Chad Liffmann – Page 20 – Spinning Platters

Film Review: Black Sea

A few leaks can’t sink this thrilling submarine flick.

About halfway through Black Sea I realized that I wasn’t breathing. It was a scene in which a few members of the submarine crew exit into the blackness of the ocean floor, and the claustrophobic intensity got the best of me. I had to take a moment to inhale and exhale and remind myself that it’s just a film, and soon after I was sucked back into it. Kevin Macdonald’s Black Sea is not just a deep sea treasure hunt that entertains with its thrills. The film sinks in deeper intellectually by the way it weaves in post-war sentiments, economic tensions, and the battle between war-torn human nature versus basic human values. Black Sea is the best submarine film released in many years, and one of the tightest thrillers in recent memory.

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Film Review: Blackhat

Blackhat is a real hack job.

Hacker Hemsworth looking as confused about 'Blackhat' as we are. — Hacker Hemsworth looking as confused about ‘Blackhat’ as we are.

Blackhat is a film about a good guy hacker team trying to stop an elusive bad guy hacker. It had a lot going for it, considering it’s directed by Michael Mann (Collateral, Heat), stars ultra-manly Chris Hemsworth (Thor), and as we can all attest to, its cybercrime theme is very relevant. So why is Blackhat such a bad movie? It’s bad because it’s messy, miscast, and poorly put together. Not Michael Mann’s trademark digital lensing nor Hemsworth’s chiseled abs can save Blackhat from plodding through grating dialogue, an unrealistic plot and a pointless romantic subplot. Aside from a solid supporting job from Viola Davis and some beautiful night shots of cities around the world, Blackhat basically fails on all fronts.

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Local Spin: Interview with Briget Boyle

aprilrenae20140925brigetboyle-505WEB — (Photo by April Renae)

When I ponder my favorite singer-songwriters, I think about musicians that are authentic, honest, and speak from the inside out. Catchy hooks don’t hurt, either. Local musician Briget Boyle (www.brigetboyle.com) exemplifies these characteristics in her debut solo album, The Parts Interior. After many years spent performing in an assortment of music groups within multiple musical genres, Briget has now broken out as an individual songwriter and the result is an album both emotionally resonant and beautifully harmonious! I spoke with Briget about The Parts Interior and her journey to this point…

You’ve been on a long musical journey involving various groups and projects. What made now the right time for your solo debut?

Well, I had carved out a lot of space for myself creatively. Brass Menažeri is no longer together and I left Kitka a few years ago, and that space has given me the time to start writing again and really dig into myself as a songwriter. There was something holding me back for a long time. I wasn’t writing for a while. It’s hard to say exactly what it was, but I’ve been doing a lot of work on myself over the last couple of years and through that work, both emotionally and spiritually, I realized that I needed to let my songwriter shine. I had a lot of support from my partner, Harlow, and my community. I was able to raise money to do this and it all just fell into place really nicely.

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Film Feature: Chad’s Top 10 Films of 2014

Spinning Platters film critics present their top 10 films of 2014

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014. Here is Chad’s list, presented in reverse order of greatness; you can also see Carrie’s list here.

10.) Snowpiercer

Snowpiercer, Bong Joon-ho’s masterful post-apocalyptic thriller, was forced to fly beneath the radar since it was released on the same day as the horrific yet unfortunately box office dominating Transformers: Age of Extinction. Set in a human-created ice age in which the last survivors on the planet ride around on a crazy-long bullet train, Snowpiercer uses its science-fiction fantasy premise to punctuate some terrifying reflections on the socio-political tensions of modern day society. Chris Evans turns in another solid action hero performance (duh, Captain America) and Tilda Swinton is wicked good as the cruel and quirky “voice”/messenger of the upper class.

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Film Review: The Hobbit: The Battle of the Five Armies

H-O-B-B-I-T! Fight! Fight! Fight!…and joke…and Fight! Fight! Fight!…and joke…

Thorin (Richard Armitage) and Bilbo (Martin Freeman) size each other up.

Let’s get this out of the way — The Hobbit should’ve been 1-2 movies, not 3. Most of us came to terms with this years ago. That’s a conversation for a another time, however. For now, let’s concentrate on the third and final installment of The Hobbit trilogy, and the final chapter (without debate) of Peter Jackson’s exploration of Middle Earth. The Hobbit: The Battle of the Five Armies (HTBotFA) is not the best of the trilogy – it trails HTDoS (The Hobbit: The Desolation of Smaug) but is a bit ahead of HAUJ (The Hobbit: An Unexpected Journey). While the middle chapter had some interesting character transitions, HTBotFA has very little substance outside the constant fighting taking place. We’ve seen better battles before, so the ones featured here seem tired and stale, and therefore overwrought with unique creature designs to help grasp for freshness. And once again, it’s an exciting but sometimes silly feast of CGI, the kind that makes you miss the hillside skirmish in Fellowship of the Ring or even the large battle at the end of The Return of the King, which featured a lot of actual actors in costumes. Here, it’s commonly 1-2 actors versus scores of CGI creatures. It’s just not as thrilling. And so the newest Hobbit film is a tired, ultra climactic end to a superfluously extended journey which was generally fun to watch, yet constantly played second fiddle to the far superior LotR trilogy.

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Film Review: Exodus: Gods and Kings

Exodus highlights the ongoing battle between traditional and modern filmmaking, and neither side really wins.

Battle Moses. Complete with armor, shiny sword, and unidentifiable accent.

Exodus: Gods and Kings was bound to be a spectacular epic, considering the biblical source material and the director at the helm, Sir Ridley Scott. Scott echoed this projection when he said that Exodus: Gods and Kings is his “biggest” movie yet. Considering his long resume of major titles, that’s quite a statement and yet it’s true. The sets, the action, the effects, and the scope are all monumental, and these are mainly where the movie succeeds. It’s heartwarming to know that there’s still room for traditional sandal epics in the modern film business, featuring a good amount of built sets and armies of real actors (as opposed to CGI backdrops and armies…though these are still employed here as well). But trying to keep to tradition comes with a price, and some poor decisions. Exodus is weakest (and most controversial) in its casting choices and artistic breaks from the source material, but these falters can’t keep Exodus from providing a mostly exciting experience.

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Film Review: Horrible Bosses 2

A solid second ride thanks to great chemistry

Buddies Nick, Kurt, and Dale show off their new shower buddy.

From the co-writers of Dumb and Dumber To, the disappointing comedy sequel, comes Horrible Bosses 2, the slightly-less disappointing and still quite funny comedy sequel. Yes, we know that comedy sequels rarely work since the humor isn’t as fresh and the jokes are often forced. Horrible Bosses 2 is definitely not as funny as the original 2011 hit which took the dark fantasies of all white collar workers and spun them into a hilarious story of three down-and-out losers trying to kill their horrible bosses. But, HB2 still has plenty of great moments, primarily due to the chemistry between the three leads, and will likely entertain any fan of the first film (like myself) and coerce a few belly laughs from newcomers. But there’s no denying that considering the incredible cast of the new film, the film could’ve reached even greater comedic heights.

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Film Review: Dumb and Dumber To

Better late than never? Maybe not this time.

Why is Dumb and Dumber To disappointing?… Is it because the new movie has six writers instead of three like the original? Is it because the 90’s style of humor just isn’t funny anymore? Or is it that Jim Carrey and Jeff Daniels just don’t carry the same onscreen charm they did twenty years ago? None of the above (well, maybe the first one). The best aspect of Dumb and Dumber To, the highly anticipated (and worry-inducing) sequel to the Farrelly brothers’ classic side-splitting 1994 comedy, is seeing the Carrey-Daniels duo back on screen together. The worst aspect is that Peter and Bob Farrelly lost sight of their own character creations, making them more mean-spirited now rather than the lovable dimwits they were before. Dumb and Dumber To isn’t without its funny moments, and there are a few nuggets, but twenty years should have yielded a more loyal and clever return to the world of Harry and Lloyd.

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Film Review: Interstellar

A space opera. A sci-fi blockbuster. A heavy hitter. Just enjoy the ride.

Matthew McConaughey gives the thumbs up to space travel.

*NOTICE: Many people have tried tirelessly to avoid exposure to any spoilers or plot details (or anything, really) regarding Interstellar. I found it hard to write about Interstellar without mentioning ‘anything, really’, so be forewarned*

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Film Review: Fury

Aptly titled with a gutsy delivery.

It’s hard to imagine much originality stemming from any new or forthcoming World War II movies. This was my thought back in 2009 before Quentin Tarantino’s Inglourious Basterds was released, offering audiences a completely new vision of the second world war and delivering never-before-seen perspectives with style. This isn’t to say that that film revitalized the genre, but it kinda did. The newest World War II tale, Fury, starring Basterds alum Brad Pitt, offers a focus we haven’t seen much of (tank vs. tank battles), but otherwise a lot of the same gruesomeness and gritty warfare and dehumanized soldiers we’ve seen before. If it weren’t for a lack of strong character development, Fury could have been a war classic. Fury is a strong entry into the World War II genre, focusing on a much-passed over yet crucial deadly type of war machine (again, tanks), yet still overtly showcasing the horrors and disturbing nature of war.

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