Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18

Cross this off my bucket list: I’ve loved Peter Cetera for as long as I can remember.

Like many children of the 80s, I still harbor a strong sentimental attachment to some of the tunes that might make others groan. Before I was old enough to start developing musical tastes of my own, my mom raised me on a steady diet of light rock, less talk. (No, you just sang the KOIT jingle in your head!) I think my personal trifecta from those days is (in no particular order): Billy Joel, Lionel Richie (with The Commodores and solo), and Peter Cetera (with Chicago but especially solo). At least for me, there is something about the music I loved as a kid that can have the power to invoke a true sense of joy that can be hard to find anywhere else.

Last month, my mom won a pair of tickets to see REO Speedwagon and Chicago, and she asked me to go with her. I thought it would be a blast, but I admit I was disappointed at the prospect of seeing Chicago sans Cetera. Between sets, I decided I should look to see if he was touring on his own. Much to my delight, not only was he currently touring, but I found tickets that were a mere two weeks away, in San Jose. Before I could buy them, though, Chicago took the stage, and I put my phone away to enjoy what turned out to be a truly fantastic performance.

The next day, I returned to my ticketing site of choice to buy tickets, and discovered I’d overlooked a second date the night before: this one was a month away, rather than two weeks, and I’d have to schlep out to the Sacramento area in the dead of the summer, but instead of just being Cetera solo, it also boasted Richard Marx on the bill. Though this is an artist my mother enjoys as much as I do, he wasn’t an heirloom: Richard Marx is an artist I learned to love all on my own, from the late 80s on. I bought tickets in a matter of moments and then started counting down the days until I could get myself out to Thunder Valley Casino on Friday the 13th (of July). Continue reading “Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18”

Show Review: Tony Lucca and Ernie Halter at Neck of the Woods, 5/17/18

Ernie Halter (L) and Tony Lucca (R) at Neck of the Woods

Ernie Halter and Tony Lucca are “brothers from other mothers” who have “toured a shit-ton together over the years.” While Lucca is originally from Pontiac, Michigan, he and Halter (a native of SoCal) both lived in the LA area for years. Now, however, they have both moved to Nashville, where they’re close enough to babysit each other’s kids when the need arises. This, while great for their families, is not so great for me, as it means I get to see much less of them than when they were a mere 6-hour drive and toured California much more frequently. They recently graced the upstairs stage at Neck of the Woods on Thursday, 5/17, and because it had already been over a year since the last time I’d been able to catch Lucca in my actual neck of the woods, I got there with my proverbial bells on. Continue reading “Show Review: Tony Lucca and Ernie Halter at Neck of the Woods, 5/17/18”

Show Review: Phillip Phillips with Ballroom Thieves at the Fillmore, 3/20/18

Phillip Phillips at the Fillmore.

Let’s face it: fame found as a result of an appearance on American Idol can be a mixed bag. On one hand, there’s the bad (William Hung, that guy who sang that “Pants on the Ground” song, Nikki McKibbin). On the other hand, without Idol none of us might ever have been exposed to Carrie Underwood, Jennifer Hudson, Kelly Clarkson… While I haven’t seen the ABC reboot of this show, I have been known to follow the show in the past. Ever since Phillip Phillips‘s audition with a brilliant cover of “Thriller,” I’ve been a big fan. Over the years, I’ve seen him go from a no-name hopeful on a reality TV singing competition to winning the whole shebang, to opening for John Mayer, to headlining a Napa music festival. Now he’s released his third album, Collateral, which he played San Francisco’s legendary Fillmore this week to promote. Continue reading “Show Review: Phillip Phillips with Ballroom Thieves at the Fillmore, 3/20/18”

Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18

Color me impressed, Mr. Gutt.

Gather round, children, it’s story time. (Well, okay, it’s really just more of a long-winded introduction, but bear with me here…) My brother is, by far, one of my favorite people on the planet. He’s a few years older than me, so he was a senior in high school when I was a freshman, and I was fortunate that he was nice to me in front of his peers. This meant that all the older, cooler kids accepted me rather than finding me annoying. This was also the time in our lives when we first started to agree on (and bond over) music. In particular, we loved Aerosmith (because who wasn’t obsessed with Get a Grip in the early/mid 90s?) and Stone Temple Pilots. So fast forward nearly 25 years, and you’d better believe we were both dying to catch the band at San Francisco’s legendary Fillmore. Continue reading “Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18”

BottleRock Napa Valley 2017 Festival Journal, Day 3

The Foo Fighters intended to play until they could play no more (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Where had the time gone? Somehow it was already Sunday, and Day 1 and Day 2 were already behind us!

Sunday promised to have the best weather of all, as well as some acts I’d been really looking forward to. Because I’d missed The Helmets last year – but heard them from my house and was impressed enough to text a friend who was already there, asking who they were I knew in advance that I had to make it there early this year to see them in action. Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 3”

BottleRock Napa Valley 2017 Festival Journal, Day 2

Tom Petty & the Heartbreakers headline Saturday at BottleRock Napa Valley 2017 (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

This year’s Saturday at BottleRock Napa Valley promised to be a beautiful warm and breezy 75 degrees, the perfect weather for a festival full of good music, great food and all the beer, wine, and cocktails you can handle! Once again, there were more acts scheduled than was possible to see all at once, so I had to pick and choose pieces of sets from the bands I most wanted to see to make it all work. (For example, who wants to decide between House of Pain and Bishop Briggs? I wanted to “jump around” and jam out with Ms. Briggs… Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 2”

BottleRock Napa Valley 2017 Festival Journal, Day 1

Maroon 5 headlines Friday night at BottleRock Napa Valley 2017 (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Last weekend marked the return of my hometown’s beloved music, food and drink festival, BottleRock Napa Valley, which turned five this Memorial Day weekend. In addition to boasting phenomenal music lineups year after year, BRNV offers a wine garden, a “beer bend,” a silent disco, a beer and bourbon garden, displays of art throughout the festival grounds, and of course, the culinary delights that have come to be associated with this valley that is so much more than wine. Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 1”

SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17

Sketchfest co-founder & all-around funny girl Janet Varney

I’ve always liked Janet Varney, who I knew almost exclusively from her work with Thrilling Adventure Hour, but once someone made the connection for me that she was one of the co-founders of SF Sketchfest, my admiration for her ratcheted up quite a few notches. So, she’s super funny, and likeable, and charming, and kind of a badass producer too? So cool! So this year, when I was perusing the schedule, and saw that she was doing a live podcast (The JV Club, it’s called) with Matt Nathanson, Rachel Dratch, and Jon Hamm? Hell yeah! I’d been trying to get to a Rachel Dratch appearance at Sketchfest for at least a year or two, and Jon Hamm is so fun when he’s in comedy mode (which I’d not yet seen live, either). I immediately put in my request and hoped I’d get to cover the show. Next thing I knew, there I was, at Brava Theater Center, last Saturday afternoon, with a great seat, just in time for the house lights to go down. Continue reading “SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17”

SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017

Special guest: the delightful “Weird Al” Yankovic

Show 2 of my 3 at this year’s SF Sketchfest was last weekend at Swedish American Hall on a chilly grey Saturday afternoon. What better way to spend such a day than laughing with Pat Francis taping a live Rock Solid podcast with Kyle Dodson and special guest “Weird Al” Yankovic? I couldn’t think of anything I’d rather do, either. Continue reading “SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017″

SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017

The lovely Kirsten Vangsness is a MESS.

It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out.
Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”