Chad Liffmann – Page 14 – Spinning Platters

Film Review: The BFG

BFG delivers the magic, the humor, and the 3D.

Sophie and The BFG soak up the 3D rendered beauty. — Sophie and The BFG soak up the computer generated beauty.

There was a moment while watching The BFG that I snapped ever-so-briefly out of my trance and realized that I had been fully swept up in the magical atmosphere that Steven Spielberg had created in his cinematic adaptation of Roald Dahl’s classic children’s story. It’s not often that I become immersed in a movie. Or rather, it’s not often that a movie can effectively invite me to get immersed in it. The BFG is one of the few. It’s not a perfect movie — it falls just shy from delivering a rewarding emotional peak and contains some moments of directionless storytelling. However, from an entertainment standpoint, The BFG is like a wondrous and inventive bedtime story. It’s a truly magical family-friendly film from start to finish.

Continue reading “Film Review: The BFG“

Film Review: The Legend of Tarzan

Tarzan comes out swinging, but just barely misses.

Tarzan of the Apes, written by Edgar Rice Burroughs, first appeared in the pulp magazine All-Story Magazine in 1912. Since then, Tarzan has been the title character of numerous novels, TV series, film adaptations, and more. It’s an old and valuable property, hence the ® symbol noticeably visible on the opening title credit. Now there’s a new Tarzan feature film, not surprisingly called The Legend of Tarzan since at this juncture there’s enough in the Tarzan mythos to argue a “legend” has been well-established. Unfortunately, the new film can’t avoid the blatant traditional racial tropes that were overwhelmingly present in Burroughs’ creation — after all, Tarzan, the hero who frees slaves and shifts the political and cultural course of central Africa towards the greater good, is a white man. Racial issues aside, there are still some emotional and visual pitfalls that the exciting action and stunning vistas can’t make up for. What does work about The Legend of Tarzan, in addition to a better-than-expected script, is a testament to the solid direction of David Yates (who directed the final four Harry Potter films).

Continue reading “Film Review: The Legend of Tarzan“

Spinning Platters Interview: Justin Freer, Founder and President of CineConcerts

On July 14-15, the San Francisco Symphony will celebrate 50 years of Star Trek with Star Trek: The Ultimate Voyage, featuring iconic film and TV footage beamed on to a huge screen while the symphony performs the musical scores, live! CineConcerts, the producer of this live music experience, was founded by composer/conductor Justin Freer. Freer will be conducting the SF Symphony’s two performances.

Freer graciously took a short break from a studio session to speak to us about his musical career, CineConcerts, and of course, Star Trek…

Justin Freer: Let’s do this. What do you want to talk about?

Spinning Platters: Let’s talk about film music!

Justin Freer: <<laughs>>

SP: How did you first get into film music? I read that you grew up learning trumpet and later music composition, but when did film music start to interest you?

Continue reading “Spinning Platters Interview: Justin Freer, Founder and President of CineConcerts”

Film Review: Central Intelligence

The Rock and Kevin Hart are having so much fun — it’s infectious.

Super secret action plan from The Rock to Kevin Hart.

There are more holes in the plot of Central Intelligence than there are in an average kitchen sponge, but it doesn’t matter. The action scenes are poorly shot, but it doesn’t matter. The character arcs are flatter than plywood, but it doesn’t matter. What matters the most is that Dwayne “The Rock” Johnson and Kevin Hart are having a blast acting in the fast-paced, ridiculous buddy crime comedy, Central Intelligence, and their exuberance is infectious, making this film a satisfying viewing experience.

Continue reading “Film Review: Central Intelligence“

Film Review: Popstar: Never Stop Never Stopping

Raps and riffs its way to gold, but far from platinum.

10+ years ago, “Lazy Sunday” took the internet by storm and injected the Berkeley-based comedy musical trio, The Lonely Island, into the mainstream. Since then, they’ve been responsible for countless popular SNL Digital Shorts and a handful of award-winning comedy albums. Now, their first feature-length film, Popstar: Never Stop Never Stopping, hits theaters and brings along their superb blend of awesomely crude but catchy pop music, satirical humor, and over-the-top random ridiculousness. Popstar is great at poking fun at the pop music industry, and delivers some really raunchy humor and fantastically clever music, yet fails more often than not to produce worthy punchlines or climaxes to major scenes.

Continue reading “Film Review: Popstar: Never Stop Never Stopping“

Film Review: The Lobster

An utterly unique (surrealist) romantic comedy that inadvertently subverts all other romantic comedies.

Name the defining characteristic of each of these three.

To all you single folks — do you feel the pressure of finding a partner? Well, imagine that you have 45 days to do so otherwise you’ll be turned into an animal. How’s that for pressure? That’s the boiled-down premise of Yorgos Lanthimos’s The Lobster, a fascinatingly bizarre and dark dramedy romance (you could say it transcends multiple genres). Of course, there’s a lot more to The Lobster than just the 45 day ultimatum tidbit. The film eschews most everything that remotely resembles normal storytelling yet manages to convey a uniquely human story within its dystopian setting. The Lobster is a sharp satirical look at the oppressive nature of our societal coupledom, maintaining a steady level of surrealist humor even as it descends into darker and darker territory and an appropriately uneven finish.

Continue reading “Film Review: The Lobster“

Film Review: The Nice Guys

Russell and Ryan, a match made in dark comedy heaven.

The Nice Guys isn’t the first time that director Shane Black has dabbled in the Los Angeles neo-noir comedy genre, and not the first time his LA neo-noir comedy has featured the pairing of an odd couple solving a crime. 2005’s Kiss Kiss Bang Bang is a highly under-appreciated noir caper with hysterical performances from Val Kilmer and Robert Downey Jr. Truth be told, Kiss Kiss Bang Bang is a smarter, funnier, and all around better movie than The Nice Guys, but the latter is very entertaining and deserves a lot of credit. Despite a quasi-tonal mess that it actually ends up embracing, the film’s laid back trivial attitude and hilarious performances from its two leads make The Nice Guys a satisfying early summer romp.

Continue reading “Film Review: The Nice Guys“

SFIFF59 Spotlights #7: The Lobster / Escapes / The Islands and the Whales / Ayiti Mon Amour

IMG_2135.CR2

Spinning Platters is slowly but surely completing its coverage of the 59th San Francisco International Film Festival. Alas, SFIFF59 ended two nights ago, but we’re here to keep providing you spotlights on little known films that may come to a theater near you in the foreseeable future — so here’s a quick glimpse at four more features!

The Lobster
(USA, 2015, 119 min, Added Programs)

Dark and satirical, romantic and visceral, The Lobster is a bizarre piece of thought-provoking cinema from Dogtooth director Yorgos Lanthimos. Colin Farrell plays a recently single man who checks into a “center” of sorts that focuses on matching romantic couples together — and the ones that don’t succeed in finding love get turned into animals. This peculiar premise and all of its intricacies are treated with extreme informality. The most brilliant aspect of The Lobster is that at the heart of all the odd characters (including top notch performances from John C Reilly, Rachel Weisz, and Ben Whishaw) and morbidly humorous absurdities is a uniquely human story that connects to our innermost societal fears, anxieties, and emotions.

The Lobster will be in Bay Area theaters May 20th.

Continue reading “SFIFF59 Spotlights #7: The Lobster / Escapes / The Islands and the Whales / Ayiti Mon Amour“

Film Review: Captain America: Civil War

You want the most action-packed, entertaining, thought-provoking Marvel movie to date? Aye aye, Captain!!

Remember Batman v. Superman? If you don’t, then congrats. If you do, rest assured that Captain America: Civil War will wash the bad taste from your mouth. The new movie has a remarkably similar plot to BvS but every bit is a million times superior. In fact, it’s so much better that you won’t even recognize the similarities upon first viewing. The benefits of watching Captain America: Civil War don’t end there — the third Captain America film is probably the best Marvel movie yet! A bold statement, you may think. Well, there is nary a moment in CA:CW that isn’t entertaining or driving the story forward. It explores thought-provoking themes of social class, abuse of power, government regulations, and sacrifice, all while delivering high levels of fun. What’s most impressive about Captain America: Civil War is its ability to utilize what we already know about each character to fuel the story we’re seeing, meanwhile teasing us with stories to come. It’s like the Empire Strikes Back of the Marvel Cinematic Universe, and that’s just about the highest compliment I can give it.

Continue reading “Film Review: Captain America: Civil War“

SFIFF59 Feature: Golden Gate Awards

Screen Shot 2016-05-05 at 9.13.15 AM

Last night at Gray Area, the newly remodeled Grand theater, the Golden Gate Award winners of the 59th San Francisco International Film Festival were announced. With tacos and chardonnay in our stomachs, and smiles being exchanged between filmmakers, Film Society members, SFIFF59 staff members, and press members alike, we took time to honor all the films at this year’s festival.

Here are the winning films in the 12 categories announced at the GGA celebration (~$40,000 in prize money):

Golden Gate New Directors (Narrative Feature) Prize:
Winner: The Demons, Philippe Lesage (Canada)
Jury note: “The Demons is an extraordinarily perceptive and structurally daring exploration of childhood in all its terrors and anxieties, both real and imagined.”

Special Jury Prize: Mountain, Yaelle Kayam (Israel/Denmark)
Jury note: “The film provides a rigorous and multifaceted character study that becomes a bold statement about the role of women in physical and psychological confinement.”

Continue reading “SFIFF59 Feature: Golden Gate Awards”