Films – Page 42 – Spinning Platters

Film Review: The Secret Life of Pets

Animals run amok in wild, messy, manic children’s film.

I don’t really know what the point of The Secret Life of Pets was, but I know that children will love the film. The simple Toy Story-esque premise of ‘what do x do while people are gone’ (in this case where x are pets) is amusing for the first five to ten minutes of the film, but it quickly spins out of control. The story devolves into an adventure featuring an assortment of animal varieties, of few of which are very rarely legally allowed as pets. The aforementioned adventure is wonderfully animated and truly manic, but the gimmicky premise fades fast and the rest is a hyperactive mess with lots of humorous bits and not a lot of heart. Not like any children will care, though, since they’ll be fully satiated by the maniacally laughing psycho bunny, voiced by Kevin Hart.

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Film Review: The BFG

BFG delivers the magic, the humor, and the 3D.

Sophie and The BFG soak up the 3D rendered beauty. — Sophie and The BFG soak up the computer generated beauty.

There was a moment while watching The BFG that I snapped ever-so-briefly out of my trance and realized that I had been fully swept up in the magical atmosphere that Steven Spielberg had created in his cinematic adaptation of Roald Dahl’s classic children’s story. It’s not often that I become immersed in a movie. Or rather, it’s not often that a movie can effectively invite me to get immersed in it. The BFG is one of the few. It’s not a perfect movie — it falls just shy from delivering a rewarding emotional peak and contains some moments of directionless storytelling. However, from an entertainment standpoint, The BFG is like a wondrous and inventive bedtime story. It’s a truly magical family-friendly film from start to finish.

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Film Review: The Legend of Tarzan

Tarzan comes out swinging, but just barely misses.

Tarzan of the Apes, written by Edgar Rice Burroughs, first appeared in the pulp magazine All-Story Magazine in 1912. Since then, Tarzan has been the title character of numerous novels, TV series, film adaptations, and more. It’s an old and valuable property, hence the ® symbol noticeably visible on the opening title credit. Now there’s a new Tarzan feature film, not surprisingly called The Legend of Tarzan since at this juncture there’s enough in the Tarzan mythos to argue a “legend” has been well-established. Unfortunately, the new film can’t avoid the blatant traditional racial tropes that were overwhelmingly present in Burroughs’ creation — after all, Tarzan, the hero who frees slaves and shifts the political and cultural course of central Africa towards the greater good, is a white man. Racial issues aside, there are still some emotional and visual pitfalls that the exciting action and stunning vistas can’t make up for. What does work about The Legend of Tarzan, in addition to a better-than-expected script, is a testament to the solid direction of David Yates (who directed the final four Harry Potter films).

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Spinning Platters Interview: Justin Freer, Founder and President of CineConcerts

On July 14-15, the San Francisco Symphony will celebrate 50 years of Star Trek with Star Trek: The Ultimate Voyage, featuring iconic film and TV footage beamed on to a huge screen while the symphony performs the musical scores, live! CineConcerts, the producer of this live music experience, was founded by composer/conductor Justin Freer. Freer will be conducting the SF Symphony’s two performances.

Freer graciously took a short break from a studio session to speak to us about his musical career, CineConcerts, and of course, Star Trek…

Justin Freer: Let’s do this. What do you want to talk about?

Spinning Platters: Let’s talk about film music!

Justin Freer: <<laughs>>

SP: How did you first get into film music? I read that you grew up learning trumpet and later music composition, but when did film music start to interest you?

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Film Review: Neon Demon

What an amazing movie. Parts of it may repulse you. Go see it anyway.

Elle Fanning in Nicolas Winding Refn's Neon Demon

Nicolas Winding Refn doesn’t care what you think about his movies. He makes films without traditional plots, and with a fair measure of gruesome violence. He believes himself so important that he uses a little NRW monogram under the title card of his features. He doesn’t feel the need to explain anything to the audience; instead, he deals with metaphor and buried meaning. Regardless of whether or not his movies fall under any old fashioned idea of what’s “good,” he’s awesome at making them.

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Film Review: Finding Dory

Finding Dory gives you another big ocean adventure and all the feels

Let’s start with some full disclosure. Finding Nemo is my favorite Pixar movie and Dory is my favorite part of it. To say I was excited to see Finding Dory would be an extreme understatement. I spent all day telling telling everyone I saw “I’m seeing Finding Dory tonight!” not for any particular reaction, but just that I was so excited it just jumped out of my mouth like crazy fangirl word vomit. Luckily it seems like most people are excited to see Finding Dory so my spastic exclamations were pretty well received. The audience at the screening seemed excited as well, even if it was smaller than usual due to the Warriors game. Seemed strange to me people would pick a basketball game over the movie, but maybe the game was better? Continue reading “Film Review: Finding Dory“

Film Review: Central Intelligence

The Rock and Kevin Hart are having so much fun — it’s infectious.

Super secret action plan from The Rock to Kevin Hart.

There are more holes in the plot of Central Intelligence than there are in an average kitchen sponge, but it doesn’t matter. The action scenes are poorly shot, but it doesn’t matter. The character arcs are flatter than plywood, but it doesn’t matter. What matters the most is that Dwayne “The Rock” Johnson and Kevin Hart are having a blast acting in the fast-paced, ridiculous buddy crime comedy, Central Intelligence, and their exuberance is infectious, making this film a satisfying viewing experience.

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Film Review: The American Side

Buffalo-set film noir attempt falls flat

Detective Charlie Paczynski (Greg Stuhr) is on the case in Buffalo, NY.

“You had me at death ray, “ one character says to another in writer/director Jenna Ricker’s new film The American Side, expressing his interest in an unfolding mystery. Too bad the audience won’t feel the same way while watching this convoluted, ridiculous attempt at modern film noir, set against the awe-inspiring backdrop of Niagara Falls (hence the title).
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Film Review: Popstar: Never Stop Never Stopping

Raps and riffs its way to gold, but far from platinum.

10+ years ago, “Lazy Sunday” took the internet by storm and injected the Berkeley-based comedy musical trio, The Lonely Island, into the mainstream. Since then, they’ve been responsible for countless popular SNL Digital Shorts and a handful of award-winning comedy albums. Now, their first feature-length film, Popstar: Never Stop Never Stopping, hits theaters and brings along their superb blend of awesomely crude but catchy pop music, satirical humor, and over-the-top random ridiculousness. Popstar is great at poking fun at the pop music industry, and delivers some really raunchy humor and fantastically clever music, yet fails more often than not to produce worthy punchlines or climaxes to major scenes.

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Film Review: Neighbors 2: Sorority Rising

Stupidness getting stupider somehow makes it better.

Sample of the silly antics prevalent in Neighbors 2: Sorority Rising

Not only was I expecting to hate Neighbors 2: Sorority Rising, but I kinda wanted to. I wanted a chance to get all my pent up anger and frustration out in a gorgeous scathing review. But dammit, it was a fun movie. Continue reading “Film Review: Neighbors 2: Sorority Rising“