hans Zimmer’s rehashed Sherlock Holmes score kicks into “William Tell Overture” mode, Disney’s new re-imagining of The Lone Ranger is at its best. Unfortunately, this only happens twice. What could have been (and should have been) a fun adventure ends up being an odd concoction of conflicting tones and a bloated story. This “messiness” worked well in director Gore Verbinski’s last effort, Rango, but that film was about an eccentric chameleon in the midst of an identity crisis who ends up tangled in a Chinatown-esque conflict in a wild west animal town. So, it was obviously poised to extend the limits of the bizarre. The Lone Ranger, on the other hand, is about fun adventures. Bad guys vs. good guys. The film is 150 minutes long and easily could’ve been 90 minutes. The few action set pieces are fun and well choreographed, but they lose their effect when they are bookended by a plodding story involving genocide, power struggles, and weird spiritual visions.

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