Film Feature: Preview #1 of the 46th Mill Valley Film Festival

 

The 46th Mill Valley Film Festival will take place Oct 5 – Oct 15, 2023, with screenings at theaters all around the North and East Bay (and a few in SF).

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here. 

Below is a preview of the festival, featuring brief looks at four films:

Continue reading “Film Feature: Preview #1 of the 46th Mill Valley Film Festival”

Film Review: “Invisible Beauty”

Hardison’s monumental life is on full display in Invisible Beauty

“I would always think of a Samurai when I would walk.” -Bethann Hardison

A pioneer who continuously pushed boundaries, Bethann Hardison is the subject of Invisible Beauty, an autobiographical (she is co-director) look at her trail-blazing life and her ongoing push for equal representation in the modeling and fashion industries. As one of the first high-profile Black models, Hardison gained widespread fame in the ‘70s and launched her own modeling agency in the mid ‘80s. Shortly after, she started the Black Girls Coalition (BGC) with fellow model and activist, Iman, to promote and support Black models. Invisible Beauty takes us behind-the-scenes of Hardison’s extraordinary journey, while appropriately following her in the present as she works on her memoir. The film features numerous interviews with a wide breadth of famous faces and impressive footage of turning-point moments that capture Hardison’s immense impact.

Continue reading “Film Review: “Invisible Beauty””

Film Review: “A Million Miles Away”

Peña soars in against-all-odds astronaut story

José Hernández (Michael Peña) finally realizes a lifelong dream of becoming an astronaut.

Hollywood has long plumbed the depths of unlikely hero tales. No matter how many Rocky knock-offs the studios churn out, they never seem to tire of downtrodden and impoverished characters who must overcome great odds to lift themselves into a higher station in life. From Rocky to Rudy to Erin Brockovich, Hidden Figures and, most recently, Flamin’ Hot, these tales lift us up and inspire us even as they fight to be unique. So who can blame director Alejandra Márquez Abella for trying her hand at this well-worn but lucrative formula with her new biopic A Million Miles Away? Luckily for us, though, her effort proves to be an excellent addition to the familiar genre. 

Continue reading “Film Review: “A Million Miles Away””

Film Review: “Sitting in Bars with Cake”

Sitting in Bars with Cake is a delectable slice of laughs and cries

There’s a seemingly endless amount of movies based on books, and a shorter but not insignificant number of movies based on real life cooks. What I can’t recall ever seeing is a movie that was based on a cookbook. Better late than never! Sitting in Bars with Cake, the new dramedy based on Audrey Shulman’s autobiographical book, is a well-produced tearjerker with standout performances, a film perfectly fitting of its streaming platform release.

Continue reading “Film Review: “Sitting in Bars with Cake””

Film Review: “The Unknown Country”

Gladstone anchors lovely, meditative film

Tana (Lily Gladstone) pauses on her journey to her cousin’s wedding.

Lily Gladstone first garnered attention for her quietly affecting breakout role in Kelly Reichardt’s 2016 indie award winner Certain Women. She’s been back in the spotlight recently, thanks to Martin Scorsese, who cast her as Mollie, wife to Leonardo DiCaprio’s Ernest, in Scorsese’s highly anticipated upcoming adaptation of Killers of the Flower Moon. In between, Gladstone worked on several other projects (First Cow; Walking Out) and finally landed her first leading role in The Unknown Country, a beautiful, meditative film worthy of her talents.

Continue reading “Film Review: “The Unknown Country””

Film Review: “The Last Voyage of the Demeter”

The Demeter sinks slowly but surely

There are two pieces of classic literature to which I’m happily devoted in the case of any film adaptation, re-imagining, modern take, or spin-off: Charles Dickens’s A Christmas Carol and Bram Stoker’s Dracula. I’ll save any further reading into my personal attachment to these two stories for therapy, because right now the latter intellectual property has a new entry in a long lineage of film adaptations, The Last Voyage of the Demeter. Based on a short but haunting chapter from the original Dracula text, The Last Voyage of the Demeter continues director André Øvredal’s impressive filmmaking streak, but too many imbalanced components can’t keep this Demeter afloat. 

Continue reading “Film Review: “The Last Voyage of the Demeter””

Film Review: “Teenage Mutant Ninja Turtles: Mutant Mayhem”

“Mutant Mayhem” is packed with undeniable T-U-R-T-L-E power!

The Teenage Mutant Ninja Turtles animated series and three feature films of the early 1990s that centered around the reptilian mutant fighting foursome were hugely successful and spawned a multimedia franchise of toys, shows, and comics for decades. The hype was tempered by three mediocre films between 2007-2016, with the latter two misfires produced by Michael Bay. Nostalgia was keeping the franchise afloat, despite diminishing returns. So with a huge sigh of relief and a heart full of nostalgic glee, I’m happy to report that the series reboot Teenage Mutant Ninja Turtles: Mutant Mayhem is an energetic and artistic cinematic take on what makes the Ninja Turtles brand so fun.

Continue reading “Film Review: “Teenage Mutant Ninja Turtles: Mutant Mayhem””

Film Review: “Talk to Me”

Old school filmmaking leads Talk to Me to chilling results

When it comes to the horror genre, A24 has excelled in its decade long output. The studio has championed unknown filmmakers and launched mind-bending, risk-taking titles into the pantheon of the genre’s greatest entries, like Ari Aster’s Hereditary and Midsommar, Ti West’s X and Pearl. Once again, A24 has backed a feature film debut with Talk to Me, an old school horror film directed by Australian twin brothers Danny and Michael Philippou. Filled with practical effects and a quietly pervading sense of dread, Talk to Me is a chilling throwback horror flick that also serves as a calling card for a handful of fresh talent.

Continue reading “Film Review: “Talk to Me””

Film Review: “Oppenheimer”

Physics, war, and the father of the atomic bomb: Nolan’s biopic captivates

General Leslie Groves (Matt Damon, l.) confers with Manhattan Project scientific director J. Robert Oppenheimer (Cillian Murphy).

Prometheus stole fire from the gods and gave it to man, Greek mythology tells us, and for that he was punished for all eternity. While physicist J. Robert Oppenheimer’s fate wasn’t quite as brutal, it proves nearly as tragic, as we see in Oppenheimer, writer/director Christopher Nolan’s epic new film about the father of the atomic bomb. 

Continue reading “Film Review: “Oppenheimer””

Film Review: “Barbie”

Gerwig delivers with a playful and clever Barbie movie

Margot Robbie is Barbie.

First, here’s a bit of context and factoids for your next trivia night: Barbie (the doll) was created by Ruth Handler and manufactured by the toy company Mattel, Inc. in 1959. A live-action Barbie movie had been rumored and tossed around in studio purgatory for many years before landing in the hands of Warner Bros. and director Greta Gerwig (Lady Bird; Little Women). There are over forty previously released Barbie movies, most if not all straight-to-video and all animated, but Gerwig’s vision was bound to be different. With each new set photograph, marketing ad, and interview released, anticipation grew to a fever pitch. Now it’s finally arrived: Barbie the live action blockbuster summer movie! And it’s as playful as a child could want and as incisive as everyone older yearned for. 

Continue reading “Film Review: “Barbie””