Films – Page 46 – Spinning Platters

Film Review: The Revenant

Revenge is a dish best served cold and gorgeously shot.

This is it, everyone. This is the movie that Leonardo DiCaprio will win an Oscar for…I think. That’s not to say that The Revenant is Leo’s best performance. I’d say that it ranks a few titles above midway through his filmography, right above Blood Diamond and just below The Departed (and far below The Aviator and Revolutionary Road). Nevertheless, it’s Leo’s most physically demanding performance and let’s give credit to director/writer/producer Alejandro González Iñárritu for convincing the actor to dive so deep into the demands of the role. The Revenant is most impressive when experiencing its outstanding technical achievements. As a simple tale of survival and revenge, its not overly impressive from a storytelling standpoint. But in capturing the tone and setting of the story, the skill set of the actors and filmmakers on display lift The Revenant to very memorable heights.

Continue reading “Film Review: The Revenant”

Film Feature: Chad’s Top 10 Films of 2015

Spinning Platters film critics present their top 10 films of 2015

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Chad’s list, presented in reverse-awesome order. Also check out Carrie‘s top ten list!

10.) Cinderella
Lily James emerging from her pumpkin-turned-coach.

A lack of the classic Disney song ‘Cinderelli!’ didn’t prevent Kenneth Branagh’s live action version of Cinderella from reaching magical heights. After a plethora of disappointing “re-imaginings” and “discover the true story” versions of classics — Maleficent, Alice in Wonderland, Oz the Great and Powerful — it was time for a movie to play it straight, and Cinderella did just that. With amazing performances from Lily James and Cate Blanchett and beautiful costumes and set designs, Cinderella (hopefully) represents the first in a new series of live action Disney remakes that stick to the strong source materials without egregious silly additions. (Read my full review of Cinderella here.)

Continue reading “Film Feature: Chad’s Top 10 Films of 2015”

Film Feature: Carrie’s Top 10 Films of 2015

Spinning Platters film critics present their top 10 films of 2015

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Carrie’s list, presented in alphabetical order. (And you can find Chad’s here.)

1.) Brooklyn
Eilis (Saoirse Ronan) shares a tender moment with boyfriend Tony (Emory Cohen).

The immigrant experience in America is exquisitely captured in director John Crowley’s finely crafted film about love, loss, and longing in 1950s Brooklyn. Based on the novel by Colm Tóibín, Nick Hornby’s screenplay presents us with the intrepid young Irish woman Eilis, who leaves her family in the Irish countryside for adventure and opportunity in New York. Saoirse Ronan suberbly conveys Eilis’s gradual shift from shy newcomer to confident cosmopolitan. Called back home for a family emergency, Eilis must choose between familiar comforts and new possibilities, and Ronan depicts Eilis’s struggle with heartrending openness and aching honesty. Emory Cohen and Domhnall Gleeson, as competing suitors on opposite sides of the Atlantic, also deliver strong, sharply drawn performances.

Continue reading “Film Feature: Carrie’s Top 10 Films of 2015”

Film Review: Star Wars: The Force Awakens

Or: How I Learned to Stop Worrying and Love the New Star Wars Movie

han-chiew-force-awakens-1280jpg-8e4aaf_1280w — One has aged. The other has not.

[KINDA SPOILERS AHEAD]

Don’t let my subtitle fool you—I actually really enjoyed Star Wars: The Force Awakens. I saw it twice and can’t wait to see it again! However, as one of the most highly anticipated films in decades and what will likely be the highest grossing film of all time in the next week (with every word I type it probably makes another $1 million), it was hard to put all my thoughts together in an unbiased film review — after all, I don’t want to be one of the few saying “it’s really not that good”. But what I know now is that as The Force Awakens has marinated in my mind over the past two weeks, I now know that I didn’t just like the film, I actually loved the film. Everything I initially took exception to I have now found justification for, and that’s how my review will unfold:

Continue reading “Film Review: Star Wars: The Force Awakens”

Film Review: The Hateful Eight

The Hateful Great, This Ain’t.

HatefulSam — Samuel L Jackson in Quentin Tarantino’s The Hateful Eight

Your typical Quentin Tarantino movie is full of scenes that are powder kegs ready to explode, full of characters you can’t trust, and smart, crackling dialogue that keeps you constantly entertained. But what if the dialog stopped being smart and crackling? You’d have The Hateful Eight.

Continue reading “Film Review: The Hateful Eight”

Film Review: Daddy’s Home

You won’t want to go home to this Daddy

Brad (Will Ferrell, left) tries to find common ground with Dusty (Mark Wahlberg, r.), his wife’s ex-husband and the father of Brad’s step-children.

Back in 2010, Will Ferrell and Mark Wahlberg starred in a middling buddy cop movie called The Other Guys, which at least had the benefit of being directed by Adam McKay, who directed Ferrell in the well-received Anchorman movies, and is currently garnering deserved praise for the very smart and very funny The Big Short. McKay’s early, relatively innocuous effort pairing Ferrell and Wahlberg, however, looks like the Hamlet of movie comedies compared to the newest film featuring the duo, a lazy, paint-by-numbers, dispiriting picture called Daddy’s Home.

Continue reading “Film Review: Daddy’s Home”

Film Review: Sisters

You’ll have a good time partying with these Sisters

Sisters Kate (Tina Fey, l.) and Maura (Amy Poehler) throw an epic party at their childhood home.

Believe it or not, there actually are other films being released today aside from that minor little sci-fi picture that, for some reason, seems to have attracted a fair bit of media attention (kidding, people, kidding!). One of those movies daring to go up against The Most Anticipated Opening Ever is Sisters, Amy Poehler and Tina Fey’s bright, serviceable new comedy.

Continue reading “Film Review: Sisters”

Film Review: Carol

The price of love: Blanchett, Mara deliver powerful performances in period romance

Carol (Cate Blanchett, l.) shares a tender moment with Therese (Rooney Mara).

Director Todd Haynes returns to familiar settings and themes in his new film Carol, a picture that can be considered a companion piece to his excellent 2002 film Far from Heaven. Both films are set on the east coast in the 1950s, and both concern the suppression of true selves and true loves under the weight of a repressive and unaccepting society.

Continue reading “Film Review: Carol”

Film Review: The Big Short

One the most brilliantly infuriating films in years.

Let’s get this out there—Adam McKay, the director of Anchorman: The Legend of Ron Burgandy, should be nominated for an Oscar come February. Sorry, did I say an Oscar? I meant two Oscars, one for writing and one for directing The Big Short, adapted from the book, The Big Short: Inside the Doomsday Machine, by Michael Lewis. The film follows the true story of a few key players in the housing credit bubble collapse of 2007, specifically, a few that saw the crash coming and invested in the collapse. Yes indeed, there are no heroes here. Just anti-heroes and a whole lot of a**hole douchebag jerk faces that f*cked all of us over! Whew, ok, now that I got that off my chest, I should mention that this is one of the best films of the year. The incredibly witty script keeps the otherwise confusing subject matter entertaining and comprehensive. The Big Short treats its story with flair and casual grace, rather than overloading it with unnecessary drama or uppity intellectuality. Basically, the true events speak for themselves. The filmmakers just supplied the superb cast, tight script, and brilliant tongue-in-cheek storytelling devices to frame it.

Continue reading “Film Review: The Big Short”

Film Review: In the Heart of the Sea

A disappointing whale of a tale.

‘There once was a man from Nantucket’… Pardon my immaturity, but I really couldn’t think of a better way to begin this review of the forgettable wannabe seafaring epic, In the Heart of the Sea. Based on the account of the true story of the whaling ship, the Essex, which in turn inspired the story of Moby Dick, one must wonder if anyone actually wanted or needed to see this story set to film. Director Ron Howard must have felt the need to see it through, because it seems that the filmmakers spared no expense in making it— no matter how bad the visuals, erroneous the 3D transfer, or weak the emotional storyline. In the Heart of the Sea is disappointing on so many levels, and yet its tough to figure out exactly what would’ve righted the wrongs. Hence, maybe the film, which was delayed, would’ve been better off shelved entirely.

Continue reading “Film Review: In the Heart of the Sea”