Category: Films

Film Review: “We Bury the Dead”

Ridley helms this tightly bound clash of disaster and zombie genres

Ava (Daisy Ridley) sits amongst the deceased in ‘We Bury the Dead’

I can’t help but admire Daisy Ridley’s recent role choices, starring in a variety of mid-tier dramas and sneaky-fun genre films: Sometimes I Think About Dying, Young Woman and the Sea, and Cleaner. In each film, Ridley is giving her all. Now she’s starring in We Bury the Dead, an Australian quasi-zombie drama by Zak Hilditch (1922). Tight on world-building scope but heavy on quiet intensity, We Bury the Dead is a solidly constructed thriller to kick off the new year. Continue reading “Film Review: “We Bury the Dead””

Film Feature: Chad’s Top 20 Films of 2025

What a sneaky good, but not great, movie year. 2025 was full of major blockbuster disappointments (Mickey 17, Mission: Impossible – The Final Reckoning, Tron: Ares, The Running Man, Wicked For Good) and a few five-star masterpieces. But there was a plethora of three-and-a-half to four-star fare, some good and some great, that made moviegoing a memorable experience. The honorable mentions will be many this year, but here’s my ranked list of the twenty best films of 2025:

20. FINAL DESTINATION: BLOODLINES

The sixth film in a series is rarely, if ever, as good as, if not better, than all previous installments. Bloodlines refreshed the ‘90s horror franchise in inventive new ways, killing off a plethora of death-cheaters. 

19. THE NAKED GUN

Pure comedies can still be good, and still make money! The reboot of The Naked Gun had some of the funniest lines of the year, and produced the rare pleasure of joining in raucous laughter with a moviegoing audience. Continue reading “Film Feature: Chad’s Top 20 Films of 2025”

Film Review: “Marty Supreme”

Chalamet delivers powerhouse performance in Safdie’s wild ping pong tale

Marty Mauser (Timothée Chalamet) wants to be a ping pong champion.

If you’re feeling a little sleepy this afternoon after too much Christmas cheer and need a jolt of energy, put the coffee down and instead head out to see Marty Supreme. Writer/director Josh Safdie’s newest is the cinematic equivalent of ten espresso shots and ten Red Bulls. Anchored by a tour de force performance from Timothée Chalamet, Marty Supreme is a whirlwind of a good time that makes its two-and-a-half hour running time seem like five minutes.

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Film Review: “Is This Thing On?”

Cooper’s latest is a misfire

Newly single Alex (Will Arnett) tries his hand at stand-up comedy.

Maestro and A Star Is Born, both directed and co-written by actor Bradley Cooper, garnered multiple award nominations and wins. Cooper’s third writing/directing project, however, may not be so lucky. Is This Thing On? isn’t nearly as watchable as Cooper’s previous pictures, and proves itself the least interesting of his current filmmaking trio.

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Film Review: “Ella McCay”

Likable cast wasted in forgettable film

Governor Bill (Albert Brooks) speaks with Ella (Emma Mackey), his lieutenant governor.

James L. Brooks, the writer and director best known for his multiple-Oscar winning and nominated pictures Terms of Endearment, Broadcast News, and As Good as it Gets, returns to cinemas with his first film since 2010’s poorly reviewed How Do You Know? Unfortunately for Brooks, Ella McCay is bound to share the same fate as that forgettable flop rather than achieve the accolades of Brooks’s earlier titles.

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Film Review: “100 Nights of Hero”

100 Nights is a flimsy whimsy

Cherry (Maika Monroe) and Hero (Emma Corrin) indulge in chess and falconry in ‘100 Nights of Hero.’

Arabian Nights meets queer feminist fantasy in Julia Jackman’s magical romance 100 Nights of Hero, based on a graphic novel by Isabel Greenberg. The film is drenched in colorful costumes and whimsical folklore in order to engage audiences with a Middle Eastern-inspired medieval tale. The film’s stylings are unique and thorough, but the script leaves us yearning for deeper thematic resonance. Jackman’s confident direction, even as the film struggles to commit to a tone, preserves 100 Nights of Hero’s sincere portrayal of queer feminism and the precious art of storytelling. Continue reading “Film Review: “100 Nights of Hero””

Film Review: “Hamnet”

Buckley is the engine powering this emotionally condensed drama

Agnes (Jessie Buckley) waits for Hamlet to start in ‘Hamnet.’

Maggie O’Farrell’s best-selling book Hamnet was a literary sensation, and quickly sparked rumors of an inevitable movie adaptation. When Oscar winner Chloe Zhao (Nomadland) was announced as Hamnet’s director, followed by the casting of Oscar nominees Jessie Buckley (The Lost Daughter) and Paul Mescal (Aftersun) in the starring roles, expectations shot through the roof. Now that Zhao’s Hamnet is finally arriving in theaters, does it live up to the hype? The answer is a soft ‘yes.’ Through a tremendously powerful performance from Buckley and a deeply emotional script, Hamnet reproduces the story’s inherent drama even as it strips away any narrative complexities. Continue reading “Film Review: “Hamnet””

Film Review: “Zootopia 2”

Fur and scales face off in the world-expanding Zootopia sequel

Nick (Jason Bateman) and Judy (Ginnifer Goodwin) paddle in pursuit in “Zootopia 2.”

Nine years ago we were introduced to the Oscar-winning world of Zootopia, where our own human society, including social stigmas, cultural taboos, and bureaucratic flaws were mirrored by anthropomorphized animalia. Zootopia was an excellent family film with plenty adult-oriented jokes, references, and themes. Zootopia 2 kicks off right where the first film left off, expanding its geographical scope while delivering an abundance of zany animal characters, clever banter, and endless sight gags. Even moments of apparent “sequelitis,” where an original work feels the pressure to replicate its initial success while making things bigger and better, don’t detract from the pleasure of discovering more of Zootopia’s inner workings. With the original film’s stellar voice cast returning, and adding a few notable new characters into the mix, Zootopia 2 is another pun-filled adventure with tremendous heart. Continue reading “Film Review: “Zootopia 2””

Film Review: “The Thing With Feathers”

Cheap jump scares punctuate this grief-stricken slog

Dad (Benedict Cumberbatch) feeling very crow-y in “The Thing With Feathers.”

Sometimes you swing and miss, but at least you swung. The Thing With Feathers is a big swing and a miss. Aiming to entice horror fans with its phantasmagoric plot and cheap jump scares, The Thing With Feathers fails to offer anything more than a singular message about grief being tough to overcome. Despite Benedict Cumberbatch’s (The Roses) efforts to compensate for a shallow script and one-dimensional character, The Thing With Feathers remains a frustrating viewing experience. Continue reading “Film Review: “The Thing With Feathers””

Film Review: “Rental Family”

Fraser delivers sensitive performance in affecting heartfelt drama 

Phillip (Brendan Fraser) is hired to be a groom in a fake wedding.

Rental Family is the second new film in a week with an actor as its protagonist. But Phillip, a struggling, unknown American actor in Japan, couldn’t be more different than the uber-successful, movie star Jay of Jay Kelly. Despite the differences in their lead characters, however, both films deftly touch on universal themes of loneliness, connection, and empathy. 

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