Maroon 5 headlines Friday night at BottleRock Napa Valley 2017 (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Last weekend marked the return of my hometown’s beloved music, food and drink festival, BottleRock Napa Valley, which turned five this Memorial Day weekend. In addition to boasting phenomenal music lineups year after year, BRNV offers a wine garden, a “beer bend,” a silent disco, a beer and bourbon garden, displays of art throughout the festival grounds, and of course, the culinary delights that have come to be associated with this valley that is so much more than wine. Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 1”
I’ve always liked Janet Varney, who I knew almost exclusively from her work with Thrilling Adventure Hour, but once someone made the connection for me that she was one of the co-founders of SF Sketchfest, my admiration for her ratcheted up quite a few notches. So, she’s super funny, and likeable, and charming, and kind of a badass producer too? So cool! So this year, when I was perusing the schedule, and saw that she was doing a live podcast (The JV Club, it’s called) with Matt Nathanson, Rachel Dratch, and Jon Hamm? Hell yeah! I’d been trying to get to a Rachel Dratch appearance at Sketchfest for at least a year or two, and Jon Hamm is so fun when he’s in comedy mode (which I’d not yet seen live, either). I immediately put in my request and hoped I’d get to cover the show. Next thing I knew, there I was, at Brava Theater Center, last Saturday afternoon, with a great seat, just in time for the house lights to go down. Continue reading “SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17”
It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out. Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”
Like anyone else who’s devoted to her favorite festival, I have been waiting for this morning for quite some time. Why? Because that’s when BottleRock Napa Valley was set to announce this year’s lineup — and announce it they did. I knew that Dave Grohl had said back in 2013 that if the festival made it another year, the Foo Fighters would play it, so it’s exciting to see that they’re making good on that promise. In addition, I’m looking forward to catching Tom Petty & the Heartbreakers again (whom I saw a few years ago at Outside Lands), as well as Maroon 5, who I haven’t seen live since the Songs About Jane era. And those are just the headliners.
o.a.r. headlines Live in the Vineyard 2016 Night 1
Ladies and gentlemen, it’s that time again: Live in the Vineyard. For those unfamiliar, this is a biannual celebration of food, wine, and music, featuring a mix of hit artists and those that are up-and-coming. Events take place in locations all over the Napa Valley, typically culminating each (weekend) day in a concert at Napa’s Uptown Theatre. The event is exclusive in the sense that essentially the only way to attend is to win tickets via one of many contests available via the internet or the radio. This year’s fall event took place last weekend, with Friday night’s show a representative mix of the new and the tried-and-true: Britain’s Got Talent star Calum Scott, bluesy soul married duo JOHNNYSWIM, up-and-coming singer/songwriter Wrabel, American Idol winner Phillip Phillips, and celebrating their 20th anniversary as a band, o.a.r.. Continue reading “Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016”
Need a break from the amazing wine? No problem: grab a cocktail instead! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
You’re reading Day 3. Have you checked out Day 1 and Day 2 as well?
Tye Trujillo follows in dad Robert’s (of Metallica) footsteps. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
I don’t know why, but Day 3 always seems to be the day all my friends attend BottleRock. This year was no exception. Two friends came up from the South Bay, not wanting to miss a moment. While I waited for my bestie and her boyfriend to arrive, I heard the festival begin through my bedroom window. Before we left the house, I realized that the band on the main stage (the one I can hear) was killing a cover of Nirvana’s “Smells Like Teen Spirit,” so I texted one of my friends to find out who they were. She didn’t know, except to say that they were kids, and they were crushing it. I made a mental note to find out who they were and check them out. It turned out they were The Helmets, a band that includes Metallica bassist Robert Trujillo’s son Tye and three other kids, all currently aged 12 or under. I’m disappointed to have missed them, because from what I heard (literally from afar, as well as from those who were already present), they are an excellent band, kids or not! Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 3”
BottleRock Napa Valley 2016: a not-to-be-missed love-fest! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
You’re reading this year’s Day 2. Don’t forget to check out Day 1 too!
Wine isn’t the only thing we enjoy drinking here! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Day 2 got a bit of a late start, but once inside, I wasted no time at all stopping by Lagunitas for a cold Aunt Sally, which is easily my favorite beer they make, since it’s the least hop-driven! I went directly to the JaM Cellars stage to catch Walk the Moon who were due to begin momentarily. I admit, I only know the band from a friend who loves them and their gigantic smash “Shut Up and Dance” that’s so popular even my two-year-old niece asks for it by name. As I expected, they put on a fun, energetic set, particularly with “Different Colors” (which frontman Nicholas Petricca said was about the “beauty of being different), “Tiger Teeth,” “I Can Lift a Car,” and past single “Anna Sun.” As many had taken to doing over the festival, Petricca reminded the crowd to take time to vote: “Figure it out, and then go vote. Go fucking vote! It’s up to us to figure out the future!” He went on to say that the performance marked the very last one of the band’s tour in support of their Talking is Hard record. As expected, “Shut Up and Dance” was a fun, wild ride with the entire crowd dancing and singing along. Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 2”
The first taste of summer: BottleRock Napa Valley, the 2016 edition. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Before I get into all the details of the gloriousness that was this year’s BottleRock Napa Valley, please allow me a moment, not just to digress but to explain why this festival is so important to me. I was born in Napa. As many Napa kids do, I moved away in my early 20s seeking something more exciting (hard to imagine now, but at the time Napa was still a relatively small town without a lot to do). I had some oats to sow, and was gone for 5-6 years, but returned about a decade ago to go back to school. Since then, I often say that “this town and I grew up together,” as we’ve both evolved into something more worth enjoying. While once I was a kid from a small town most had never heard of (and because of which I often claimed SF or the Bay Area to those unfamiliar), I have since become a “townie,” and that’s okay with me. This place is something special, and I can’t imagine ever leaving. True, it was once far quieter (and okay, far more dull), but these days it’s really something to behold, and has earned its reputation as a world-famous, world-class destination on bucket lists the world over. So, add to that a phenomenal music festival that showcases not just the mind-blowing wines and taste-bud-tantalizing food for which we’re known, but consistently impressive musical lineups that offer something for everyone, year after year? How could I not love BottleRock? I’m happy to say that I’ve been BottleRocking since the very beginning, and I can’t imagine what it might take to keep me away. As you can imagine, I’m already looking forward to next year’s festival!
Okay, onward…this year, BottleRock was scheduled to fall on Memorial Day weekend. While I personally heard the frustration of local business owners (for many of whom the beloved festival pulls away business all weekend long), I didn’t have any reason to lament spending a long, beautiful-weathered weekend wandering the Napa Valley Expo grounds last weekend more or less than any other.
That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”
