Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Author: Carrie Kahn
Moving from the arthouse to the multiplex with grace, ease, and only the occasional eye roll. Proud member of the San Francisco Bay Area Film Critics Circle.
Leo (Roberto Aguire) accepts a ride from Nolan (Robin Williams).
Boulevard is a tough movie to review, and an even tougher movie to watch, and not because it’s exceptionally good or exceptionally bad; it’s neither of those, but is a decent, if somewhat unoriginal, follow up by director Dito Montiel to his much lauded 2006 picture A Guide To Recognizing Your Saints. What makes the film hard to look at objectively is that it features Robin Williams in his last dramatic role, and it’s very difficult to see Williams’s performance here and not think about what he was going through when this film was made, only a year or so before his tragic suicide.
These guys want you to share their long, hot… summer
The boys are back in town.
That Magic Mike XXL is opening in the middle of a heat wave is appropriate, because, well, hot damn, do these boys look good, and man, do they have some scorchingly sexy moves. Bring your bottled water into the theater ladies (and men – this is a movie that knows – and courts – both its female and male audiences; stars Channing Tatum, Matt Bomer, and Adam Rodriguez thrilled fans recently at the Los Angeles gay pride parade), because you’re going to need some cooling down.
A variety show on acid: Imperfect but fun documentary considers Saturday Night Live
The official movie poster for Bao Nguyen’s new documentary.
In 1975, a new variety show premiered on NBC that was unlike anything that had come before it; it was, according to Laraine Newman, one of the show’s original cast members, a cross between 60 Minutes and Monty Python. Despite its ups and downs, after 40 years on the air, Saturday Night Live (or SNL, as it’s more commonly known in the pop culture lexicon), shows no sign of slowing down, and continues to both reflect and influence American culture. Director Bao Nguyen’s new film, Live from New York!, which takes its title from the show’s opening introduction, explores the history and impact of the storied comedy program in a documentary that is both highly entertaining and slightly frustrating.
The 58th San Francisco International Film Festival closes tomorrow, Thursday, May 7th, but that still leaves you time to see some films, including the closing night film, Experimenter (with Winona Ryder in attendance for the Q&A!). The screening is at 7:00pm at the Castro Theatre, and info and tickets are available here.
In the meantime, we’re spotlighting three other films that played during the Fest. And be sure check back after Thursday for our final wrap up.
Welcome to Me (USA, 2014, 86 min, Marquee Presentations)
Alice (Kristen Wiig) and Gabe (Wes Bentley) form a connection.
Saturday Night Live and Bridesmaids alum Kristen Wiig stars in director Shira Piven’s new film, but the picture is no lightweight comedy. It has some rich laughs, to be sure, but, ultimately, it’s a smart, compassionate, and serious look at mental illness and the narcissism of new social media and reality TV platforms. Wiig plays Alice, a Palm Desert former veterinary nurse with borderline personality disorder who wins the lottery and decides to invest her winnings in a local talk show hosted by, and entirely about, her. The film deftly explores the collision between mental and cultural illness, and Wiig continues to flex the dramatic muscle we saw in last year’s The Skeleton Twins by giving her bravest performance yet. A stellar supporting cast, helmed by Tim Robbins as a patient but firm therapist, and the wonderful Joan Cusack, channeling her famous Broadcast News character, help to shape the picture’s serio-comic tone. Wes Bentley, James Marsden, Linda Cardellini, and Jennifer Jason Leigh nicely complement the proceedings as well, but this is Wiig’s show all the way, and she’s absolutely masterful. Put this one on your must-see list now.
Screenings:
Opens this Friday, May 8th, in limited release in the Bay Area, including at the AMC Van Ness and the Presidio Theatres in San Francisco, and the Elmwood Theater in Berkeley. You can watch the trailer here.
We’re midway through the 58th San Francisco International Film Festival (SFIFF), and we’ve got more spotlights for you! There’s still a week of films and events left to go, so it’s not too late to get in on the fun; the Festival closes May 7th. Tickets and more information can be found here, and keep checking Spinning Platters for more coverage. In the meantime, here are four more Festival titles to check out:
Me and Earl and the Dying Girl (USA, 2015, 104 min, Added Programs)
Greg (Thomas Mann) and Rachel (Olivia Cooke) prepare to face the chaos of their high school cafeteria.
Mostly known for his TV work (Glee, American Horror Story), director Alfonso Gomez-Rejon was the darling of Sundance this January, deservedly winning both the Grand Jury Prize and the Audience Award for this outstanding, off-beat picture based on the popular novel of the same name. Funny, sweet, and sad without being maudlin, Gomez’s film has all the classic quirky charm of a Sundance hit, combined with the refreshing honesty of the best recent coming of age films like The Perks of Being a Wallflower and The Way Way Back. When awkward Greg (Thomas Mann) is forced by his Mom (Connie Britton) to befriend Rachel (Olivia Cooke), a classmate with leukemia, he and his best friend Earl (RJ Cyler) embark on a project to make a film for her (their movies are short, altered, and hilarious versions of classics; A Clockwork Orange become A Sockwork Orange, for example, filmed with sock puppets). With terrific supporting turns by Nick Offerman as Greg’s dad and Molly Shannon as Rachel’s mom, the entire cast is first-rate. Gomez has made 2015’s first absolute-must-see film. Don’t miss it.
Screenings:
Will open widely on June 12th; check your local theater listings.
Spinning Platters continues its coverage of the upcoming 58th San Francisco International Film Festival (SFIFF) with a spotlight on four more films. The Festival opens next Thursday, April 23rd, and runs until May 7th. Tickets and more information can be found here.
Today’s post looks at one film from the Masters section and three from the Global Visions section. Keep checking back for more coverage throughout the Fest!
Arielle (Bérénice Marlohe) and Brian (Anton Yelchin) wonder what they possibly could do in a hotel room between the hours of 5 and 7.
According to writer/director Victor Levin’s new film, a “5 to 7” relationship among the French refers to an extramarital affair, fully sanctioned by all involved parties, that may or may not take place during those appointed hours, but is termed thusly regardless. In Levin’s new film named for that expression, though, the affair that is the film’s subject does indeed mostly take place during those evening hours. The participants are 24-year-old aspiring New York writer Brian (Anton Yelchin, best known as the Star Trek reboot’s young Chekov) and the beautiful, older, married Frenchwoman Arielle (Bérénice Marlohe, Skyfall). At least these two get to have a few hours of fun; the viewers of this hokey mess aren’t quite as lucky.
It’s Gen X versus the hipsters in Baumbach’s uneven new film
Cornelia (Naomi Watts) and Josh (Ben Stiller) have a late night discussion.
Writer/director Noah Baumbach, who is 45, and whose girlfriend and frequent muse Greta Gerwig (Frances Ha) is 31, obviously knows a thing or two about Gen X/millennial conflict, and it’s hard not to wonder how much his real life experiences shaped While We’re Young, his new picture exploring the generational divide. While intellectually clever and undeniably funny at times, Baumbach’s film is not without its problems.
‘Camp’ is the operative word in Bier’s tiresome logging camp melodrama
Jennifer Lawrence and Bradley Cooper playing dress up.
Critically acclaimed Danish director Susanne Bier tries her hand at directing an American period piece with her newest film Serena, and, unfortunately, the result is a serious misstep, paling in comparison to her excellent, award-winning earlier films (In a Better World, After the Wedding, and Things We Lost in the Fire, among others). Based on a novel of the same name by Ron Rash, the picture stars Jennifer Lawrence and Bradley Cooper in a troubled romance, and the fact that so much talent is wasted here is beyond disappointing.
Physicist and climate change skeptic Fred Singer makes his case in Merchants of Doubt.
Documentarian Robert Kenner, who deservedly earned an Oscar nomination and several other awards for Food Inc., his last documentary, unfortunately doesn’t retain the same level of quality in his newest film, Merchants of Doubt. The picture, inspired by a book of the same name by science writers Naomi Oreskes and Erik Conway, doesn’t even come close to covering the range of topics promised by the book’s subtitle (which Kenner wisely drops): How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming.
