Film Review: Ghostbusters

Ghostbusters panders then panders some more, and only delivers when embracing its own originality.

Mighty ghostbustin' foursome.
Mighty ghostbustin’ foursome.

It’s obvious, or maybe just to me, that director/writer Paul Feig was under serious pressure to cater his entire effort in relauching Ghostbusters to the fans of the original films. Possibly due to the stupid backlash against the production for casting four women in the lead roles, and for the sake of protecting a cherished 80s title, Feig decided to include an unfathomable amount of shout-outs, throwbacks, and cameos alluding to the original Ghostbusters films. The cast, and Feig, are incredibly talented. The best moments of the new Ghostbusters film happen when the original 80’s films are out of its sights, and instead, it embraces the comedic timing and inventive action that the actors and director are each capable of, respectively.

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Film Review: Seoul Searching

Charming picture captures the heart and Seoul of the best of John Hughes

The film’s publicity still (used on the movie poster) lets us know it’s Breakfast Club, Korean-style.

“Don’t you forget about me,” Simple Minds implored us in John Hughes’s 1985 coming of age classic The Breakfast Club. Korean-American writer/director Benson Lee makes sure that doesn’t happen in his new 1986-set similar film Seoul Searching. Less a blatant rip off of the original and more of an unapologetic and utterly affectionate homage, Lee pays tribute to the Hughes films of his youth while bringing a unique, fresh, and charming perspective to the genre.
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Spinning Platters Interview: Sarah Hicks, Ratatouille Feature Film with Live Orchestra

 

Screen Shot 2016-07-11 at 10.03.14 PM

This upcoming weekend, July 16-17, the San Francisco Symphony will screen Pixar’s Oscar-winning film, Ratatouille, with the score performed live. Conducting the orchestra will be none other than the amazingly accomplished SF Symphony regular, Sarah Hicks. Sarah was gracious enough to answer some questions about her own musical tastes, as well as her special love of Pixar films…

Spinning Platters: My excitement for the Ratatouille show is growing, since it’s my favorite Pixar film. A popular dinner party question is ‘what’s your favorite Pixar film?’ So, do you have a favorite Pixar film?

Sarah Hicks: Oh, I can’t really choose because I love them all!  That being said, I have to admit that the ones I keep going back to are Monsters, Inc., Up and Ratatouille.

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Show Review: The Music of John Williams—from Star Wars to Harry Potter!

Screen Shot 2016-07-07 at 11.55.48 PM

As you can see from the image above, this wasn’t your average night at the symphony. On Thursday, the San Francisco Symphony honored legendary film composer John Williams with a program full of his iconic, award-winning scores. From fantasy epics like Star Wars and Harry Potter, to memorable dramas like Schindler’s List and Lincoln, John Williams has put a musical stamp on well over 100 films, and is still writing amazing scores to this day, at age 84.

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Film Review: Mike and Dave Need Wedding Dates

Winning cast brings solid laughs to predictable picture

Mike (Adam Devine, l.) and Dave (Zac Efron, r.) are aghast after being chastised by their parents for their boorish behavior at family events.

Back in the pre-Internet days, an old creative writing teaching technique used to be to have students read the classifieds and generate a short story based on gems they found there. Screenwriters Andrew Jay Cohen and Brendan O’Brien obviously understand the imaginative gold of such an assignment, since, for their post-Neighbors 1 and 2 screenplay, they’ve turned an actual Craigslist ad into the decently funny picture Mike and Dave Need Wedding Dates. Directed by TV comedy director Jake Szymanski in his first feature film foray, Mike and Dave is neither no more nor no less than what you’d expect from a raunchy-but-sweet summer comedy.
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Film Review: The Secret Life of Pets

Animals run amok in wild, messy, manic children’s film.

Oh, the pet shenanigans!
Oh, the pet shenanigans!

I don’t really know what the point of The Secret Life of Pets was, but I know that children will love the film. The simple Toy Story-esque premise of ‘what do x do while people are gone’ (in this case where are pets) is amusing for the first five to ten minutes of the film, but it quickly spins out of control. The story devolves into an adventure featuring an assortment of animal varieties, of few of which are very rarely legally allowed as pets. The aforementioned adventure is wonderfully animated and truly manic, but the gimmicky premise fades fast and the rest is a hyperactive mess with lots of humorous bits and not a lot of heart. Not like any children will care, though, since they’ll be fully satiated by the maniacally laughing psycho bunny, voiced by Kevin Hart.

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Film Review: The BFG

BFG delivers the magic, the humor, and the 3D.

Sophie and The BFG soak up the 3D rendered beauty.
Sophie and The BFG soak up the computer generated beauty.

There was a moment while watching The BFG that I snapped ever-so-briefly out of my trance and realized that I had been fully swept up in the magical atmosphere that Steven Spielberg had created in his cinematic adaptation of Roald Dahl’s classic children’s story. It’s not often that I become immersed in a movie. Or rather, it’s not often that a movie can effectively invite me to get immersed in it. The BFG is one of the few. It’s not a perfect movie — it falls just shy from delivering a rewarding emotional peak and contains some moments of directionless storytelling. However, from an entertainment standpoint, The BFG is like a wondrous and inventive bedtime story. It’s a truly magical family-friendly film from start to finish.

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Film Review: The Legend of Tarzan

Tarzan comes out swinging, but just barely misses.

He Tarzan.
He Tarzan.

Tarzan of the Apes, written by Edgar Rice Burroughs, first appeared in the pulp magazine All-Story Magazine in 1912. Since then, Tarzan has been the title character of numerous novels, TV series, film adaptations, and more. It’s an old and valuable property, hence the ® symbol noticeably visible on the opening title credit. Now there’s a new Tarzan feature film, not surprisingly called The Legend of Tarzan since at this juncture there’s enough in the Tarzan mythos to argue a “legend” has been well-established. Unfortunately, the new film can’t avoid the blatant traditional racial tropes that were overwhelmingly present in Burroughs’ creation — after all, Tarzan, the hero who frees slaves and shifts the political and cultural course of central Africa towards the greater good, is a white man. Racial issues aside, there are still some emotional and visual pitfalls that the exciting action and stunning vistas can’t make up for. What does work about The Legend of Tarzan, in addition to a better-than-expected script, is a testament to the solid direction of David Yates (who directed the final four Harry Potter films).

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Spinning Platters Interview: Justin Freer, Founder and President of CineConcerts

On July 14-15, the San Francisco Symphony will celebrate 50 years of Star Trek with Star Trek: The Ultimate Voyagefeaturing iconic film and TV footage beamed on to a huge screen while the symphony performs the musical scores, live! CineConcerts, the producer of this live music experience, was founded by composer/conductor Justin Freer. Freer will be conducting the SF Symphony’s two performances.

Freer graciously took a short break from a studio session to speak to us about his musical career, CineConcerts, and of course, Star Trek…

Justin Freer: Let’s do this. What do you want to talk about?

Spinning Platters: Let’s talk about film music!

Justin Freer: <<laughs>>

SP: How did you first get into film music? I read that you grew up learning trumpet and later music composition, but when did film music start to interest you?

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Film Review: Neon Demon

What an amazing movie. Parts of it may repulse you. Go see it anyway.

Elle Fanning in Nicolas Winding Refn's Neon Demon

Nicolas Winding Refn doesn’t care what you think about his movies. He makes films without traditional plots, and with a fair measure of gruesome violence. He believes himself so important that he uses a little NRW monogram under the title card of his features. He doesn’t feel the need to explain anything to the audience; instead, he deals with metaphor and buried meaning. Regardless of whether or not his movies fall under any old fashioned idea of what’s “good,” he’s awesome at making them.

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