Films – Page 40 – Spinning Platters

Film Review: Kubo and the Two Strings

‘Kubo’ is a visual masterpiece!

Beetle, Kubo, and Monkey looking high... — Beetle, Kubo, and Monkey looking high…

I’ve never seen stop-motion animation as inventively crafted or as embedded in the storytelling as I saw in Kubo and the Two Strings. Laika, the animation studio behind Coraline, ParaNorman, and The Boxtrolls, releases their most ambitious film yet with Kubo. Part parable and part fantasy epic, Kubo has a bit of everything, and though it gets a little over-indulgent in the final ten minutes, the film never feels overcrowded. Credit is due to first time director Travis Knight (son of Phil Knight, of Nike), who does a solid job of executing on an intelligent script by Marc Haimes and Chris Butler. The filmmakers infuse Kubo with unique action sequences, family-friendly humor, some nightmarish chills, and strong emotional themes. When these aspects are woven together with solid voice acting and stunning visuals, Kubo becomes a memorable cinematic tapestry.

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Film Review: Hell or High Water

Bridges, Pine anchor riveting western crime drama

Brothers Tanner (Ben Foster, l.) and Toby (Chris Pine) come up with a plan to save their family’s West Texas farm.

Actor turned screenwriter Taylor Sheridan proved he had a knack for conveying the rhythms and feeling of the American southwest with his award-nominated debut feature screenplay for last year’s gritty drug smuggling crime drama Sicario. The success of that debut was no fluke, as we see here in Hell or High Water, Sheridan’s new, follow up screenplay. A similarly southwest-set blend of western and crime drama, the picture rivals the Coen Brothers’ Best Picture winner No Country for Old Men as a modern day, quintessentially American morality tale.
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Film Review: Sausage Party

A profound examination of religious faith — buried deep, deep within a hilariously crude, offensive, foul-mouthed animated film.

Oh, sh*t, these foods are f**cking foul-mouthed!

Imagine if Toy Story was written by South Park creators Trey Parker and Matt Stone, and then sprinkled with a dash of Caligula. Even that probably doesn’t quite capture just how far Sausage Party goes in terms of it’s R-related language and content (supposedly it came close to an NC-17 rating, until they toned it down — yes, toned it down!). As advertised, the cast and creators of This is the End are back, this time to infuse their stoner, ultra-sexualized, black comedy into an animated feature. Sausage Party goes a step beyond just shock-value to deliver its laughs, serving a healthy does of side-splitting puns, curse-words, pop culture references, and hilarious characters. But Sausage Party is also an incredibly clever film. It disguises it’s more contemplative themes of divinity, the existence of an afterlife, and the triviality of religious tensions within the entertaining muck of a hilariously perverse one-note culinary joke — that anthropomorphic foods discover that they’re all doomed to be devoured by humans.

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Film Review: Pete’s Dragon

Recapturing that ol’ warm fuzzy Disney feeling.

For those who remember the 1977 Disney classic, Pete’s Dragon, you may wonder why an obscure title such as that one would need a remake. To be honest, the remake doesn’t answer that question. But nevertheless, the new Pete’s Dragon is a very charming family film. Pete’s Dragon has an old school magical feel to it, with similar familial themes to classic 1970s Disney films such as The Apple Dumpling Gang, Bedknobs and Broomsticks, Escape to Witch Mountain, and the original of the same name. Aside from the less-than-ideal usage of country-tinged pop songs to convey the right emotions we should be feeling, and the absence of musical numbers, Pete’s Dragon is a solidly executed and delightful adventure.

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Film Review: Suicide Squad

Suicide Squad dies a slow, painfully disappointing death.

maxresdefault-1 — More like an awkward dance than a ballroom blitz.

Watch the Suicide Squad trailer one more time. Do you feel that insane energy? Well, that same energy exuding from all the Suicide Squad trailers, posters, and marketing materials doesn’t exude from the feature film. All the hype, and true potential, of this anti-hero DC property has been damaged by over-bloated character introductions, weak villains, and a restrained take on some of the DC Universe’s most iconic psychopaths — looking at YOU, Joker! Suicide Squad could’ve been so much more, but unfortunately the DC film producers, again, trivialize a tremendous premise into an “extended trailer” for the Justice League movie, which is becoming less and less enticing with every preceding related release.

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Film Review: Jason Bourne

Jason Bourne returns for his darkest, most intense (and uncharacteristic) mission yet.

One of the consistently enticing aspects of the Bourne film franchise was the mysterious history of the title character, Jason Bourne. Slowly but surely, spread throughout three films, we learned bits about Bourne’s past and the reasonings behind his dangerous predicament with the CIA, and seemingly just about every government agency out there. After a failed attempt to handover the franchise to another actor, Jeremy Renner (The Bourne Legacy — not playing Jason Bourne, mind you), we’re back with Matt Damon as Jason Bourne in…well…Jason Bourne. Non-ironically, this film reveals the most about Bourne’s past, leaving almost no mystery left by the time the end credits roll. Perhaps a little too much mystery is lost, in fact. Jason Bourne is still intense and darkly entertaining, with a welcome return to the brooding action spy hero for Damon.

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Film Review: Bad Moms

**The moms may be Bad, but their film has its moments**

Exhausted and overextended moms Amy (Mila Kunis, l.), Kiki (Kristen Bell), and Carla (Kathryn Hahn) decide to cut loose.

A few weeks ago, we learned that Mike and Dave need wedding dates, and now today, in Bad Moms, we find that some stressed out moms need to cut loose. In the summer’s second booze-soaked, raunchy-but-sweet comedy to open this month, Josh Lucas and Scott Moore, the co-writers of the Hangover trilogy, also pick up the director’s reins to bring us this similarly over-the-top, often very funny film that has a lot of predictable heart under its R-rated laughs.
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Show Review: Ratatouille—Feature Film with Live Orchestra

“In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read.” -Anton Ego, Ratatouille

There will be no negative criticism here. Ratatouille live at the San Francisco Symphony was absolutely wonderful, highlighting both the magnificent award-winning score by Michael Giacchino and the brilliant animated masterpiece that is Brad Bird’s 2007 Pixar film. Audience members of all ages, including many families, entered Davies Symphony Hall over the weekend to watch Ratatouille. The SF Symphony has delivered numerous memorable film screenings accompanied by live scores, and this one sits near the top.

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Show Review: Star Trek: The Ultimate Voyage: A 50th Anniversary Celebration

Starfleet uniforms everywhere, a few Klingons posed for pictures, and ‘live long and prosper’ hand signals were shared — yes, the crowds gathered in Davies Symphony Hall last Thursday and Friday for the CineConcerts produced performance of Star Trek: The Ultimate Voyage: A 50th Anniversary Celebration. Fifty years ago, Gene Roddenberry’s incredible contribution to science fiction came to life in the form of Captain Kirk and crew on the starship Enterprise. Since 1966, Star Trek has taken on many forms of media — tv series, video games, feature films, books, and so on. These performances are as much a celebration of the progressive themes and groundbreaking stances in Star Trek as they are of the sense of human existence and exploration, and perseverance, that permeates through every incarnation of the original stories. Oh, yes, and a celebration of the music!

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Film Review: Ghostbusters

Ghostbusters panders then panders some more, and only delivers when embracing its own originality.

Mighty ghostbustin' foursome. — Mighty ghostbustin’ foursome.

It’s obvious, or maybe just to me, that director/writer Paul Feig was under serious pressure to cater his entire effort in relauching Ghostbusters to the fans of the original films. Possibly due to the stupid backlash against the production for casting four women in the lead roles, and for the sake of protecting a cherished 80s title, Feig decided to include an unfathomable amount of shout-outs, throwbacks, and cameos alluding to the original Ghostbusters films. The cast, and Feig, are incredibly talented. The best moments of the new Ghostbusters film happen when the original 80’s films are out of its sights, and instead, it embraces the comedic timing and inventive action that the actors and director are each capable of, respectively.

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