Jason LeRoy – Page 18 – Spinning Platters

Film Reviews: “Beastly” / “Take Me Home Tonight”

Beastly

starring: Alex Pettyfer, Vanessa Hudgens, Neil Patrick Harris, Mary-Kate Olsen, Peter Krause, Lisa Gay Hamilton

directed by: Darren Barnz

MPAA: Rated PG-13 for language including crude comments, brief violence and some thematic material.

Take Me Home Tonight

starring: Topher Grace, Anna Faris, Dan Fogler, Teresa Palmer, Chris Pratt, Michael Biehn, Lucy Punch, Demetri Martin, Michelle Trachtenberg, Michael Ian Black, Angie Everhart, Bob Odenkirk

directed by: Michael Dowse

MPAA: Rated R for language, sexual content and drug use.

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Noise Pop Show Review: Best Coast, Wavves, Hunx and His Punx, Royal Baths at the Regency Ballroom, 2/26/2011

bestwaves 7 — Bethany Cosentino lets it rip. Photos by David Price.

Best Coast and Wavves played the final night of their Summer is Forever tour as part of Noise Pop on Saturday night. It was a sold-out affair that proved to be one of the biggest draws of the festival. Some might say it was oversold. Others might agree, but are presumably still too high to form complete thoughts.

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Film Review: “Hall Pass”

Jenna Fischer, Owen Wilson, Jason Sudeikis, and Christina Applegate in HALL PASS. Photo by Peter Iovino – © 2011 New Line Productions, Inc.

starring: Owen Wilson, Jason Sudeikis, Jenna Fischer, Christina Applegate, Nicky Whelan, Richard Jenkins, Stephen Merchant

directed by: Peter & Bobby Farrelly

MPAA: Rated R for crude and sexual humor throughout, language, some graphic nudity and drug use.

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Film Review: “Unknown”

starring: Liam Neeson, January Jones, Diane Kruger, Aidan Quinn, Bruno Ganz, Frank Langella

directed by: Jaume Collet-Serra

MPAA: Rated PG-13 for some intense sequences of violence and action, and brief sexual content.

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Spinning Platters Interview: Gregg Araki on “Kaboom”

Gregg Araki directing Thomas Dekker and Juno Temple on the set of KABOOM

For most of the ’90s, the name “Gregg Araki” was synonymous with edgy underground movies about armageddon and alienation, with bursts of disturbing violence and, most importantly for those of us who were going through puberty at the time, lots of graphic pansexual coupling. Emerging from the New Queer Cinema scene with films like The Living End and Totally Fucked Up, Araki earned his place in the cult-movie pantheon with his sex-and-apocalypse masterworks The Doom Generation and Nowhere.

Then, after 1999’s comparatively tame romantic comedy Splendor, Araki stunned fans and critics alike with the devastating drama Mysterious Skin, which starred Joseph Gordon-Levitt in a revelatory, career-best performance as a furious hustler living in the aftermath of the molestation he suffered as a young boy. Araki followed this with a much lighter offering, the delightful Anna Faris stoner comedy Smiley Face.

But for those of us who’ve always had a soft (or hard) spot for his ’90s heyday, there’s good news: the old Araki is back in business with Kaboom, which out-sexes and over-apocalypses even his most delirious big-screen moments. Araki recently sat down with Spinning Platters to discuss creative freedom, talking to Republicans about gay sex, and the Doom Generation commentary track we’ve all been waiting for.

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Spinning Platters Interview: Alex Pettyfer on “I Am Number Four”

Alex Pettyfer is looking at a flyer with his name and picture on it. “ALEX PETTYFER!” he bellows in a mock-announcer voice. “And also, BAY AREA NATIVE DIANNA AGRON!” he reads, referring to the Glee actress and Burlingame native, also his I Am Number Four costar and rumored girlfriend. The flyer is advertising a promotional appearance Pettyfer and Agron will be making at a store in San Bruno the next day. “This is very impressive,” he says. “Just… wow.”

Like the rest of America, the 20-year-old Pettyfer isn’t quite used to seeing himself in the spotlight yet. As of this moment, the British native is still able to walk the streets largely unrecognized. Other than roles in such little-seen films as Alex Rider: Operation Stormbreaker and the Emma Roberts vehicle Wild Child (and his work as a Burberry model), there’s really no reason you should know him. But that all changes this Friday, with the release of the massively promoted, Michael Bay-produced I Am Number Four.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/10/11 – 2/16/11

What does the Bay Area concert scene have in store for Valentine’s Day weekend? Look after the jump to find out.

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Sketchfest Review: An Evening with Cloris Leachman at the Castro Theatre, 2/5/11

Cloris Leachman greets her adoring fans while hostess Peaches Christ braces herself.

“80. Fuckin’ 80.”

These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.

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Sketchfest Review: The SF Sketchfest Comedy Writing Award – James L. Brooks in conversation with Danny DeVito at the Castro Theatre, 2/1/2011

James L. Brooks snaps a photo of Danny DeVito doing an impression of him knocking on Debra Winger's locked door during the turbulent filming of "Terms of Endearment."

While past recipients of the SF Sketchfest Comedy Writing Award have included Robert Smigel and John Hodgman, the Sketchfest crew that introduced this years’s winner freely admitted to outdoing themselves this time: the legendary James L. Brooks, a towering institution in the worlds of film and television writing, the man who won three Oscars – Picture (as a producer), Director, and Adapted Screenplay – for his very first directorial effort, the immortal weepie Terms of Endearment.

And not only did they snag Brooks, but they also got the inimitable Danny DeVito, who has known Brooks since their Taxi days, to serve as a moderator for what was intended to be a discussion of Brooks’ life and career. I say “intended” because the evening was ultimately less about Brooks’ personal career reflections than DeVito’s broad comic interpretation of their years working together. But since he had everyone (including Brooks) red-faced and panting from laughter, everyone still walked away satisfied. Well, everyone except poor Debra Winger.

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Film Review: “The Rite”

Anthony Hopkins, Colin O'Donoghue, and Marta Gastini in THE RITE

starring: Anthony Hopkins, Colin O’Donoghue, Alice Braga, Ciarán Hinds, Toby Jones, Rutger Hauer, Marta Gastini

directed by: Mikael Håfström

MPAA: Rated PG-13 for disturbing thematic material, violence, frightening images, and language including sexual references.

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