Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
If you don’t like romantic comedies, you might as well stop reading right now, since Leslye Headland’s new film Sleeping with Other People is, without a doubt, a bona fide rom-com. But, if you are open to the category, then you’re in for a real treat here – Headland’s film is smart, funny, and true, and one of the best and brightest pictures the genre has seen in years.
A Walk in the Woods, based on Bill Bryson’s popular 1998 memoir of attempting to hike the Appalachian Trail, is inevitably going to be compared to Wild, last year’s film of Cheryl Strayed’s memoir about hiking the Pacific Crest Trail, on the opposite side of the country. Aside from similar plots, though, the two films have little in common; Wild is the better picture by far, but A Walk in the Woods holds its own as a sort of lightweight, droll counterpart. What Wild did for solo women hikers on the PCT, A Walk in the Woods might do for the grandfather set on the AT.
Spanish director Isabel Coixet (Paris, je t’aime; My Life Without Me) must have enjoyed working with Patricia Clarkson and Ben Kingsley in her well-received 2008 film Elegy, since she’s collaborating with them again here in Learning to Drive. While this vehicle (no pun intended) is more lightweight than Coixet’s earlier picture, its characters are equally compelling, and it makes for a pleasant enough end-of-summer movie outing.
At 75, Lily Tomlin has had such a long, varied acting career that few may not realize she hasn’t actually had a leading role in a film since the 1988 comedy Big Business. Thanks to writer/director Paul Weitz, though, who directed Tomlin as Tina Fey’s mother in 2013’s Admission, Tomlin returns to brilliantly helm a picture in Weitz’s smart and engaging Grandma, which opens widely today after rightfully garnering much praise at the Sundance Film Festival in January.
Your interest in seeing Irrational Man, Woody Allen’s newest film, will largely depend on your level of interest in existential philosophy. Allen does give us fair warning as to what he’s up to, though; his chosen title shares the same name as William Barrett’s seminal 1958 book Irrational Man: A Study in Existential Philosophy, an introduction to the philosophy’s basic concepts and major thinkers. So if you were on the edge of your seat during your Philosophy 101 days, then this film’s for you; if not, then you might want to skip this class – er, film.
Amy Schumer, who in the past year has become comedy’s reigning it girl, breaks on to the big screen today with Trainwreck, the Judd Apatow-directed film that she both wrote and stars in. The Apatow-Schumer combination is as powerful as comedy fans would hope; the film is filled with Schumer’s no-holds-barred, brilliantly edgy funny bits, tempered by the same down-to-earth sweetness Apatow brought to pictures like The 40-Year-Old Virgin. The result is a refreshing, raw romantic comedy that will charm and delight even the most jaded rom-com fans.
Boulevard is a tough movie to review, and an even tougher movie to watch, and not because it’s exceptionally good or exceptionally bad; it’s neither of those, but is a decent, if somewhat unoriginal, follow up by director Dito Montiel to his much lauded 2006 picture A Guide To Recognizing Your Saints. What makes the film hard to look at objectively is that it features Robin Williams in his last dramatic role, and it’s very difficult to see Williams’s performance here and not think about what he was going through when this film was made, only a year or so before his tragic suicide.
That Magic Mike XXL is opening in the middle of a heat wave is appropriate, because, well, hot damn, do these boys look good, and man, do they have some scorchingly sexy moves. Bring your bottled water into the theater ladies (and men – this is a movie that knows – and courts – both its female and male audiences; stars Channing Tatum, Matt Bomer, and Adam Rodriguez thrilled fans recently at the Los Angeles gay pride parade), because you’re going to need some cooling down.
In 1975, a new variety show premiered on NBC that was unlike anything that had come before it; it was, according to Laraine Newman, one of the show’s original cast members, a cross between 60 Minutes and Monty Python. Despite its ups and downs, after 40 years on the air, Saturday Night Live (or SNL, as it’s more commonly known in the pop culture lexicon), shows no sign of slowing down, and continues to both reflect and influence American culture. Director Bao Nguyen’s new film, Live from New York!, which takes its title from the show’s opening introduction, explores the history and impact of the storied comedy program in a documentary that is both highly entertaining and slightly frustrating.
The 58th San Francisco International Film Festival closes tomorrow, Thursday, May 7th, but that still leaves you time to see some films, including the closing night film, Experimenter (with Winona Ryder in attendance for the Q&A!). The screening is at 7:00pm at the Castro Theatre, and info and tickets are available here.
In the meantime, we’re spotlighting three other films that played during the Fest. And be sure check back after Thursday for our final wrap up.
Welcome to Me
(USA, 2014, 86 min, Marquee Presentations)
Saturday Night Live and Bridesmaids alum Kristen Wiig stars in director Shira Piven’s new film, but the picture is no lightweight comedy. It has some rich laughs, to be sure, but, ultimately, it’s a smart, compassionate, and serious look at mental illness and the narcissism of new social media and reality TV platforms. Wiig plays Alice, a Palm Desert former veterinary nurse with borderline personality disorder who wins the lottery and decides to invest her winnings in a local talk show hosted by, and entirely about, her. The film deftly explores the collision between mental and cultural illness, and Wiig continues to flex the dramatic muscle we saw in last year’s The Skeleton Twins by giving her bravest performance yet. A stellar supporting cast, helmed by Tim Robbins as a patient but firm therapist, and the wonderful Joan Cusack, channeling her famous Broadcast News character, help to shape the picture’s serio-comic tone. Wes Bentley, James Marsden, Linda Cardellini, and Jennifer Jason Leigh nicely complement the proceedings as well, but this is Wiig’s show all the way, and she’s absolutely masterful. Put this one on your must-see list now.
Screenings:
Continue reading “SFIFF58 Spotlights #7: Welcome to Me/Very Semi-Serious/Two Shots Fired”