Films – Page 23 – Spinning Platters

Film Review: Brittany Runs a Marathon

Bell is a winner in charmer of a tale about perseverance and acceptance

Brittany (Jillian Bell) begins to think she needs to make some life changes.

The saying goes that a journey begins with a single step, and there’s no one that’s truer for than Brittany, the heroine of the new dramedy Brittany Runs a Marathon. Jillian Bell, who plays Brittany, gives us a refreshingly complicated character who we alternately root for and are dismayed by, though we always empathize with her. With his first feature film, writer/director Paul Downs Colaizzo has made a well-crafted tale about conquering your fears, achieving your goals, and never giving up on your dreams that somehow doesn’t feel corny or contrived, but only honest, smart, and funny.

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Film Review: The Peanut Butter Falcon

Twain-esque fairy tale strains credulity, but yields some rewards

Mark Twain, redux: Our heroes (from l.: Dakota Johnson, Zack Gottsagen, and Shia LaBeouf) make their escape on a raft.

Your enjoyment of The Peanut Butter Falcon will depend largely on your ability to suspend disbelief and wholeheartedly embrace its fairy tale quality. If you can do that, you’re in for a sweet, feel-good treat, but, if, like me, you’re too cynical to ignore its myriad of coincidences and convenient plot turns, you may find yourself distanced from the story, unable to completely immerse yourself in its picaresque adventure.

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Film Review: Once Upon a Time … in Hollywood

A tarnished Golden State, and overripe fruit

Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt) in Once Upon a Time ... in Hollywood — Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt) are cruisin’ for a bruisin’.

Let’s face it, we all want another Pulp Fiction. We all remember, either on opening night (me!), a bit later, or maybe way later through a TV the way we felt during, and right after, living through that unique moment in American cinema. How did Quentin Tarantino get away with gangsters talking about the Royale with cheese? Is that really John Travolta? Can we like him again? Did we just see Christopher Walken pop off a two-minute monologue about hiding family heirlooms in anal cavities? And wait, how could the middle of the story happen at the end of the film? Yep, we all remember, and let’s also face it that we’ve been waiting, WANTING another Pulp Fiction ever since. We should just stop with all that, because Tarantino’s ninth film, the excellent Once Upon a Time in … Hollywood proves, finally and triumphantly, that all the peculiar elements of his films can come together gracefully to create a dissimilar but still profoundly satisfying cinematic experience.

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Film Review: Midsommar

Summertime… and the living is… in doubt

Ari Aster's film Midsommar — Travelers arrive at the village of the Harga.

We all look to the light for safety, for warmth, for life. Filmmakers use light to communicate safety or victory, and definitely health. In almost every hospital scene, convalescing characters lie in a bed, tucked safely in sheets, looking out to friends and family, as if to say, “whew … I made it. I’m alive. I’m here,” Hospital sets usually include rejuvenating daytime light cascading in from expansive windows.

All the more impressive, then, that Ari Aster’s ambitious, perplexing, unrelenting film Midsommar uses, abuses, and undermines light, to prove that dread can build in any season, horror respects no clock, and terror can strike on the brightest of sunshiny days.

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Film Review: Yesterday

I believe in Yesterday: It’s a must-see

Newly minted rock star Jack (Himesh Patel) isn’t sure what to make of the marketing campaign for his album.

The “alternate fiction” genre has grown in popularity in recent years, with books, movies, and TV shows positing questions like, “What if Hitler had never been born?” or “What if JFK hadn’t been shot?” as starting points for fresh and creative stories. Director Danny Boyle and screenwriters Jack Barth and Richard Curtis throw their hat into the ring with Yesterday, a movie that asks, “What if only one person on earth knew who the Beatles were?” The filmmakers have great fun answering the question, but, make no mistake: this is no sci-fi film. What Boyle has given us here is an old-fashioned romantic comedy — and an exceptionally charming one at that — just wrapped in a unique narrative package.

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Film Review: The Last Black Man in San Francisco

Contemplative, timely film considers a changing SF

Jimmie (Jimmie Fails, r.) and his friend Mont (Jonathan Majors) reclaim Jimmie’s childhood home.

Opening on the heels of two recent, widely criticized national pieces bashing the “new” San Francisco in the New Yorker and the Washington Post, writer/director Joe Talbot’s first feature film, The Last Black Man in San Francisco, couldn’t be timelier. But Talbot has the advantage over those much dismissed east coast writers: he’s a San Francisco native (fifth generation, no less), and, as his film’s protagonist declares about our fair city by the Bay, “You don’t get to hate it unless you love it.” Continue reading “Film Review: The Last Black Man in San Francisco“

Film Review: Rocketman

Overstuffed effort … but worthwhile viewing

Taron Egerton as Elton John at Dodger Stadium in 1975

There are any number of Elton John lyrics that would fit nicely here, to start this review of Rocketman. You’re thinking of them now. You know you are. There are so many. How do you choose? You’re also picturing the former Reginald Dwight, festooned in iridescence and bedecked in enough feathers to set off hundreds of allergic reactions, enough sequins to blind at 100 yards. And now that you’re thinking about Elton, you’re tripping back over the bio and musical highlights: Big ’70s rock star, years of excess, late ’80s resurgence, recent marriage and fatherhood, late-career comparisons to Tom Jones or maybe Van Morrison.

Great, you think, but how, you ask, does all that get stuffed into a two-hour long mainstream movie? Great question!

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Film Review: Long Shot

Cast is terrific, but this movie becoming a must-see is a long shot

Newly hired speechwriter Fred Flarsky (Seth Rogen, center) goes over his work with Secretary of State Charlotte Field (Charlize Theron, r.) and her aides Tom (Ravi Patel) and Maggie (June Diane Raphael).

Director Jonathan Levine tries his hand at comedy again for the first time since 2017’s tepid Amy Schumer/Goldie Hawn vehicle Snatched, and somewhat redeems himself. Long Shot is a bit smarter and a bit funnier than Levine’s previous picture, but, while entertaining enough, it isn’t destined to become a comedy classic.
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Show Review: Industrial Accident: The Story of Wax Trax! Records, Ministry, Cold Cave at The Teragram Ballroom 04/22/2019

I have to confess, I was completely in the dark about Wax Trax! Records, which seems criminal to me now considering my music tastes. So, what better way to learn the whole story than a documentary screening followed by a concert?

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Film Feature: SFFILM 2019 Spotlights #2

Wrap up: 62nd annual San Francisco International Film Festival

The San Francisco Film Festival wrapped up last week, concluding with the announcement of its Golden Gate Awards and its two Audience Awards. Olivia Wilde’s directorial debut comedy feature Booksmart earned the Audience Award for Best Narrative Feature. Show Me the Picture: The Story of Jim Marshall, Alfred George Bailey’s study of Bay Area photographer Jim Marshall, took the Audience Award for Best Documentary Feature. If you didn’t get a chance to catch as many films as you would have liked, never fear: many of the Fest’s offerings will be widely released in the months to come. Below we take a look at four films that you’ll be able to see very soon at a theater near you (and you can also check out our previous Fest spotlights post here).

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