I have no idea what to make of Computer Chess. This is what’s good and bad about it.
The answer is off in the distance in Andrew Bujalski’s Computer Chess
Computer Chess is either a very smart movie that’s way over my head, or one of those movies that is trying to be very smart and missing the mark. It’s to its credit and detriment that I can’t tell. The film is shot by writer/director Andrew Bujalski in black and white, and is meant to look like an old VHS documentary. This effect fades in and out as needed, though, and like many mockumentaries, we start getting treated to standard camera angles and edits as the story calls for it. Continue reading “Film Review: Computer Chess”
Emma Watson dances, but not as much as you want, in The Bling Ring.
The Bling Ring is Sofia Coppola’s fictionalized account of the real life Hollywood Hills burglaries of 2009, when a group of young Los Angelenos spent their nights breaking into the houses of celebrities to steal their high end clothes, purses and jewelry. While it’s technically based on a Vanity Fair article about the crimes, it draws a lot of inspiration from a reality show that starred one of the participants. How familiar you are with this show is going to determine your reaction to the film. That’s problematic. Continue reading “Film Review: The Bling Ring”
There are a few things you can learn from going to BFD, Live 105’s annual concert at Shoreline Amphitheater in Mountain View. Among these are that people will wait in huge lines to spin any prize wheel, it can take over an hour to go from the highway exit to a parking space, and there’s no such thing as a “bad lineup” for BFD. It will nearly always sell out, and will always have some surprises. And this year, with the “Surprise Special Guest” appearing on the bill, we knew we were in for at least one. Continue reading “Show Review: Live 105’s BFD at Shoreline Amphitheater, 5/19/2013”
Streets of Fire plays at The New Parkway in Oakland on Saturday, May 11th at 10:30
Unlike other movies that have entered the canon of “cult films,’ Streets of Fire is actually considered a good movie by some people who judge that sort of thing. But it’s over-the-top nature of the characters, the terrific music, and the combination of Michael Pare and Diane Lane that make this movie absolutely worth seeing. But why should I try to convince you when I can just quote the opening voiceover from the trailer:
On a special Friday Popscene that went far into the night, all the way into the headliner’s birthday, the crowd was treated to synth pop in different forms — the dark tinged variety, the choreographed kind, and finally the made-for-the-charts sugary pop of Victoria Hesketh, aka Little Boots. It was a fun night, although not without some rough bits. Continue reading “Show Review: Little Boots with AVAN LAVA and Feathers at Rickshaw Stop, 5/3/2013”
Anthony Mackie, Mark Wahlberg and Duane Johnson in Pain & Gain
When you hear the phrase “Directed by Michael Bay,” you probably think of some if not all of the following things: giant robots, massive explosions, military hardware, unnecessarily scantily clad and impossibly thin women and an insane amount of quick edits. You probably don’t think “passion project.” But that’s what we get here. In order to say yes to directing Transformers 4 for Paramount, Bay insisted that he be given the opportunity to make this “small budget” film ($25 million) based on a series of articles from the Miami New Times that document the exploits of the so-called Sun Gym Gang. The real story is brutal, full of twists and turns, and more than a little weird. So how would this translate into a Michael Bay picture? Continue reading “Film Review: Pain & Gain”
This started with a Facebook post I made on my personal wall:
The cheap seats are $171 for The Rolling Stones at Oracle. $660 for the top price level (not including VIP which costs GKHM). Makes Prince look like a bargain.
To that, my friend and fellow blogger John Marcher of A Beast in a Jungle responded with a long post that started with the line, “Gordon, I want to debate this with you.” So over the next few days, we sent some emails back and forth doing just that, and getting into deep topics like whether career artists are truly artists. I promised him the last word, and he’ll have it between us. We do invite you, however, to post your thoughts in the comments.
John Marcher:
Gordon, I want to debate this with you. The prices are what they are, and they are fair. Is $250 too much to see Prince in a small venue? Absolutely not. He and his band deserve to paid for the show. The people setting up and tearing down the show deserve to get paid. They have to eat on the road and stay in hotels- and do you think Prince and his band are going to eat at fucking Mel’s Diner and stay at the Holiday Inn? Continue reading “Is It OK For Artists to Charge High Prices For Their Concert Tickets?”
The announcement sent panic waves throughout the indie rockers of San Francisco: Phoenix at The Independent on April Fool’s Day. And this was not a hoax. What it was, though, was an impossible ticket. A representative of The Independent was quoted in the paper as saying the show sold out “immediately.” It sent everyone I know scrambling for tickets, wanting to be at what was officially the welcome back party for Steve Masters of Live 105, and would also serve as the unofficial kickoff to Fauxchella. Continue reading “Show Review: Phoenix with Mac DeMarco at The Independent, 4/1/2013”
Just Mika, lit only by a single white globe that appeared to be floating in air, and those darned camera phones.
Mika burst on to the scene a few years ago with a sugary pop masterpiece, Life in Cartoon Motion, and his joyful and colorful live shows, chock full of balloons, confetti, streamers and a giant pop band behind him. Now, he’s on tour supporting his newest album, The Origin of Love, and he’s taking a markedly different approach. This show, billed as “An intimate evening with” saw him behind a piano for the lion’s share of the evening, joined only by Max Taylor and Curtis Stansfield on a variety of instruments. It was stripped down, and it was wonderful. Continue reading “Show Review: An Intimate Evening with Mika at Great American Music Hall, 3/25/2013”
Spinning Platters is re-running our 2010 podcast with the late Steve Brodsky. He passed away last night after a hearty battle against Acute Myeloid Leukemia. He was the manager for many great bands, such as Wallpaper., Midi Matilda, Orgone, and AB & The Sea. He was also a really great guy and a very early supporter of Spinning Platters. The Bay Area music scene lost a very important, kind, and funny man. This podcast was loads of fun to record, and we will miss him dearly.
And if you haven’t registered to be a bone marrow donor, please do so. It only takes a few minutes to potentially save a life!
