Category: Films

Film Review: “MaXXXine”

Ti West completes his horror trilogy in devilishly fun ’80s fashion

First came X. Shortly after came the prequel, Pearl. And now, MaXXXine, writer/director Ti West’s end cap on a remarkably gory, provocative, homage-filled horror trilogy. Mia Goth is at the center of all three films, an actor who has transcended “scream queen” status to become a bona fide megastar of the genre. She deserved an Oscar nomination for her performance in Pearl, and arguably an earlier nomination for her dual roles in X. In MaXXXine, the creative pairing of West and Goth complete their trilogy in entertaining, if not spectacular, fashion. MaXXXine is an overt homage to the wide-ranging horror genre birthed from Hollywood between the ’60s, ’70s, and ’80s, from the prestigious to the grimy. Continue reading “Film Review: “MaXXXine””

Film Review: “Daddio”

Johnson, Penn excel in thoughtful taxicab drama

A woman (Dakota Johnson) taking a cab ride home from JFK converses with Clark (Sean Penn), her driver.

Screenwriter Christy Hall makes her directorial debut with Daddio, a script she originally conceived of as a stage play. That theatrical quality is evident in the film, an emotionally rich two-character study that takes place in near real time. Featuring stellar performances from Dakota Johnson and Sean Penn, Daddio is the sort of understated but affecting drama that often gets lost in the summer blockbuster shuffle but deserves to be seen.

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Film Review: “A Quiet Place: Day One”

No need to make noise for this franchise prequel 

Sam (Lupita Nyong’o) surveys damage after an alien attack.

Both the original A Quiet Place and its follow up, A Quiet Place Part II, made my Top 10 lists for 2018 and 2021, respectively. A Quiet Place: Day One, the new film in the series, however, falls far short of achieving that honor this year. A prequel to the original movie, this third film in the franchise offers audiences nothing new, and merely repeats elements that made the first two movies so successful.

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Film Review: “The Bikeriders”

The Bikeriders is Comer’s star-making vehicle

Director Jeff Nichols has been on an impressive streak of memorable dramatic films that directly or indirectly involve the culture of middle-America, including Shotgun Stories, Take Shelter, Mud, and Loving. The Bikeriders is his latest dramatic piece of cinematic Americana (or, “Ameridrama”, to coin a phrase), stradling the median between mainstream drama and niche historical fiction. The Bikeriders is a surprisingly charming piece of old-school storytelling, buoyed by an impressive script and strong performances. Continue reading “Film Review: “The Bikeriders””

Film Review: “Tuesday”

Death stops for Julia Louis-Dreyfus in smart, introspective picture 

Zora (Julia Louis-Dreyfus) struggles with grief over the pending loss of her ill daughter.

Croatian filmmaker Daina Oniunas-Pusic has earned multiple awards for her short films, and now parlays that talent on to the big screen with Tuesday, her terrific feature film debut. A contemplative and serious meditation on life, death, grief, and letting go, Oniunas-Pusic’s film never feels heavy-handed, even as it grapples with some of life’s most weighty philosophical questions.

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Film Review: “Bad Boys: Ride or Die”

Bad Boys sticks to its guns for an explosively fun summer flick

After “The Slap,” Will Smith took a much needed multi-year hiatus from acting. Whatever self-reflection, anger management, family therapy or whatnot he (was forced to or voluntarily) went through, good for him. He also made a very wise decision (likely in close coordination with his agent) to return to movies within the warm embrace of the most tried-and-true action franchise of his career: Bad Boys. Re-teaming with Martin Lawrence and directors Adil El Arbi and Bilall Fallah (Bad Boys for Life), this fourth installment, Bad Boys: Ride or Die, proves that the series still has some juice left in the tank, as long as it sticks to its iconic blend of neon-soaked action and curse-filled bickering. Continue reading “Film Review: “Bad Boys: Ride or Die””

Film Review: “Ezra”

Mediocre drama wastes Cannavale, De Niro pairing

Ezra (William A. Fitzgerald, bottom r.) learns some fighting moves from his grandfather (Robert De Niro) as his father (Bobby Cannavale) looks on.

Robert De Niro and Bobby Cannavale have acted together once before, in Martin Scorsese’s 2019 mob drama The Irishman. But casting them as father and son is a brilliant idea, and, if nothing else, actor/director Tony Goldwyn’s new film Ezra at least offers audiences that long overdue delight. 

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Film Review: “Young Woman and the Sea”

Young Woman and the Sea joins the pantheon of Disney’s finest live-action sports dramas

In the 1990s and early 2000s, Disney’s live-action sports dramas used to be a much bigger deal at the box office and in audience’s appreciation. If you’re of a certain age, movies like Cool Runnings (1993) and Iron Will (1994) carry special meaning, and if you’re slightly younger, movies like Remember the Titans (2000), The Rookie (2002), and Miracle (2004) may carry similar weight. These movies share specific characteristics: based on true stories, the protagonists are underdogs, more than a few training montages, and surface-level commentary on socio-political topics. Disney’s latest, Young Woman and the Sea, contains all the above facets and confidently carries the torch forward for the sub-genre. Director Joachim Rønning (Maleficent: Mistress of Evil) knows how and when to deploy the emotional and feminist beats of the story, so the film never feels overly stuffed or preachy. Like the great Disney live-action sports dramas that have come before it, Young Woman and the Sea is a spirited and emotional tale that is perfect for viewers of all ages. Continue reading “Film Review: “Young Woman and the Sea””

Film Reviews: “Babes” and “Back to Black”

Weekend movie choices: Amusing comedy or forgettable biopic? 

The summer blockbuster movies season is still a few weeks away, but in the interim two very different smaller pictures featuring female protagonists open today. Are they worth seeing? Read on to find out! 

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Film Review: “The Fall Guy”

Movie stars and plenty of action kick off the summer in The Fall Guy 

Loosely based on the 1980s television series starring Lee Majors, The Fall Guy is an ode to stunt work. Stunt teams have been providing the thrills of action sequences since the era of silent movies and Buster Keaton, to the present day Mission: Impossible and Fast and Furious franchises. Director David Leitch, who has helmed numerous stunt-centric projects, such as Atomic Blonde, Bullet Train, Deadpool 2, and he even co-directed the first John Wick, is the perfect figure to pay homage to the stunt profession. In doing so, The Fall Guy is also properly kicking off the 2024 summer movie season. The movie highlights movie stars, aka the beautiful celebrities recognized worldwide, as much as it highlights stuntmen and stuntwomen, aka those who likely aren’t recognized anywhere. It wouldn’t work without two top-of-their-game A-list actors with incredible chemistry, and it wouldn’t work without great stunt work. The Fall Guy has all the ingredients of an escapist popcorn flick, and rises to the occasion. Continue reading “Film Review: “The Fall Guy””