‘The Counselor’ is in need of some script counseling.
Michael Fassbender takes counsel in The Counselor
It was exciting to imagine what the product of a Ridley Scott-Cormac McCarthy collaboration would be like. Add in an all-star cast and the anticipation grew stronger. Unfortunately, the finished product leaves so much to be desired. The Counselor features an original screenplay by McCarthy, who’s normally credited only with writing the novels on which a few film adaptations have been based (No Country For Old Men, The Road), and the inexperience shows here. The dialogue in The Counselor lacks flow, and in a story as convoluted as this, the flaws in the script are all the more blatant.
It’s hard to describe Gravity without using a superfluous amount of positive adjectives. The action drama directed by Alfonso Cuarón (Children of Men, Y Tu Mama Tambien), is a somewhat simple story of two astronauts who are marooned after their craft is left battered and adrift after being struck by debris from a botched Russian satellite dismantling. The film is more complex than that though, tapping into an unimaginable terror unlike any film has done before. It’s nice to have a visual spectacle of this magnitude also feature incredible performances. The visuals can only bring the audience in so far, but the stellar performances by George Clooney and, especially, Sandra Bullock help seal the deal. I can’t stress this enough — you are PULLED into this movie and firmly grasped for 90+ minutes! You won’t believe the wizardry of what you see on screen. And you won’t be able to shake the emotions for a while.
Film fans can relish eclectic offerings at 36th MVFF
There’s something for everyone at the MVFF, which opens on Thursday.
The 36th Mill Valley Film Festival opens this Thursday, October 3, and runs until Sunday, October 13. The Festival is featuring early views of some hotly anticipated fall films, including August: Osage County, Nebraska (opening night film), Dallas Buyers Club, 12 Years a Slave, and The Secret Life of Walter Mitty, among others. Here at Spinning Platters, though, we thought we’d spotlight some of the lower profile films that may not be getting as much attention. Full schedule, tickets, and more information available at: http://mvff.com
Rush is a fantastic, tense drama, and character driven.
Chris Hemsworth and Daniel Brühl revving their dramatic chops
I don’t care for racing. It doesn’t interest me and I think the culture surrounding it is silly and uninviting. That being said, if I were forced at gunpoint to choose a type of car racing to watch, it would be Formula 1 racing. There’s a dynamic of risk and impending disaster, along with more beautiful environments, in Formula 1 racing. Rush, the new movie from director Ron Howard about a 1970’s rivalry in Formula 1 racing, is not only a great racing movie and a great sports movie, but a great drama. Spearheaded by solid direction and terrific performances, Rush also contains all the right pieces fitted together to complete the whole package — impeccable editing, strong writing, and thrilling cinematography.
A modern day romance with expectations to dash expectations.
Do Joseph Gordon-Levitt and Scarlett Johansson see eye to eye in ‘Don Jon’?
Joseph Gordon-Levitt has been acting for over twenty-five years. It should come as no surprise that he’s finally decided to write and direct, and with his debut, Don Jon, it’s a shame he didn’t start sooner. Hopefully this is just the first of many. In our roundtable interview, Gordon-Levitt stated that his hopes were to capture a relationship that involved two people that “have these unrealistic expectations and keep missing each other.” With his experience, Gordon-Levitt was no stranger to the expectations and unrealistic images that pop culture (specifically movies, television, and commercials) thrust upon young minds. Using a very tight and clever script, and with pitch perfect performances from all involved, his goal is accomplished. Don Jon is a brave and unique modern day romance.
Gandolfini, Louis-Dreyfus shine in smart, warm comedy
James Gandolfini and Julia Louis-Dreyfus share a laugh in Enough Said.
Fans of HBO’s Sex and the City may remember an episode in which the four protagonists attend a singles party to which they are each supposed to bring someone they dated, but ultimately rejected, the theory being that one woman’s trash, if you will, can just as easily be another’s treasure. Writer/director Nicole Holofcener, who coincidentally penned a few episodes of SATC (as well as the indies Friends with Money and Lovely and Amazing), has taken that idea and, in her new film Enough Said, expanded it to a full length feature, with a twist: what if you are dating your friend’s ex, but your friend actually has absolutely nothing kind to say about him? Holofcener’s take on this premise is by turns exceptionally funny, wryly intelligent, emotionally honest, and genuinely moving. Continue reading “Film Review: Enough Said“
Joseph Gordon-Levitt directing for the first time.
Joseph Gordon-Levitt has exactly the air about him that you’d expect — polite, well-dressed, and charming as heck. His latest film, Don Jon, which marks his debut as a writer and director, also stars Gordon-Levitt as a womanizing, body building, porn addict who begins a romantic relationship with a romantic, traditional, sexy young woman played by Scarlett Johansson. It’s a romantic comedy about unhealthy expectations, but Gordon-Levitt expects that it’ll resonate well with audiences. Along with a few other journalists, I sat down with the actor/writer/director (or “Joe” as he introduced himself) and asked about his experience making Don Jon…
What inspired you to choose this particular story for your directorial and writing debut?
Well, I’ve been working as an actor since I was young. Probably because of that, I’ve always paid a lot of attention to the way that TV and movies and all kinds of media affect how we see the world. I think, sometimes, the things we see in the media give us certain unrealistic expectations for life, and especially for love and sex and relationships. I wanted to tell a story about that. I thought a good way to do it would be to have a comedy about a boyfriend and a girlfriend where the guy watches too much pornography and the girl watches too many romantic Hollywood movies. They both have these unrealistic expectations and keep missing each other.
For the first time, a David Sedaris work has been adapted for the big screen. Kyle Patrick Alvarez, the young filmmaker that helmed the acclaimed indie, Easier With Practice (2010), received the great (and very first) honor of a green light from Sedaris and co. to move forward on an adaptation of the short story, C.O.G. I met up with Mr. Alvarez at Luca in West Hollywood to discuss C.O.G.’s journey to the big screen. After some tea and pleasantries, and some friendly banter about other summer flicks like The To Do List and Kings of Summer, we dove in…
How has the festival circuit been treating you?
It’s been good. It’s been different. My first movie didn’t get into any major festivals at all. We really had to fight for it to get into festivals and fight for people to see it. And this time around, getting into Sundance just set a precedent and made it a little easier. The festivals that are going to be interested in your movie will seek you out. Not to say I haven’t inquired about some festivals I’ve wanted to be a part of, but, it does take a little bit of the leg work out of it. So it’s been good. It’s been weird too, a lot of young filmmakers think ‘well you know, it’s a movie so it should play at festivals’ but they don’t ever ask themselves, which festivals and why. Having sold our film out of Sundance, it became about making sure we’re playing the right cities, where we’ll open the movie later down the line, so that people can see it there and be aware of it. It’s just a different strategy, but it’s been great!
Vin Diesel fans will be overjoyed. The rest of us will pick it apart.
Don’t mess with Vin. He’ll knife you without hesitation.
I’ll admit it up front. I only saw Riddick as a favor to my fiancee. She’s got this thing about Vin Diesel that a lot of people have. He’s a real love-him-or-hate-him kind of guy. There was a time back in the ’90s when it looked like he was going to get a shot as a serious actor. His roles in Boiler Room and Find Me Guilty were well received, but now if you want to see Mr. Diesel, it’s in a Fast and Furious movie, or it’s as the titular character, Riddick. Continue reading “Film Review: Riddick”
The anti-rom com: When “I do” becomes “Actually, I might not”
Josh (Rafe Spall) and Nat (Rose Byrne) optimistically share a dance at their wedding.
Two weeks ago, I reviewed the insipid Austenland, a banal, predictable, utterly forgettable romantic comedy. This week, however, I am happy to report that I have found its antithesis with I Give It a Year, an edgy, brilliantly funny British romantic comedy that is as fresh and inspired as Austenland is stale and uninspired. If a film like Austenland makes you think you hate romantic comedies, then you owe it to yourself to go see I Give It a Year, which, I promise you, not only will make you laugh, but will also give you a newfound appreciation for the genre’s possibilities. Continue reading “Film Review: I Give It a Year”
