Films – Page 63 – Spinning Platters

Film Review: Out of the Furnace

I see the world / Feel the chill . . .

Woody Harrelson sucking on a lollipop in Out of the Furnace just might be the most frightening thing you’ll see on screen this year.

With both the holidays and the cold weather upon us, now is a great time to go to the movies, but director Scott Cooper’s Out of the Furnace may not be the film to see on a family outing. A bleak, gritty look at life in rural Pennsylvania and New Jersey, the picture blends elements of Winter’s Bone and The Fighter, with dashes of The Deer Hunter and Fight Club tossed in for good measure. Although the film boasts some terrific performances, it feels recycled at best, and derivative at worst. Continue reading “Film Review: Out of the Furnace”

Spinning Platters Interview: Director Sini Anderson of “The Punk Singer”

The Punk Singer is a documentary about the life of Kathleen Hanna, the feminist icon best known for being the frontperson for two of the most innovative bands of the last twenty years: Bikini Kill and Le Tigre. Spinning Platters had the honor of getting to sit down and talk with the director of this film, Sini Anderson. The film covers nearly all of Hanna’s life, and is a fantastic document. The movie opens Friday, December 6th at The Roxie in SF!

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Film Review: Frozen

It’s worth visiting Frozen’s musical winter wonderland.

Characters chill in Disney's "Frozen" — Characters chill in Disney’s “Frozen”

Disney made a lot of smart moves with Frozen, the new animated family film being released just in time for the holiday season. With snow/wintery elements at the core of its story, Frozen’s release is not only timed well at the beginning of the holidays, but is thematically (and seasonally) relevant. Also, Disney had been toying with an adaptation of Hans Christian Anderson’s The Snow Queen for over a decade, and rather than rush it out the gate, it appears that the studio took careful consideration for a worthwhile script and stellar musical accompaniment. Finally, speaking of the music, Disney made a brilliant move by bringing in Robert Lopez, the Tony award winning composer behind the music for Avenue Q and The Book of Mormon. With a Broadway style of musical energy driving the story along (at least for the first three quarters), Frozen is heartwarming fun with a very powerful feminine voice…one that would pass the Bechdel test with flying colors.

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Film Review: Nebraska

Just in time for the holidays: The joy and Payne of family

David (Will Forte, right) discusses his stubborn father (Bruce Dern, left) with his exasperated mother (June Squibb).

We are heading into the time of the year when studios typically release what they hope are their best films, the ones they want to be fresh in the minds of Academy members for Oscar Best Picture voting. Director Alexander Payne (Sideways, The Descendants) gets into this game with Nebraska, sure to be a contender in many categories come Oscar time. Beautifully shot in black and white and filled with nuanced and sensitive performances, the picture brilliantly melds Payne’s signature quirkiness with charm, emotional honesty, and wry humor. Continue reading “Film Review: Nebraska”

Film Review: Thor: The Dark World

All brawn and little brain, but still…all brawn, glorious BRAWN!

Kenneth Branagh, who directed the first Thor movie, stepped down from the director’s chair and left it to Alan Taylor, who has quite the resume — including credits directing episodes of Game of Thrones, Mad Men, and The Sopranos. Thor: The Dark World is therefore very well directed; the action scenes are easy to follow and filled to the brim with marvelous visuals. There’s nothing technically problematic about Thor: The Dark World, either. All the pieces fall into place to create a very fun superhero tale. But what’s missing is that extra uniqueness that made Thor a surprising success. Chris Hemsworth as Thor was definitely part of that box office attraction, but, in my opinion, Branagh’s handling of Shakespearean themes (familial betrayals and royal tensions) helped Thor really separate itself from the rest of the superhero fare. Thor: The Dark World lacks that maturity. Instead, this film relies on explosive adventure and playful Whedon-esque humor to carry the full load. It succeeds at the blockbuster surface level, but it fails to carry over its predecessor’s dramatic character arcs (except for Loki – -as always… damn, Tom Hiddleston is good.)

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Film Review: Diana

Diana loves Hasnat, and we don’t care

Diana just wants to lie around with her hunky heart surgeon b.f. in Oliver Hirschbiegel’s Diana.

German director Oliver Hirschbiegel has made a puzzling contribution to the oeuvre of films about Diana, the late Princess of Wales. His new film, simply titled Diana, is very narrowly focused. Set during the last two years of Diana’s life, the picture highlights Diana’s (Naomi Watts) relationship with a London-based Pakistani heart surgeon, Dr. Hasnat Khan (Naveen Andrews). Hirschbiegel directed 2004’s critically acclaimed Downfall, so this misstep is both surprising and disappointing. The picture plays like a made-for-TV movie (appropriate perhaps for Lifetime), and does nothing to make the viewer remember Diana with any fondness or respect. Continue reading “Film Review: Diana”

Film Review: Blue is the Warmest Color

On screen drama outshines off screen soap opera

Adele (Adele Exarchopoulos) and Emma (Lea Seydoux) begin their new relationship with a kiss in Blue is the Warmest Color.

Much has been made in the press already about Blue is the Warmest Color, the three-hour French film that won the Palme d’Or at the Cannes Film Festival this year. The film gained notice immediately when, in an unprecedented move, the festival’s highest award was bestowed not just on the film’s writer/director, Abdellatif Kechiche, but also its two lead actresses, Adèle Exarchopoulos and Léa Seydoux. Since that time, the film has made headlines for its plot – a lesbian romance between two young women (one of whom is a high school student when the film begins) containing a lengthy and explicit sex scene between the two, as well as for its off-screen melodrama. That drama has included a very public war of words between the actresses and their director, and a promise by several New York City theaters to admit teenagers of all ages, despite the film’s NC-17 rating, a decision that has irked several conservative organizations. Continue reading “Film Review: Blue is the Warmest Color”

Film Review: 12 Years a Slave

Hard to endure, hard to fathom, but essential.

"12 Years A Slave" captures a personal, intimate, fear. — “12 Years A Slave” captures a personal, intimate fear.

12 Years a Slave feels like it could very well be the most accurate cinematic depiction of the atrocities of slavery. We don’t just see the physical brutality, we also feel the isolation, the helplessness, and each slave’s necessary abandonment of individuality in order to survive. The geographical solitude in which two different worlds are formed, the one inhabited by the slaves and the one inhabited by the landowners and overseers, is one of the story’s focal points and how it affects the mentality of each character. For all of these reasons, 12 Years a Slave, based on the book of the true story by Solomon Northup, succeeds where no other film about slavery has. In other films of this nature, the “hero” rises up against the odds. The protagonist rises up by gradually becoming an outspoken leader, or by finding the only sympathetic ear that winds up being a ticket to freedom. Those stories may be inspiring, and well told, but they are often sugar-coated, to put it bluntly. When viewing 12 Years a Slave, we, the audience, don’t get special treatment. We are forced into a very dark place in our nation’s history, and we are asked to face the harrowing truth head on.

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Film Review: Free Birds

“Free Birds” is a surprising, scattered, Thanksgiving treat.

Jake (Woody Harrelson) slaps some comedy sense into Reggie (Owen Wilson)

Yes, this is a movie about turkeys. It’s not a spin-off adaptation of the mobile game, Angry Birds. Free Birds is not the strongest title, it lacks punch. Free Birds also hasn’t benefited from a strong and focused marketing campaign. The reason for this — Free Birds is wacky and crosses multiple genres, and even includes some very surprising plot twists. Yet, its filled with original humor and employs an extremely playful attitude with perfectly timed editing to create a funny and thoroughly entertaining family film.

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Show Review: Hitchcock Week — Psycho

Ree! Ree! Ree! Ree! > — Ree! Ree! Ree! Ree! <<stabbing ensues>>

It’s Hitchcock Week with the San Francisco Symphony and Wednesday night kicked things off with Psycho (1960), Hitchcock’s masterpiece thriller. Why is the SF Symphony playing Psycho? And for what reason are they having a week devoted to Hitchcock, at all? For starters, Hitchcock films feature some of the most memorable scores in film history. Just like John Williams’s scores have enhanced the sense of adventure in countless films directed by Steven Spielberg, the scores in Alfred Hitchcock films have greatly enhanced the chilling suspense, the horrifying thrill, and the bloody payoffs of his stories. These are a few particularly momentous nights at the symphony because the scores have been removed from the film’s print and, instead, filled in by a live orchestra (in Psycho’s case, just the string section…it seemed).

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