Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Jason Reitman disappointed many of his fans with his hackneyed, sugary film Labor Day last fall. Unfortunately, one year later, he still has not returned to top form. His latest effort is a heavy-handed mess of a film called Men, Women & Children, the title of which more aptly describes everyone who should avoid it.
The 37th Mill Valley Film Festival opens tonight, October 2nd, and runs until October 12th. The Festival is screening some of this fall’s most hotly anticipated pictures: Bennett Miller’s Foxcatcher (starring Steve Carrell) and Morten Tyldum’s Imitation Game (starring Benedict Cumberbatch), and so many more. But here at Spinning Platters, we thought we’d spotlight some of the lower profile films that risk being overshadowed by the bigger movies. Full schedule, tickets, and more information are available at: http://mvff.com, and be sure to check back here for more updates during the Fest.
What We Do in the Shadows
(US/New Zealand 2014, 86 min; English)
What We Do in the Shadows resembles the result of a casual joke/idea, delivered with enough informality and humor to make it more entertaining than it could’ve been — it’s one of the funniest movies of the year. The witty writing, from the comedy team behind Eagle vs Shark and The Flight of the Conchords, enables the film to break free from potential one-joke captivity, whereby the story expands the simple premise (vampire housemates) to wonderful subplots and hilarious surprises. It’s definitely a movie best experienced with an energetic crowd!
Screenings:
– Tuesday, October 7, 7:45pm, Rafael Film Center, San Rafael
– Thursday, October 9, 4:00pm, Rafael Film Center, San Rafael
The 37th Mill Valley Film Festival opens this Thursday, October 2nd, and runs until October 12th. The Festival is screening some of this fall’s most hotly anticipated pictures: Jason Reitman’s Men, Women & Children and Tommy Lee Jones’s The Homesman (opening night films); Theory of Everything (featuring Eddie Redmayne as the young Stephen Hawking); and Wild, which has already garnered much festival buzz for Reese Witherspoon’s turn as Cheryl Strayed, the author of the popular memoir of the same name. But here at Spinning Platters, we thought we’d spotlight some of the lower profile films that risk being overshadowed by the bigger movies. Full schedule, tickets, and more information are available at: http://mvff.com, and be sure to check back here for more updates during the Fest.
In Order of Disappearance
(Norway/Sweden/Denmark 2014, 116 min; English, Norwegian, Swedish, and Danish with English subtitles)
This Scandinavian crime thriller owes a debt not only to 2011’s terrific Norwegian noir film Headhunters, but also to the American movies Pulp Fiction and Fargo in terms of its surreal, darkly comic atmosphere and chilly landscape. Norwegian director Hans Peter Moland has cast Stellan Skarsgard to great effect as a sort of Swedish Liam Neeson in full-blown action mode. A Swedish immigrant living and working in a small Norwegian town, Skarsgard’s Nils gives new meaning to his recently earned Citizen of the Year award when he single-handedly takes on both a Serbian crime syndicate and the local gangsters to avenge the death of his son, an unwitting pawn in a dangerous turf war. Indelibly drawn characters and a screenplay filled with unexpected plot turns are highlights of this edgy, well-crafted picture.
Screenings:
– Friday, October 10, 5:45pm, Rafael Film Center, San Rafael
– Sunday, October 12, 2:45pm, Cinéarts Sequoia Theater, Mill Valley
Hector and the Search for Happiness is a curious movie. Based on the trailer alone, you might think you’re in for a lighthearted, feel-good, seize-the-day picture, wherein the lead character Learns and Grows by ditching his staid life in search of adventure, à la Eat, Pray, Love or last year’s The Secret Life of Walter Mitty. And you wouldn’t be entirely wrong. But the surprising thing about director Peter Chelsom’s film, based on a popular French novel by François Lelord, is that while it certainly contains its fair share of clichés and groan-inducing scenes, it is both darker and more sensitive than you might expect. Continue reading “Film Review: Hector and the Search for Happiness”
Tracks is based on the true story and National Geographic article (and subsequent memoir) of Robyn Davidson, the Australian woman who made a nine month journey on foot across the Australian desert in 1977 — a distance of about 1700 miles. Throughout her journey, accompanied only by four load-carrying camels and her dog, but occasionally visited by photographer Rick Smolan and aided by a few indigenous folks and country residents, Robyn wrestles with the pressure to remove herself from civilization while fighting to complete her epic journey. The film is a fantastic re-enactment of Robyn’s story. The acting, editing, stunning cinematography, music, and all other aspects of the film work harmoniously to deliver a remarkable tale of individual strength and determination, and about humankind’s companionship with nature.
Director Shawn Levy, whose previous efforts include the funny but lightweight Night at the Museum and the mediocre Google commercial (er, film) The Internship might not seem like an obvious choice to bring Jonathan Tropper’s more literary serio-comic novel This is Where I Leave You to the big screen. But Levy has the good fortune to be working with a screenplay written by Tropper himself, as well as an extraordinary cast of both up and coming and tried and true talent. This collaboration has yielded one of the year’s most highly enjoyable pictures. Continue reading “Film Review: This is Where I Leave You”
A Walk Among the Tombstones isn’t the first time I’ve had the chance to observe, critique, and celebrate Liam Neeson’s second life in cinema as an action star (see Non-Stop). It won’t be the last, either (see Taken 3). It doesn’t matter which film the imposing Irish actor stars in these days, it will undoubtedly be compared to, and its box office receipts still depending on, the popularity of 2009’s Taken. Neeson as a bad ass, to any degree, will spark endless amounts of “I don’t know who you are. I don’t know what you want” and “certain set of skills” quotes around the workplace and dinner tables (maybe a few “Now’s not the time for dick measuring, Stuart!”). But in the new drama thriller, A Walk Among the Tombstones, Neeson is able to add layers to his usual badassery — the character Matthew Scudder is more like Sam Spade than Bryan Mills (from Taken). The film is based on the 1992 novel of the same name by Lawrence Block, and its a callback to the movie detectives of the 1940s and 1950s. It’s a dark film that plods along the crime thriller genre path, invoking many crime thriller cliches and plot turns, but produces just enough menace, style, and disturbing characters to keep our attention.
Fans of Belle & Sebastian, such as myself, have been hearing about Stuart Murdoch’s film project, God Help the Girl, for several years. From a giant online competition to find female singers to sing some songs he had written for women to sing, to a well received album of these songs, and finally a full length film musical with the same songs, now sung by the actors who appear on screen. It’s an ambitious project, a long time in the making, and it comes close to being worth the wait.
Playwright and screenwriter Israel Horovitz makes his directorial debut with this feature film adaptation of his 2002 play of the same name, and the results are commendable, particularly since this project marks his first big-screen directorial attempt. The picture retains its theatrical pacing, with much dialogue and limited action, but both the story and the acting are compelling enough to keep you so thoroughly engrossed that you won’t even miss having an intermission. Continue reading “Film Review: My Old Lady”
At the Ritz-Carlton in San Francisco, I sit with a group of other writers around a table as the audible antics begin approaching outside the door. SNL veterans Bill Hader and Kristen Wiig, along with director Craig Johnson, are splitting each others’ sides with jokes and voices. They are tired and somewhat giddy from a day of press, supporting their incredible new film, The Skeleton Twins, and they loosely greet us with smiles and how ya dos. Bill chucks a muffin from that morning down the hallway, comically screaming ‘This BETTER BE GOOD!’. Bill and Kristen feed off each other’s energy, a polite and friendly Craig Johnson between them, and they all take a deep breath and search around the table for who’s first to dive in…
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Craig, you co-wrote the script with Mark Heyman, and I heard he’d been working on the script for eight years. How did the final cut of the film differentiate from the original script?
Craig Johnson: Well, we actually had a couple versions of it that were unfinished that were all over the place. We had one where Milo was a drag queen. (To Bill) I haven’t even told you about these versions of it. There was a road trip element.
Kristen Wiig: Maggie was a cat. (laughing)